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‘A tear rolls down my cheek’: the lost home movie that taught me about joy, grief and family

When my parents moved from India to the US, old videos kept the generations tied together

‘Fifteen years of total insanity’: how Robert Downey Jr made peace with his maverick father

Robert Downey Sr put his son in wild underground movies and gave him access to drugs. So what happened when Downey Jr finally turned the cameras on his dad?

Fathers and daughters: what’s the truth behind this unexplored family bond?

Research suggests fathers of girls have more empathy for women. But as King Lear and new movie Aftersun show, there are plenty of challenges along the way

Tom Felton looks back: ‘I had a nice car, a house in LA. You’re told they make you happy – they don’t’

The Harry Potter star recreates an old photo and recalls the ‘cocky’ audition that changed his life

‘They want to dream a little longer’: the deep appeal of mermaids

Wherever you look – in cinemas, theatres, sculpture or down at your local lido – these magical creatures are bewitching an ever growing audience

Hugh Jackman says starring in The Son changed his approach to parenting

Actor says Florian Zeller’s film made him aware of how important it is to share vulnerabilities as a father – not just be strong and dependable

‘I said, put me in a corset asap’: Zawe Ashton on period dramas, pregnancy and embracing silliness

After a series of harrowing roles, the former Fresh Meat star is rediscovering her ‘joyful side’, with a Bridgerton-esque romp – and a baby on the way with Tom Hiddleston

‘We’ll still be watching in 50 years’: how Raymond Briggs’s The Snowman changed Christmas

When the film version of Briggs’s melancholy masterpiece was first screened in 1982, Britons clutched it to their hearts – where it has stayed ever since

Divas/Brotherhood review – powerful studies examine the challenges of growing up

Máté Körösi’s documentary about a trio of troubled young women in Budapest and Francesco Montagner’s film following three sons in a Bosnian shepherd family explore the path to adulthood

My So-Called Selfish Life review – ‘childfree’ women beat at the gates of an old taboo

Women who don’t want children and those who regret being mothers speak in this worthwhile look at a still fraught subject

The parent trap: why is it still seen as selfish to opt out of being a mother?

A new documentary says society is biased in favour of those who have babies. The film’s maker and others explain why they have chosen to be child-free

Your Mum and Dad review – Larkin-inspired essay on a family’s psychological wounds

Film-maker Klaartje Quirijns turns the camera on her mother and father as they open up about the trauma of her elder sister’s death

Duty Free review – mother-love doc is a heartwarming dose of grit and sass

Sian-Pierre Regis begins filming his mother Rebecca at her lowest ebb, sacked and homeless at 75. But the tables turn for this woman of determination

The Star Wars Galactic Starcruiser hotel sounds like Secret Cinema in hell

Fancy a two-day, £4,500 break in a windowless mockup of a spaceship? That makes one of us

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  • ‘It was fun to get pushed around’: Andrew Rannells on ‘razzle dazzle’, kissing co-stars and being a better friend to Lena Dunham
  • James: Getting Away With It review – hippies, hardnuts and dreamers unite
  • Hollywood encore: how ‘pro-shot’ Broadway shows became a major draw on the big screen
  • The End of Tom Six review – Human Centipede director delivers one last freaky flick
  • Hellcat review – woman imprisoned in camper van in nasty survival horror
  • With Hollywood struggling in China, can the Odyssey draw a crowd?
  • The Wrong Girls review – Kristen Stewart fumbles through forgettable stoner comedy
  • Don’t Say Good Luck review – high-school musical weepie puts Sunny Sandler in the spotlight
  • The End of Oak Street review – suburban dino-survival romp is more turkey than T-rex
  • In Venice, it’s not politics as usual as film-makers aim to recapture our attention
  • Steal This Story, Please! review – Amy Goodman, stalwart of the American left, shows her teeth
  • Mutants assemble: what does the future hold for the X-Men?
  • Chum review – daft shark attack movie with wedding guests running gamut of toothy undersea beast
  • ‘Sometimes they credit the janitor. But not us’: what’s it like to be a child chaperone on a film set?
  • Songs of Forgotten Trees review – sensitive, ambiguous drama of female intimacy in Mumbai
  • Post your questions for John Hannah
  • ‘I turned down Gandhi because I’m terrified of snakes’: the amazing movie memories of Bruce Dern
  • Edgier than the TV series, Michael Mann’s take on Miami Vice is gritty and intoxicating
  • ‘Everything about me is good in his eyes’: the women in China choosing AI boyfriends over human men
  • Never Had a Chance review – a slice of gritty British Asian life with a side of drug dealing and addiction
  • Isaac Mizrahi on stage, style and the legacy of Unzipped: ‘Fashion has no real spine any more’
  • Momo and the Time Thieves review – kids’ fantasy jaunt sticks the boot into capitalism
  • ‘A horrible nightmare’: the shocking story of the eBay harassment scandal
  • Nimrods review – Green Day’s early years inspire teenage kicks in amiable punk road movie
  • The Pout-Pout Fish review – Nick Offerman is best thing in kids cartoon adventure on the high seas
  • Love me, love my bruised ego: what the narcissist-artist film tells us about the fear of ageing
  • John Cameron Mitchell: ‘It’s punk to turn off your phone – you’re walking away from the herd’
  • Sam Neill on making Hunt for the Wilderpeople: ‘We were attacked by a puppet pig!’
  • This Is Ballroom review – pulsating documentary tells story of Brazilian ballroom
  • How to feel optimistic in the face of crisis? Ask the kids fighting slug-like aliens

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