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Jujutsu Kaisen: Execution review – spectacular if baffling anime is out to thrill and bewilder

Remix of old and new material from TV series includes tremendous battle sequences but there’s an awful lot of lore for new viewers to catch up with

Gasp-worthy, clunky, a moral problem? Critics react to The Hunger Games: On Stage

The reviews are in for the long-awaited adaptation of Suzanne Collins’ dystopian novel, presented in a purpose-built theatre in Canary Wharf

The Hunger Games: On Stage review – thundering fight to the death in a dazzling dystopia

Eye-popping visuals and a strong lead performance energise Matthew Dunster’s production – but the emotion gets lost amid the action

Christmas Karma review – Dickens adaptation has as much Yuletide spirit as a dead rat in the eggnog

Gurinder Chadha’s leaden update of the hardy seasonal chestnut with Kunal Nayyar is joyless and nausea-inducing

Adele to make acting debut in star-studded Tom Ford movie

The singer will star alongside Adolescence breakout Owen Cooper, Aaron Taylor-Johnson, Colin Firth, Thandiwe Newton and Nicholas Hoult in an Anne Rice adaptation

We Did OK, Kid: A Memoir by Anthony Hopkins review – a legend with a temper

The Oscar-winning actor’s autobiography combines vulnerability with bloody-mindedness and belligerence

The Running Man review – Glen Powell sprints through fun update of Stephen King future-shock sci-fi satire

Full-tilt chase sequences, a punk aesthetic and a sugar-rush soundtrack, means there is plenty of enjoyment to be had as Edgar Wright goes back to King’s original 1982 novel

The Secret Santa Project review – festive romcom tries for the Love Actually style multiple story strands

Set in a London council office, this clunky Christmas comedy interweaves a handful of storylines but musters only a brief flicker of cosy charm

100 Meters review – mesmerising anime of young athletes in search of physical and spiritual high

Dazzling rotoscoped running sequences make up for a lack of narrative subtlety in Kenji Iwaisawa’s film

Readers reply: Who is the most evil villain in fiction?

The long-running series in which readers answer other readers’ questions on subjects ranging from trivial flights of fancy to profound scientific and philosophical concepts

From the Celebrity Traitors finale to a Margaret Atwood memoir: the week in rave reviews

A truly satisfying climax to the celeb reality show, and the sharp and engaging thoughts of the Handmaid’s Tale author. Here’s the pick of the week’s culture, taken from the Guardian’s best-rated reviews

Lee Tamahori, director of Once Were Warriors and James Bond movie Die Another Day, dies aged 75

New Zealand film-maker became a Hollywood fixture in the 90s and 00s, including making Pierce Brosnan’s last 007 movie, before returning to his home country

Train Dreams review – Joel Edgerton superb in Malickian story of trees, grief and railroads

A logger clears a path for change in this sunset-hour-tastic adaptation by Clint Bentley – clearly a director of considerable power and feeling

Horror show: North American box office records lowest monthly total since 1997

Halloween weekend failed to make numbers jump, adding up to the weakest monthly performance – other than during the pandemic – for three decades

My Father’s Shadow looms over competition at British independent film awards

Akinola Davies Jr’s Nigeria-set drama has 12 nominations including best film and besr director

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  • Steve Cropper obituary
  • ‘A joyous and emotional journey’: immersive exhibition charts Coventry’s south Asian heritage
  • Five Nights at Freddy’s 2 review – inept game-based horror is one of the year’s worst
  • Tom Felton: ‘I agree with Barbie – blonds have more fun’
  • TV Tonight: celebrating two of the best Christmas films ever
  • ‘It was legs out all the time!’ June Squibb on starring in Scarlett Johansson’s directing debut – and Broadway’s original Gypsy
  • Oh. What. Fun. review – Michelle Pfeiffer leads Amazon’s underbaked Christmas turkey
  • Mr Men and Little Miss feature film in the works from Paddington producers
  • It Was Just an Accident review – Jafar Panahi takes us on a nightmare trip into a land of bribes and brutality
  • Jamie Lee Curtis asked My Girl studio to put trigger warning on poster over Macaulay Culkin bee sting
  • Sunset Boulevard review – Hollywood never looked more glorious or more tragic
  • Quentin Tarantino has strong opinions about Paul Dano and none of them are right
  • Cover-Up review – atrocity exposer Seymour Hersh, journalist legend, gets a moment in the spotlight
  • ‘BDSM on screen used to just mean a gimp in the basement’: the kink community’s verdict on Pillion
  • One Battle After Another gains Oscars traction after early awards season wins
  • Jodie Foster, who began her career aged three, calls acting ‘a cruel job’ she never would have chosen
  • ‘He asked me what I’d done sexually with a woman’: how Joy Gharoro-Akpojotor turned her asylum grilling into a film
  • Anne Hathaway and Michaela Coel face off in first trailer for pop star epic Mother Mary
  • Life in One Chord review – the Dunedin sound through the eyes of a music maverick
  • The Outsiders: why Francis Ford Coppola’s coming-of-age drama is secretly gay
  • Prime Minister review – portrait of Jacinda Ardern shows a fully human being in charge for once
  • Magazine Dreams review – powerful bodybuilding drama dogged by star Jonathan Majors’ assault conviction
  • Folktales review – taking on tyranny of social media as teens learn to live like hunter-gatherers
  • Dreamers review – deep sense of empathy powers emotionally vivid refugees’ drama
  • British public’s verdict is in: Die Hard is not a Christmas movie
  • Scarlett Johansson says she was pressed to remove Holocaust narrative from directing debut
  • Marty Supreme review – Timothée Chalamet a smash in spectacular screwball ping-pong nightmare

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