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Dead Souls review – Alex Cox rides into sunset with anti-Trump spaghetti western

The Repo Man director relocates Gogol’s surreal novella to the old west in what he says will be his final film

From Nouvelle Vague to Mock the Week: your complete entertainment guide to the week ahead

Richard Linklater pens a love letter to the greats of French cinema, and the satirical panel show finds a new home

Once Upon a Time in Harlem review – remarkable Harlem Renaissance documentary

A once-in-a-lifetime dinner party from 1972 is transformed into a thrilling and inspiring hang-out movie

Displacement Film Fund review – Cate Blanchett masterminds short film collection that brims with life and intensity

A set of shorts by film-makers from Afghanistan, Iran, Ukraine, Syria and Somalia are shocking, funny and mysterious in equal measure

Seized review – captivating documentary goes inside a shocking newspaper raid

The story of the Marion County Record and the forces that tried to destroy it is expanded for a charming, and concerning, look at freedom of the press

Undertone review – disappointing podcast horror is mostly skippable

There are some effective early moments in this ultra low-budget, audio-first horror but deja vu soon replaces intrigue

Chasing Summer review – incoherent small-town comedy is a baffling car crash

Comedian Iliza Schlesinger’s nonsensical misfire is a swirl of cliches, unfunny comedy, stock characters and bizarre direction from Josephine Decker

See You When I See You review – familar Sundance-y grief comedy drama has its moments

Festival stalwart Jay Duplass recruits a talented cast, including David Duchovny, Hope Davis and Kaitlyn Dever, for a patchy, poignant tale

Nouvelle Vague review – Richard Linklater bends the knee to Breathless and Jean-Luc Godard

Linklater recreates the making of the landmark French New Wave classic with an awestruck tastefulness that smooths over any disruptiveness

The Only Living Pickpocket in New York review – John Turturro steals this simple, charming tale

The actor plays a pickpocket who steals from the wrong person in a leisurely, straightforward crime thriller with a sting in its tail

The Weight review – Ethan Hawke leads sturdy adventure set in the 30s

The recent Oscar nominee lends gravitas to a decent matinee movie on gold smuggling

Gail Daughtry and the Celebrity Sex Pass review – silly, scattershot Hollywood comedy

Zoey Deutch is a small-town girl hunting down Jon Hamm for sex in David Wain’s disposable yet often funny lark

‘The world is hurting right now’: politics and protest hit the Sundance film festival

A conflicted mood has lingered over Utah’s long-running film festival with premieres and parties continuing but stars speaking out against government cruelty

Frank & Louis review – moving drama of dementia and caregiving in prison

Strong performances from Kingsley Ben-Adir and Rob Morgan anchor a sensitive film about caregiving as a form of rehabilitation

‘What they’re doing is the worst of humanity’: Sundance festival stars back anti-ICE protest

Elijah Wood joined protest in Utah’s Park City in memory of Renee Good and Alex Pretti, while Natalie Portman said what is happening is ‘absolutely horrific’

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  • Ian Kennedy Martin obituary
  • Sunshine: Danny Boyle’s space slasher plays out like an atheist’s worst nightmare
  • ‘An absolute triumph’: first reactions to Christopher Nolan’s Odyssey are ecstatic
  • The Last One for the Road review – ageing-boozer tragicomedy offers drunken antics on the road to Venice
  • Talking about death: how a father and brother found solace in the ‘living graveyard’ of an airline disaster
  • Life Support review – quietly devastating medics’ eye view of the war in Gaza
  • Call of My Life review – bright and breezy Nigerian call-centre romcom is just right for summer
  • ‘Bored? You’re never good enough to get bored!’ Oscar-winner Helen Hunt on great roles, unruly audiences and her RSC debut
  • Ann Blyth obituary
  • ‘Attacked behind the scenes’: Children of Blood & Bone author Tomi Adeyemi distances herself from film adaptation
  • Into the spider’s lair: how an Australian film-maker made an impossible documentary with AI
  • The Guest review – Trine Dyrholm pulls out all the stops as a bipolar mother in dysfunctional family drama
  • Robert Richardson: The White Devil review – tempestuous DoP’s relationship with A-list directors laid bare
  • ‘Impossible to be a mom’: new film shines light on how America fails its mothers
  • Couples Weekend review – Alexandra Daddario annd Josh Gad lead spicy comedy of marital melee
  • ‘Cosy competency porn’: why The Post is my feelgood movie
  • Shoot the People review – a powerful portrait of a talented yet controversial photographer
  • A Place in the Sun review – subversive exposé of picture-postcard luxury in the Canary Islands
  • ‘It was pretty depressing when Stranger Things ended’: Finn Wolfhard on growing up on TV – and his new life in music
  • The Story of Documentary Film (The 1980s) review – Mark Cousins educates and intrigues once more
  • ‘There’s excitement in the air’: how America fell back in love with indie cinemas
  • Farewell to Jackass, the finest catalogue of male idiocy – it could only go on for so long
  • The Guide #250: All the US/UK cultural crossovers you may have missed but need to read about
  • From Madonna to Minions & Monsters: your complete entertainment guide to the week ahead
  • Britain has so many stories. The reason we fund the arts together is so we can tell them
  • Burning flags, busty blondes and bison skulls: 50 photographs that capture America at 250
  • Supergirl is a box office catastrophe. How can Marvel and DC save the superhero movie?
  • Yours for just £228: a Kevin Spacey stainless steel gold-tone Fourth of July ‘adversity ring’
  • ‘If you see one movie this year’: Christopher Nolan’s The Odyssey set to storm the box office
  • The making of Independence Day at 30: ‘I panicked and raced to set to rewrite’

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