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Dogman review – the most ludicrous film you’ll see all year, maybe ever

Luc Besson’s wacky revenge fantasy follows luckless drag artist Doug and his pack of canine chums that do his criminal bidding – you can’t look away

Comandante review – fun, if you ignore the voice in your head telling you it’s wrong

Edoardo de Angelis’s new film was made in collaboration with the Italian navy, which clarifies the pervasive sense that it’s attempting to launder Italy’s wartime reputation

Venice film festival: T-shirts replace red carpet glitz as striking stars lie low

Support for the Hollywood strikes is evident as festival hopes its strong line-up makes up for lack of glamour

Sex and the smackdown: the crazy world of wrestling cult comic Andy Kaufman

Why did the Taxi and Saturday Night Live star travel across America paying women $1,000 to wrestle him? Could transcendental meditation have had anything to do with it?

Fear, fangs and frying pans: here’s what I learned by watching 13 horror movies in 48 hours

London’s Frightfest shows everything from slasher flicks to arty experiments, though I wasn’t prepared for the number of deaths by kitchen utensils

The First Slam Dunk review – basketball is the universe in resplendent hit anime

Takehiko Inoue’s classic manga spinoff has magnificent on-court scenes, but doesn’t quite sink the backstory

Chuck Chuck Baby review – whimsy and realism combine in big-hearted romance

Louise Brealey is put-upon Helen, a chicken factory worker who gets a second chance at love, in Pugh’s generous and gritty film

Scrapper review – impressively tender portrait of a girl’s precarious life

Georgie is just surviving alone on the edge of society, when the arrival of her errant father complicates things further – in a bittersweet debut from director Charlotte Regan

Silent Roar review – charming coming-of-age tale of existential angst and surfing

This sweet funny feature debut from Johnny Barrington is set on the Isle of Lewis with shades of Bill Forsyth

Mercy Road review – there’s no other thriller quite like it

Luke Bracey plays a dad on a mission to save his daughter in this strangely surreal film set mostly in a truck. It’s part-Speed, part-Phone Booth, all nightmare

Iranian director Saeed Roustayi jailed for ‘unauthorised’ Cannes film screening

Sentence of the Leila’s Brothers maker, along with producer Javad Noruzbegi, was for ‘propaganda of the opposition against the Islamic system’

‘The night is literally in my hands’: what it’s like to attend an acid house rave – in virtual reality

Using VR and haptic vests to transport users to a sweaty club in 1980s Britain, In Pursuit of Repetitive Beats is so realistic that you might need a lie down afterwards

20 greatest Venice film festival Golden Lion winners – ranked!

With the 80th instalment of the festival on the Lido around the corner, we sort through the winners of one of cinema’s most prestigious accolades

Incredible But True review – screwball metaphysics on the property market

Giddy comedy about middle-aged house hunters who find more in a bargain buy than anyone but director Quentin Dupieux could have dreamed

L’Immensità review – desperation and secret yearning in 1970s Rome

Emanuele Crialese’s drama of family dysfunction, starring Penélope Cruz, offers moments of glorious escapist fantasy

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  • The Drama: sex, secrets and that gobsmacking twist – discuss with spoilers
  • Noel Chanan obituary
  • ‘The original triple threat’: two exhibitions celebrate Marilyn Monroe as creative pioneer
  • Dracula review – Romania’s most reliable export is focus of knockabout cut-up satire
  • House of Gloss review – tender portrait of a young trans couple finding refuge in new kind of family
  • ‘I still think it’s one of the great films of all time’: All the President’s Men turns 50
  • Monica Barbaro: ‘Yesterday I went home thinking I’m a terrible actor and they’re finding out’
  • Artemis II’s Jeremy Hansen calls Project Hail Mary ‘a real treat’ before his space mission
  • Mary Beth Hurt obituary
  • From The Drama to Malcolm in the Middle: your complete entertainment guide to the week ahead
  • Justin Baldoni’s lawyer says defendants are ‘very good people’ as Blake Lively lawsuit narrows
  • Supergirl: the new trailer suggests that the DC Universe has an intriguing trick up its sleeve
  • Weapons to Sexy Beast: the seven best films to watch on TV this week
  • ‘It’s the year of gay Brazilian cruising!’ The makers of Night Stage on public sex and their ‘deranged erotic thriller’
  • Federal judge throws out most of Blake Lively’s claims against Justin Baldoni
  • ‘Curated chaos’: Danny Boyle on the ‘pop culture spectacular’ he’s bringing to London’s Southbank Centre
  • Killer rabbits, bunny boilers and the holy hand grenade of Antioch: Easter bunny movies – ranked!
  • Terry Cox obituary
  • ‘We got cancelled and we’re still here!’ Michael Patrick King on The Comeback – and why And Just Like That will age well
  • Fuze review – Theo James and Aaron Taylor-Johnson face off in head-spinning London heist
  • Why do this spring’s blockbusters feel so smug?
  • Deathstalker review – ludicrously enjoyable revisit of 80s swords-and-sorcery silliness
  • Bone Keeper review – there’s a critter in the caves in serviceable Brit horror
  • Let’s get metaphysical! Existentialist cinema is back, if anyone cares
  • What’s new to streaming in Australia in April: Half Man, The Audacity and Beef returns
  • The Super Mario Galaxy Movie review – bland screensaver of a movie that’s actually worse than AI
  • Smiley Face: finally, a stoner comedy for the girls who get overstimulated at the supermarket
  • From the phone to the plex: why TV shows are turning into movies
  • The Drama review – Zendaya and Robert Pattinson’s controversial wedding film delivers on its promise
  • Ghost Killer review – fantastic karate chopping and gunslinging in in supernatural action-comedy

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