The trippy film of Enid Blyton’s much loved novels has been 20 years in the making. We catch up with its adult and child stars – inside a giant cake as disco-dancing elves rollerskate past
A damning fact-based drama about a UK water pollution scandal, and the French survivor of rape tells her harrowing story. Here’s the pick of the week’s culture, taken from the Guardian’s best-rated reviews
The Egyptian queen has fascinated me from childhood, but following the archives led only to ancient gossip and Roman propaganda. Fiction was the way to liberate her from misogynist myth
New version of the sci-fi day-on-repeat sees a perplexed duo repeatedly battle monstrous plants but leaves you feeling as bored as the protagonist appears
A brilliant mystery drama about politics and corruption in 70s Brazil, and a wonderful wallow in misery from the US musician. Here’s the pick of the week’s culture, taken from the Guardian’s best-rated reviews
As the film-makers behind the seemingly neverending river of Tolkien adaptations seek to wring every last drop of story from Middle-earth, it risks running the whole thing into the ground
By portraying the young woman Heathcliff abuses as a sexily willing participant in her own degradation, Fennell’s adaptation betrays the book, and her audience
Stranger Things’ Joe Keery is joined by a stellar cast battling an outbreak of virulent brain spores, but the film doesn’t offer much more than endless wisecracks and a splatterhouse grossfest
Wuthering Heights is inseparable from its landscape – but northern actors seldom get the lead role, instead are pigeonholed as stereotypical or supporting characters. This Bradford-born actor objects
Despite the best efforts of the fine cast this psychological thriller about a war correspondent returning to her home town falls short of exploring the full scope of family trauma
After hit takes on Macbeth, Othello and Hamlet, Vishal Bhardwaj’s Romeo and Juliet adaptation sees dead-eyed lovers drag one another to gutter and grave
Packed cinemas testify to the allure of Emily Brontë’s tale, even if this latest retelling is not to everyone’s taste, says Guardian arts and culture correspondent Nadia Khomami