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A Life Like Any Other review – wonderfully moving look back at a mother’s resilience

Faustine Cros’s documentary revisits home videos from her childhood through fresh eyes having learned as an adult what her young self had missed

‘Sobbing in the aisles’: writers on their most memorable parent-kid film experiences

Whether a terrifying Postman Pat, a mortifying sex scene, or a brush with button-phobia, our writers report on the family viewing they will never forget

A woman brought her own snacks to Despicable Me 4. Then the police arrived

Many struggling cinemas depend on sales of pricey food and drink as ticket revenue mainly goes to film studios. But does banning outside supplies really add up, asks Stuart Heritage

Reggie Yates looks back: ‘I went from a council estate to working with the people I watched on TV’

The actor and broadcaster on how his mum kept him grounded, an awkward encounter with Sting, and why making documentaries changed him

Bye Bye Tiberias review – heartfelt memoir of Palestinian family reunion in Galilee

Hiam Abbass, AKA Marcia Roy from Succession, returns to the village she left 30 years ago to become an actor, with her daughter Lina Soualem behind the camera

Ultraman: Rising review – endearing kaiju animation battles the monster that is parenting

Appealing superhero film saddles a kaiju fighter with an orphaned infant, who brings challenges to test supernanny’s domestic mettle

Àma Gloria review – amazing performances in sensitive drama about a kid and her nanny

Six year old Louise Mauroy-Panzani is wonderful as Cléo, strongly bonded to her carer Gloria, who has to leave her

Four Little Adults review – polyamory drama shows a Finnish couple working through their issues

Alma Pöysti stands out as a feminist politician in this irritatingly cosy portrait of a very complicated relationship worked out all too easily

Deep Sea review – underwater restaurant yarn cooks up dazzlingly psychedelic images

Kaleidoscopic visual overload is on the menu in this chaotic animation from the director of Chinese blockbuster Monkey King: Hero Is Back

Cold review – theatrically evocative folk-tale treatment of the pain of miscarriage

A man spins a story in a doctor’s waiting room, sparking a fairy tale of loss and desperation

Do Aur Do Pyaar (Two Plus Two Is Love) review – refreshingly nonjudgmental infidelity romcom

Vidya Balan shines in this witty remake that sees a married couple, both cheating on each other, on the verge of breaking up

‘My sons hated it’ … Shakira says Barbie film is ‘emasculating’

The Colombian pop star – and mother of two boys – disliked the global blockbuster, saying its message robs men of chance to ‘protect and provide’

‘Mum knew what was going on’: Brigitte Höss on living at Auschwitz, in the Zone of Interest family

Her father was Rudolf Höss, the camp’s commandant. He was arrested by the Jewish great-uncle of the writer Thomas Harding, to whom Brigitte gave this, her final interview – and confession

Motherboard review – enthralling smartphone self-portrait of family life

Victoria Mapplebeck’s documentary stitches 20 years’ worth of footage into a home video love letter to her son, whose whole life so far is observed

Sharing childhood faves with my kids has its ups and downs – but I know it takes them places Netflix or Disney won’t

Helping children detach from the zeitgeist feels important in our algorithmic age. Branching out is hard when there’s always more of what you already love

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  • James: Getting Away With It review – hippies, hardnuts and dreamers unite
  • Hollywood encore: how ‘pro-shot’ Broadway shows became a major draw on the big screen
  • The End of Tom Six review – Human Centipede director delivers one last freaky flick
  • Hellcat review – woman imprisoned in camper van in nasty survival horror
  • With Hollywood struggling in China, can the Odyssey draw a crowd?
  • The Wrong Girls review – Kristen Stewart fumbles through forgettable stoner comedy
  • Don’t Say Good Luck review – high-school musical weepie puts Sunny Sandler in the spotlight
  • The End of Oak Street review – suburban dino-survival romp is more turkey than T-rex
  • In Venice, it’s not politics as usual as film-makers aim to recapture our attention
  • Steal This Story, Please! review – Amy Goodman, stalwart of the American left, shows her teeth
  • Mutants assemble: what does the future hold for the X-Men?
  • Chum review – daft shark attack movie with wedding guests running gamut of toothy undersea beast
  • ‘Sometimes they credit the janitor. But not us’: what’s it like to be a child chaperone on a film set?
  • Songs of Forgotten Trees review – sensitive, ambiguous drama of female intimacy in Mumbai
  • Post your questions for John Hannah
  • ‘I turned down Gandhi because I’m terrified of snakes’: the amazing movie memories of Bruce Dern
  • Edgier than the TV series, Michael Mann’s take on Miami Vice is gritty and intoxicating
  • ‘Everything about me is good in his eyes’: the women in China choosing AI boyfriends over human men
  • Never Had a Chance review – a slice of gritty British Asian life with a side of drug dealing and addiction
  • Isaac Mizrahi on stage, style and the legacy of Unzipped: ‘Fashion has no real spine any more’
  • Momo and the Time Thieves review – kids’ fantasy jaunt sticks the boot into capitalism
  • ‘A horrible nightmare’: the shocking story of the eBay harassment scandal
  • Nimrods review – Green Day’s early years inspire teenage kicks in amiable punk road movie
  • The Pout-Pout Fish review – Nick Offerman is best thing in kids cartoon adventure on the high seas
  • Love me, love my bruised ego: what the narcissist-artist film tells us about the fear of ageing
  • John Cameron Mitchell: ‘It’s punk to turn off your phone – you’re walking away from the herd’
  • Sam Neill on making Hunt for the Wilderpeople: ‘We were attacked by a puppet pig!’
  • This Is Ballroom review – pulsating documentary tells story of Brazilian ballroom
  • How to feel optimistic in the face of crisis? Ask the kids fighting slug-like aliens
  • Lesbians, latex and $2,000 condoms: why are this summer’s movies so obsessed with sex?

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