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What links Paul Verhoeven’s convent romp to the Sopranos?

From Benedetta to Showgirls – via Christopher Walken in A View to a Kill – we shimmy down the rabbit hole with the controversial film-maker

Hot stuff: The Full Monty to return as TV series after 25 years

Robert Carlyle and co begin filming today on Disney+ follow-up to the Bafta-winning hit film

Aaron Sorkin: ‘Screenwriters write about people who are cooler than we are’

The American writer known for The West Wing, Moneyball and The Social Network on adapting To Kill a Mockingbird for the stage in the 21st century

The Ipcress File review – a working-class hero takes on the might of Russia

ITV’s reboot of Len Deighton’s cold war spy thriller has Joe Cole as Harry Palmer sorting out the mess left by public school boys. Sound familiar?

How could anybody dream of turning the brilliant A Little Life into another Sex and the City?

Hanya Yanagihara has written a screen adaptation of her acclaimed novel and the studios are not interested. But done right, it could be the ultimate box set, writes Zoe Williams

From Six Feet Under to Manchester By the Sea: culture to help understand grief

From art that burns the sky to the music that heals, our critics reminisce over popular culture to deal with death

And then what next? How the Sex and the City spinoff can improve in season two

The first season of the much-anticipated reboot was a ratings hit but left many fans cold. With a second up in the air, what changes should be considered?

‘I cried for an hour!’: Arrested Development’s Will Arnett on divorce, fatherhood and friendship

After years of playing insecure braggarts, the actor is taking on a new challenge – as star of the improvised celebrity cop show Murderville. He talks about his ‘weird’ period, his split with Amy Poehler, and having a baby in his 50s

‘I’ve had letters from klansmen’: Jennifer Beals on Flashdance, The L Word and fighting to get diverse stories told

The actor, who broke through in 1983 playing a welder who dreamed of being a dancer, reflects on a life of activism, why gen Z give her hope and joining the Star Wars universe

Kiefer Sutherland: ‘I said: I can do a really good Donald Sutherland for half the money’

Answering readers’ questions, the actor and musician talks about how he tried stealing a job off his father, his favourite item from Greggs and his Mickey Mouse tattoo

‘Just go for it. Have a shot. I did – I started with nothing’: at home with Vicky McClure

Line of Duty has made her primetime royalty and one of the UK’s most watched actors. Now Vicky McClure is paying it forward to a new generation of working-class talent

Danny Dyer to leave EastEnders after nine years, BBC confirms

Queen Vic landlord will leave Walford after signing a reported six-figure deal with Sky

Jamie Dornan: ‘spoilt-for-choice’ TV viewers risk discarding shows too soon

Star of BBC One thriller The Tourist says danger of television’s golden age is viewers not giving shows a chance

Kate Winslet: ‘I feel way cooler as a fortysomething actress than I ever imagined’

The star of one of 2021’s biggest TV hits, Mare of Easttown, talks about weepy reunions with Leonardo DiCaprio, bingeing Ted Lasso and middle-aged women taking over our screens

Need a warped, tortured or evil character for a Hollywood film? Cast a British actor

UK stars Olivia Colman, Idris Elba and Benedict Cumberbatch are all in demand with US directors. We look at why

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← Older posts
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  • ‘I thank God for killing me and bringing me back’: Nicolas Winding Refn on the emergency op that inspired his new sci-fi horror
  • ‘I thank God for killing me and bringing me back’: Nicolas Winding Refn on the emergency op that inspired his new sci-fi horror
  • Netanyahu seeks to strip citizenship from Israelis as threats to NAZA film directors intensify
  • The Liberation review – Carrie Coon joins all-female cult in unsettling drama
  • Girls creator Lena Dunham welcomes baby girl delivered via surrogate
  • Resident Evil review – Zach Cregger’s rebooted action horror is a wild rollercoaster ride
  • Smile at Last review – photo-love-story style parable of a teen abandoned at a tough Soviet youth facility
  • Battle of Chile director Patricio Guzmán dies aged 85
  • In-I in Motion review – Juliette Binoche pulls back the curtain on dance duet with Akram Khan
  • Your mission, Tom Cruise, is to improve at interviews. And please keep sending the cakes
  • Whisper of the Heart review – Studio Ghibli deep cut is pep talk on how to live the artistic life
  • The Cycle of Love review – a 6,000-mile bike ride caps a real life Swedish-Indian romance
  • A Talent for Murder review – Helen Mirren is a viperous Patricia Highsmith in hit-and-miss thriller
  • Bad Lieutenant: Tokyo review – Takashi Miike follows Ferrara and Herzog with a disappointment
  • ‘This should be condemned by any thinking human’: film industry rallies behind NAZA directors
  • James McNeill Whistler review – painter’s work shines through attention-grabbing life story
  • The Debut review – Julianne Moore is a thrill in Jesse Eisenberg’s oddball comedy
  • Venice best actress winner says she signed on at Danish job centre days before her victory
  • Legend of Destruction review – starry voices grace animated telling of the Jewish revolt against the Romans
  • Are you outraged by Sydney Sweeney – again? More fool you
  • Night of the Coyotes review – border-crossing role-play is tourist attraction in struggling Mexican town
  • Premature review – sunny charm provides screwball energy for surprise-pregnancy comedy
  • Benedict Cumberbatch on his Earth-saving eco film: ‘We are in the last grab of the extraction era’
  • Elsinore review – Andrew Scott is astonishing as Ian Charleson in devastating Aids drama
  • Jeremy Thomas obituary
  • Sunday in the Park With George musical cancelled, after Ariana Grande and Jonathan Bailey both drop out
  • Israeli minister threatens to strip Israeli film-makers of citizenship over Gaza documentary NAZA
  • Ancestors review – messy but moving ghostly drama about the Aids crisis
  • ‘The eye-gouging was very, very satisfying’: how we made cave horror classic The Descent
  • In an age of superhero fatigue, Marvel’s best shot is to think small – and outside the box

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