The Salt Path review – Gillian Anderson and Jason Isaacs hike from ruin to renewal
Marianne Elliott directs this affecting drama, based on Raynor Winn’s memoir, which builds steadily as the couple journey towards redemption
Sebastião Salgado obituary
One of the world’s greatest documentary photographers fascinated by nature and traditional ways of life
Awkward clapping, no-sand beaches and Alexander Skarsgård’s thigh-high boots: a trip to Cannes to see my film
Harry Lighton’s film Pillion is based on the novel Box Hill so, misgivings riding alongside, it felt right for the author to motorbike to the film festival for its premiere
Pillion review – 50 shades of BDSM Wallace and Gromit in brilliant Bromley biker romance
Alexander Skarsgård and Harry Melling play unlikely lovers in this sweet and extremely revealing first-time drama from Harry Lighton, adapted from Adam Mars-Jones’ Box Hill
Die My Love review – Jennifer Lawrence excels in intensely sensual study of a woman in meltdown
Lawrence excels as a woman whose bipolar disorder is exacerbated by husband Robert Pattinson’s infidelity, with super-strength direction from Lynne Ramsay
The Chronology of Water review – Kristen Stewart makes a traumatic splash with directorial debut
Imogen Poots takes the lead in Stewart’s choppy but compelling adaptation of Lidia Yuknavitch’s memoir of abuse and sexual uncertainty
Kristen Stewart says Donald Trump’s effect on the film industry is ‘terrifying’
The actor who is making her directorial debut with The Chronology of Water at the Cannes film festival says ‘we should expect the worst and fight for the best’
James Gunn’s new Superman is more human than alien god – but can he still inspire awe?
Far from 1978’s morally noble colossus, Gunn’s Man of Steel is a flawed being – but perhaps he can allow us to hope for a better world
Two Prosecutors review – a petrifying portrait of Stalinist insurrection
Drawn from a suppressed story by gulag survivor Georgy Demidov, Sergei Loznitsa’s haunting film unravels a terrifying parable of bureaucratic evil
‘I had a chance to pass my mum’s story on’: Kazuo Ishiguro on growing up in shadow of the Nagasaki bomb
The film version of A Pale View of Hills, the Nobel-winner’s tale of loss, exile and a pregnant radioactive bride, is about to premiere at Cannes. The writer explains why this story is so personal to him
Peter Lovesey obituary
Crime writer known for his ‘history-mystery’ series about the Victorian detective Sergeant Cribb
A child on thin ice: EA Hanks on life with her abusive mother – and world-famous father
One half of the author’s early life was spent with a mother who struggled with addiction, her mental health and caring responsibilities. The other was with her father Tom on film sets and in a house full of love and structure. She discusses her road trip back into her complicated past
Has Marvel shot itself in the foot by bringing superfreak Sentry into Thunderbolts*?
The inconveniently irrational god-being makes Rocket Raccoon look positively humdrum. Would it be wise to let him monopolise the multiverse?
‘As a film lover, I want more’: the Black female directors taking centre stage
The curator of the BFI’s Black Debutantes season on piracy, truncated careers and the frustrations of dealing with big studios
Francis Ford Coppola unveils Megalopolis graphic novel
In a statement, the 86-year-old director of the critical and box-office flop said the book confirms his feeling that ‘art can never be constrained’