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The 50 best TV shows of 2017: No 5 Big Little Lies

The cleverly plotted tale of murder and yummy mummies brought a masterly twist on soapy US drama and a career-best performance from Nicole Kidman

The 50 best TV shows of 2017: No 7 The Deuce

David Simon’s drama about the birth of porn in 1970s New York is a clever tale of sex, commerce and the price of power

Big Little Lies season two confirmed with Andrea Arnold directing

Reese Witherspoon and Nicole Kidman to return as stars of the Emmy-winning HBO mystery, with the British director of American Honey at the helm

Daisy Ridley is right to quit social media. Actors should be seen and not followed

For actors there are no downsides to leaving Instagram and the like. A star should radiate mystique, not false bonhomie and complaints about queues for the toilet, writes film critic Ryan Gilbey

She’s Gotta Have It review – an exhilarating examination of our attitudes to sex and race

Spike Lee’s movie about an unashamedly polyamorous woman has been adapted into a Netflix 10-parter, taking in gentrification and everyday sexual harassment

Apple announces drama series starring Reese Witherspoon and Jennifer Aniston

The tech giant has given a two-season order to an untitled drama about the lives of people working on morning television as well as a show from Steven Spielberg

Naomi Campbell: ‘People try to use your past to blackmail you. I won’t allow it’

Late and distracted by her phone, the model soon transforms from hauteur to warmth. She discusses racism, Vogue, stereotypes of black women and how, at 47, she’s finally become comfortable in her own skin

Kevin Spacey: British police investigate sexual assault claims

Officers look into allegations man was assaulted in London in 2008, while Spacey was working in the UK capital

Kevin Spacey deserves to be scorned. But can I still watch House of Cards?

It is far harder to judge an artist than a work of art. History shows that bad people can do brilliant things, says Guardian writer Hannah Jane Parkinson

Lesley Sharp webchat – your questions answered on football, female roles and lipsyncing with David Tennant

Currently starring in Simon Stephens’ version of The Seagull, Lesley Sharp talked about creating characters with Mike Leigh, teaming up with Suranne Jones, writing her first novel – and the joy of animated caterpillars

Jonathan Groff on Mindhunter: ‘I walked into makeup and saw a scalped woman’s head’

Kids love his voice and Beyoncé loves his walk. But Jonathan Groff is entering new territory with David Fincher’s serial killer show. He talks Frozen 2, Hamilton – and why being openly gay hasn’t held him back in Hollywood

On my radar: Carla Bruni’s cultural highlights

The musician and former French first lady on David Hockney, Big Little Lies, Leonard Cohen’s last album and the Yves Saint Laurent museum

Oscar Pistorius’s family to sue makers of ‘grossly misrepresentative’ film

Relatives of Paralympian threaten to take legal action over US drama Blade Runner Killer, scheduled for release next month

Jessie Buckley on playing outcasts – and hitting the big time

The star of new BBC1 drama The Last Post talks to Sarah Hughes about luck, love and landing roles in a series of notable film and TV projects

From Don’t Look Now to The Child in Time: why do we crave stories of lost children?

It’s every parent’s worst nightmare. As a new TV adaptation of Ian McEwan’s novel starring Benedict Cumberbatch hits our screens, we explore our fears and fantasies around the ultimate horror

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  • ‘I thank God for killing me and bringing me back’: Nicolas Winding Refn on the emergency op that inspired his new sci-fi horror
  • ‘I thank God for killing me and bringing me back’: Nicolas Winding Refn on the emergency op that inspired his new sci-fi horror
  • Netanyahu seeks to strip citizenship from Israelis as threats to NAZA film directors intensify
  • The Liberation review – Carrie Coon joins all-female cult in unsettling drama
  • Girls creator Lena Dunham welcomes baby girl delivered via surrogate
  • Resident Evil review – Zach Cregger’s rebooted action horror is a wild rollercoaster ride
  • Smile at Last review – photo-love-story style parable of a teen abandoned at a tough Soviet youth facility
  • Battle of Chile director Patricio Guzmán dies aged 85
  • In-I in Motion review – Juliette Binoche pulls back the curtain on dance duet with Akram Khan
  • Your mission, Tom Cruise, is to improve at interviews. And please keep sending the cakes
  • Whisper of the Heart review – Studio Ghibli deep cut is pep talk on how to live the artistic life
  • The Cycle of Love review – a 6,000-mile bike ride caps a real life Swedish-Indian romance
  • A Talent for Murder review – Helen Mirren is a viperous Patricia Highsmith in hit-and-miss thriller
  • Bad Lieutenant: Tokyo review – Takashi Miike follows Ferrara and Herzog with a disappointment
  • ‘This should be condemned by any thinking human’: film industry rallies behind NAZA directors
  • James McNeill Whistler review – painter’s work shines through attention-grabbing life story
  • The Debut review – Julianne Moore is a thrill in Jesse Eisenberg’s oddball comedy
  • Venice best actress winner says she signed on at Danish job centre days before her victory
  • Legend of Destruction review – starry voices grace animated telling of the Jewish revolt against the Romans
  • Are you outraged by Sydney Sweeney – again? More fool you
  • Night of the Coyotes review – border-crossing role-play is tourist attraction in struggling Mexican town
  • Premature review – sunny charm provides screwball energy for surprise-pregnancy comedy
  • Benedict Cumberbatch on his Earth-saving eco film: ‘We are in the last grab of the extraction era’
  • Elsinore review – Andrew Scott is astonishing as Ian Charleson in devastating Aids drama
  • Jeremy Thomas obituary
  • Sunday in the Park With George musical cancelled, after Ariana Grande and Jonathan Bailey both drop out
  • Israeli minister threatens to strip Israeli film-makers of citizenship over Gaza documentary NAZA
  • Ancestors review – messy but moving ghostly drama about the Aids crisis
  • ‘The eye-gouging was very, very satisfying’: how we made cave horror classic The Descent
  • In an age of superhero fatigue, Marvel’s best shot is to think small – and outside the box

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