Edinburgh’s Filmhouse banks on celluloid as it reopens after three years

Desire for analogue seen as key to success as cinema opens its doors again after a campaign backed by Brian Cox

Can South by Southwest’s London debut recreate Austin’s star-making power?

Organisers say SXSW London will be launchpad for global superstars, but event faces competition from capital’s crowded creative scene

Jafar Panahi’s Cannes victory is a wonderful moment for an amazingly courageous film-maker

Panahi has endured years of harassment from the Iranian authorities but has created a tremendous body of work; his Palme d’Or is richly deserved

Iranian director Jafar Panahi wins Palme d’Or at Cannes for It Was Just an Accident

Panahi, long censored and previously imprisoned in his home country, took top prize as Sentimental Value and The Secret Agent also honoured

The Mastermind review – Josh O’Connor is world’s worst art thief in Kelly Reichardt’s unlikely heist movie

Reichardt’s quietist, observational style is unexpectedly successful at creating a super-naturalistic depiction of an art gallery robbery

Young Mothers review – outstanding return to form for the Dardenne brothers

Teen mums are taught how to take care of their babies or prepare them for adoption amid drug addiction, mental illness and family conflict in this poignant, compassionate work of unforced social realism

‘Revelatory, magnetic, unknown’: how Frank Dillane became a star at Cannes

With a breakout performance in Urchin, the actor has emerged from cult TV fame to the cusp of major stardom – a new ‘post-alpha male’ lead to join the ranks of Paul Mescal and Josh O’Connor

Falling palm trees and a faltering Palme d’Or director: how Cannes 2025 went – and who will win

In a Cannes film festival where the greatest movies were about dictatorships and political cruelty, our chief critic shares his picks for the prix

Awkward clapping, no-sand beaches and Alexander Skarsgård’s thigh-high boots: a trip to Cannes to see my film

Harry Lighton’s film Pillion is based on the novel Box Hill so, misgivings riding alongside, it felt right for the author to motorbike to the film festival for its premiere

Resurrection review – fascinating phantasmagoria is wild riddle about new China and an old universe

In Bi Gan’s ambitious alternate reality, where humans can live indefinitely, a reincarnating dissident dreamer travels through history in different guises

Woman and Child review – drama of rage and pain in the Iranian marriage market

Saeed Roustaee’s new film takes aim at a slippery, entitled male who thinks he can lord it over a widow he plans to marry

On the road to somewhere … Cannes film festival reminds us world cinema and ‘globalism’ are not the same

It might look like a platform for the films ‘produced in foreign lands’ that Donald Trump despises. But a surprising number of pictures at this year’s festival side with the locally rooted over cosmopolitan elites

Paul Mescal says comparing his film romance with Josh O’Connor to Brokeback Mountain is ‘lazy and frustrating’

In Cannes to promote The History of Sound, the actor said ‘I don’t see the parallels at all, other than we spent a little time in a tent’

Romería review – Carla Simón’s gripping pilgrimage tackles Aids, parents and the legacy of secrets

A young woman arrives in a Spanish coastal city to meet the family of her dead father, who are hiding information about his life and death, in Simón’s distinctive drama

‘Shakespeare would be writing for games today’: Cannes’ first video game Lili is a retelling of Macbeth

Translocating the Scottish play to Iran with help from the RSC, iNK Stories’ version focuses on a Lady Macbeth contending with an oppressive surveillance state