BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

At the Sea review – Amy Adams plays it overly straight in insufferable upper-middle-class drama

Shame, healing and personal growth are the order of the day in this humourless, self-adoring and vapid exploration of an artistic and narcissistic Cape Cod family

Rose review – Sandra Hüller is outstanding in grimy examination of gender stereotypes

Austrian director Markus Schleinzer’s captivating film follows a woman passing herself off a man in 17th-century rural Germany

Rosebush Pruning review – dysfunctional rich family move in strange circles

Jamie Bell and Elle Fanning lead a starry cast in this clumsy satire that provides little fascination in a wealthy family’s suffocating lives

Nightborn review – Rupert Grint bringing up a monster baby

Dark forces give new parents more than they bargained with in this unsubtle Finnish horror from Hanna Bergholm

The Education of Jane Cumming review – sexuality, race and a real school scandal

Sophie Heldman’s drama about two teachers accused of lesbianism by a pupil is exhilaratingly candid

Berlin film festival defends Wim Wenders after Arundhati Roy attacked ‘jaw-dropping’ comments

Berlinale head says artists should not be pushed into soundbites after author quit over president’s remarks that film-makers should ‘stay out of politics’

Animol review – gritty young offenders drama challenges conventional machismo

Institutional menace and an idealistic take on redemption sit side-by-side in Top Boy actor Ashley Walters’ empathic and occasionally over-earnest film

No Good Men review – intelligent and urgent Afghan romance

Shahrbanoo Sadat is a charming presence in front of the camera and a skilled film-maker behind in this shrewd and contemporary tale

Sunny Dancer review – ‘chemo camp’ gives teen drama a fresh spin

Bella Ramsey leads this likable coming-of-age story where the shared experience of adolescent cancer gives new warmth to a familiar genre

A Prayer for the Dying review – pestilent western feels like a short stretched too long

Johnny Flynn and John C Reilly offer casting heft, but this moody, technically sound tale of an unfolding epidemic in 1870s Wisconsin lacks emotional substance

Everybody Digs Bill Evans review – absorbing delve into the tumultuous world of the great jazz man

Grant Gee’s film thoroughly inhabits the creative and personal torment experienced by the American pianist – with a terrific supporting Bill Pullman turn

Arundhati Roy is right, not Wim Wenders – here are eight films that have changed politics

From ‘honour’ killings to nuclear war, some screen works have led directly legislative action – despite what jury head Wenders suggested at the Berlin film festival

Arundhati Roy quits Berlin film festival over ‘stay out of politics’ comment

Author says she is ‘disgusted’ by claim from jury president Wim Wenders that film-makers should remain apolitical

John Polson and David Michôd on Tropfest’s return: the film festival that ‘can change your career overnight’

Before losing its way, the world’s largest short film festival had an A-list guestlist and kickstarted the careers of Justin Kurzel and Nash and Joel Edgerton. What will it look like in 2026?

‘Movies can change the world but not in a political way’ says Wim Wenders

At a press conference to open the 76th edition of the Berlin film festival, the jury president said ‘cinema has an incredible power’ but little influence on political decision-makers

Post navigation

← Older posts
Newer posts →

  • Rise of the Footsoldier: Retribution review – never-ending hardman-on-a-mission franchise heads to Ibiza
  • ‘Environmental violence’: inside the fight to save indigenous land from becoming a nuclear dumping ground
  • Seam me up, Scotty! After 60 years, Star Trek has had a muppet takeover. About time too
  • Penny Lane Is Dead review – Aussie slasher comedy zips from Neighbours to nasty
  • Zip Wire review – cancer-curing scientist is on the hook for cable-dangle thriller
  • Guardian-produced Gaza documentary from Oscar-winning Israeli directors of No Other Land to screen at Venice film festival
  • Post your questions for Alex Winter
  • The Visitor review – existential Lithuania-set homecoming drama leaves everything in limbo
  • Marching in the Dark review – rural Indian widows show stunning resilience as they battle poverty and taboos
  • ‘A bit like meditation’: why Saw is my feelgood movie
  • Disciples review – fresh-faced boys are sucked into a nightmare of extremism in India
  • On Different Grounds review – Cupid’s-conspiracy romcom brings Nollywood and Bollywood together
  • Mark Ruffalo fires back at Paramount Skydance after it accuses him of using ‘antisemitic tropes’
  • Aardman’​s Peter Lord and David Sproxton: ‘At the Oscars, I went to the gents and had a pee with Jack Nicholson!’
  • Drive-in cinemas are rare these days. But the last one in Melbourne’s north still draws a faithful crowd
  • Meghan Markle’s casting in The Gentlemen reportedly withdrawn after UK backlash
  • ‘Embryonic’: lost novel by French film-maker Éric Rohmer is republished
  • Stand By Me at 40: Rob Reiner’s seminal coming-of-age saga remains a bittersweet triumph
  • Dirty Dancer review – Swayze stan is like a whirlwind as she replays 80s favourite
  • ‘Digging the grave of my profession’: the Hollywood creatives training AI to do their jobs
  • From Teenage Sex and Death at Camp Miasma to Brandon Flowers: your complete entertainment guide to the week ahead
  • David Harbour has blown Tony Stark’s cover in Avengers: Doomsday. It might just be what Marvel needs
  • ‘We’re barely above porn’: why would a film-maker choose to make a deliberately bad ‘mockbuster’?
  • Meghan as the next Bond? Five roles that almost certainly don’t lie behind UK return
  • Who Killed Marilyn? review – dismal attempt to solve mystery of Monroe with Pixie Lott
  • The Odyssey becomes highest grossing R-rated film of all time
  • H Is for Hawk to Doctor Strange: the seven best films to watch on TV this week
  • Anthony Hopkins: Life Is a Dream album review – easy on the ear melodies written from the heart
  • ‘It is the riskiest film I’ve ever made’: Pedro Almodóvar on being the villain in his own movie
  • Spa Weekend review – female answer to The Hangover spreads the slush with the massage oil

Contact www.brillfilms.com   Terms of Use