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Head South review – post-punk coming-of-age tale strikes a personal note

A teenager in 70s New Zealand dreams of starting a band in Jonathan Ogilvie’s nostalgic comedy

All of Us Strangers review – Paul Mescal and Andrew Scott tremendous in a beautiful fantasy-romance

Scott, Mescal and Claire Foy shine in a drama about a screenwriter who visits his childhood home to find his parents, who were killed in a car crash, still living there

Handling the Undead review – sad, slow-burn zombie drama is less gore, more grief

Sundance film festival: The Worst Person in the World’s Renate Reinsve leads a dour film about families dealing with the reappearance of deceased loved ones

Thelma review – June Squibb is a delight in sweet action-comedy

The Oscar nominee plays her first lead, at 94, in a tender and well-observed story of a grandmother refusing to accept the limitations of age

Will & Harper review – Will Ferrell’s charming trans road trip documentary

The actor goes on a cross-country trip with an old friend who has transitioned in a crowd-pleasing winner that will prove illuminating for many

A Different Man review – Sebastian Stan transforms in miserable study of cruelty

A wannabe actor undergoes dramatic facial reconstruction surgery in a torturously empty psychodrama

Winner review – snappy, I, Tonya-esque take on Reality Winner

The second film in less than a year on the NSA whistleblower takes a brisk, jazzy look at her life before and after her headline-making leaks

Rob Peace review – Chiwetel Ejiofor’s moving fact-based tragedy

A magnificent lead performance from newcomer Jay Will helps to lift a rousing yet often uneven drama based on the life and death of a Yale student

‘Think about the unthinkable’: could the US handle an even worse January 6?

The new documentary War Game follows lawmakers and military officials role-playing the response to a political coup

Berlin film festival announces eclectic lineup including Rooney Mara, Stephen Fry and Gael García Bernal

Films include a sci-fi about a man who rents out his dead wife’s body and a documentary about a hippo owned by Pablo Escobar

Documentary uncovers the difficult battle to unionize at Amazon

Union, premiering at this year’s Sundance film festival, shows the workers trying to organize for better treatment and the company’s attempts to fight them

Love Lies Bleeding review – gore, sex and 80s needle-drops can’t save forgettable thriller

Kristen Stewart plays a gym manager falling for a bodybuilder in an overly familiar crime saga that relies too heavily on shock value

The American Society of Magical Negroes review – hit-and-miss satire

A provocative comedy, imagining a Harry Potter-esque academy poking fun at a well-worn stereotype, has its moments

‘Maybe we should let me go’: Christopher Reeve documentary brings tears to Sundance

A standing ovation met a powerful new film looking at life for the Superman star before and after his paralysing accident

My Old Ass review – charmingly shaggy high-concept comedy

Before she heads to college, a teenager meets her older self, played by Aubrey Plaza, in a sweet-natured and slickly made crowd-pleaser

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  • ‘The original triple threat’: two exhibitions celebrate Marilyn Monroe as creative pioneer
  • Dracula review – Romania’s most reliable export is focus of knockabout cut-up satire
  • House of Gloss review – tender portrait of a young trans couple finding refuge in new kind of family
  • ‘I still think it’s one of the great films of all time’: All the President’s Men turns 50
  • Monica Barbaro: ‘Yesterday I went home thinking I’m a terrible actor and they’re finding out’
  • Artemis II’s Jeremy Hansen calls Project Hail Mary ‘a real treat’ before his space mission
  • Mary Beth Hurt obituary
  • From The Drama to Malcolm in the Middle: your complete entertainment guide to the week ahead
  • Justin Baldoni’s lawyer says defendants are ‘very good people’ as Blake Lively lawsuit narrows
  • Supergirl: the new trailer suggests that the DC Universe has an intriguing trick up its sleeve
  • Weapons to Sexy Beast: the seven best films to watch on TV this week
  • ‘It’s the year of gay Brazilian cruising!’ The makers of Night Stage on public sex and their ‘deranged erotic thriller’
  • Federal judge throws out most of Blake Lively’s claims against Justin Baldoni
  • ‘Curated chaos’: Danny Boyle on the ‘pop culture spectacular’ he’s bringing to London’s Southbank Centre
  • Killer rabbits, bunny boilers and the holy hand grenade of Antioch: Easter bunny movies – ranked!
  • Terry Cox obituary
  • ‘We got cancelled and we’re still here!’ Michael Patrick King on The Comeback – and why And Just Like That will age well
  • Fuze review – Theo James and Aaron Taylor-Johnson face off in head-spinning London heist
  • Why do this spring’s blockbusters feel so smug?
  • Deathstalker review – ludicrously enjoyable revisit of 80s swords-and-sorcery silliness
  • Bone Keeper review – there’s a critter in the caves in serviceable Brit horror
  • Let’s get metaphysical! Existentialist cinema is back, if anyone cares
  • What’s new to streaming in Australia in April: Half Man, The Audacity and Beef returns
  • The Super Mario Galaxy Movie review – bland screensaver of a movie that’s actually worse than AI
  • Smiley Face: finally, a stoner comedy for the girls who get overstimulated at the supermarket
  • From the phone to the plex: why TV shows are turning into movies
  • The Drama review – Zendaya and Robert Pattinson’s controversial wedding film delivers on its promise
  • Ghost Killer review – fantastic karate chopping and gunslinging in in supernatural action-comedy
  • Two Women review – sex comedy remake is French-Canadian answer to Confessions of a Window Cleaner
  • James McAvoy: ‘I’ve been “that Scottish person”, reduced to a noise that comes out of my mouth’

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