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Picnic at Hanging Rock review – as mysterious as the film, but bigger in every way

This ‘small-screen’ adaptation of Joan Lindsay’s novel shares the dreamy, eerie quality of the 1975 movie, but it has been fleshed out with intriguing backstories

Joe Cole: ‘I was ready to deliver a kicking’

From Skins to Peaky Blinders, actor Joe Cole has made his name playing rogues. But nothing prepared him for the full-on physicality of his latest film

From Practical Magic to F*!#ing Adelaide: what’s streaming in Australia in July

Nicole Kidman’s witchy romcom, ABC’s suburban dramedy and Stanley Kubrick’s icy horror are coming to your screens

‘There was a lot of panic’ – behind the first movies to tackle the Aids crisis

Before Philadelphia won two Oscars, a set of smaller films dealt with the pandemic and those involved talk about the battles they faced getting their stories on screen

Alison Steadman: ‘As you get older, learning lines gets harder’

The actor on doing puzzles in bed, her Liverpool roots and watching wildlife

A Very English Scandal finale review – leaves you reeling, seething and laughing

Fabulous performances all round as Jeremy Thorpe finally comes to trial in a sea of hypocrisy, prejudice, ghastly snobbery, injustice and a chorus of tittering from the public gallery

Thandie Newton: ‘Being the first dark-skinned woman in Star Wars is great… and awful’

With roles in Westworld and Solo: A Star Wars Story, the actor is at the top of her game. From navigating the industry as a black British woman, to ‘brainwashing’ - the journey there wasn’t always easy

No more romcoms for me, says ‘older and uglier’ Hugh Grant

Actor has taken his first TV role in years and says there is now less snobbery about the medium

Wednesday’s best TV: Vive La Révolution!; Inside the SS

Joan Bakewell reminisces about the French revolution that nearly was in 1968, while a new series interviews members of Hitler’s notorious paramilitary group

The future isn’t female enough: the problematic feminism of The Handmaid’s Tale

The second season of the award-winning drama is being criticized as ‘torture porn’ and is less interested in men as aggressors than on women’s role in upholding the patriarchy

From The Americans to The Handmaid’s Tale: what’s streaming in Australia in May

South Korean superheroes, Greta Gerwig dancing around New York, and rich teens on crime sprees are all coming to Australian streaming services

Lean on Pete director Andrew Haigh: ‘I’m quite scared of horses, actually’

Britain’s leading young director made his name laying bare the internal workings of romantic relationships. So what drew him to an intimate story about a boy and an old nag set in the wilds of Oregon?

Box set blockbusters: when movies make better TV shows

The second season of Dear White People belongs in a small crop of shows that have managed to improve on their big screen source material

No, Germaine Greer: women don’t want to watch gratuitous rapes on TV

Women might have fantasies about being tied up or spanked. But as a rule, we don’t fantasise about being buried alive or shot, says Jo Hemmings, a dating and relationship coach

‘It’s exhausting not being human’ – the weird world of Legion’s Aubrey Plaza

How do you play a gender-fluid psychotic figment of a mutant’s imagination? The star of the superhero psychodrama reveals all – and explains why her friends can’t watch it

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  • ‘I thank God for killing me and bringing me back’: Nicolas Winding Refn on the emergency op that inspired his new sci-fi horror
  • ‘I thank God for killing me and bringing me back’: Nicolas Winding Refn on the emergency op that inspired his new sci-fi horror
  • Netanyahu seeks to strip citizenship from Israelis as threats to NAZA film directors intensify
  • The Liberation review – Carrie Coon joins all-female cult in unsettling drama
  • Girls creator Lena Dunham welcomes baby girl delivered via surrogate
  • Resident Evil review – Zach Cregger’s rebooted action horror is a wild rollercoaster ride
  • Smile at Last review – photo-love-story style parable of a teen abandoned at a tough Soviet youth facility
  • Battle of Chile director Patricio Guzmán dies aged 85
  • In-I in Motion review – Juliette Binoche pulls back the curtain on dance duet with Akram Khan
  • Your mission, Tom Cruise, is to improve at interviews. And please keep sending the cakes
  • Whisper of the Heart review – Studio Ghibli deep cut is pep talk on how to live the artistic life
  • The Cycle of Love review – a 6,000-mile bike ride caps a real life Swedish-Indian romance
  • A Talent for Murder review – Helen Mirren is a viperous Patricia Highsmith in hit-and-miss thriller
  • Bad Lieutenant: Tokyo review – Takashi Miike follows Ferrara and Herzog with a disappointment
  • ‘This should be condemned by any thinking human’: film industry rallies behind NAZA directors
  • James McNeill Whistler review – painter’s work shines through attention-grabbing life story
  • The Debut review – Julianne Moore is a thrill in Jesse Eisenberg’s oddball comedy
  • Venice best actress winner says she signed on at Danish job centre days before her victory
  • Legend of Destruction review – starry voices grace animated telling of the Jewish revolt against the Romans
  • Are you outraged by Sydney Sweeney – again? More fool you
  • Night of the Coyotes review – border-crossing role-play is tourist attraction in struggling Mexican town
  • Premature review – sunny charm provides screwball energy for surprise-pregnancy comedy
  • Benedict Cumberbatch on his Earth-saving eco film: ‘We are in the last grab of the extraction era’
  • Elsinore review – Andrew Scott is astonishing as Ian Charleson in devastating Aids drama
  • Jeremy Thomas obituary
  • Sunday in the Park With George musical cancelled, after Ariana Grande and Jonathan Bailey both drop out
  • Israeli minister threatens to strip Israeli film-makers of citizenship over Gaza documentary NAZA
  • Ancestors review – messy but moving ghostly drama about the Aids crisis
  • ‘The eye-gouging was very, very satisfying’: how we made cave horror classic The Descent
  • In an age of superhero fatigue, Marvel’s best shot is to think small – and outside the box

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