BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

Beyond the pale: where are all the films about ‘whiteness’?

Awards season is full of movies made by and starring white people. But a cinema that identifies and interrogates the idea of whiteness itself is glaringly absent

‘I miss out on a family experience’: the deaf Victorians taking legal action against cinemas over captions

Deaf and hard-of-hearing filmgoers say technology issues and lack of film screenings with subtitles make cinema sessions inaccessible

Power couples: how Hollywood’s big name Oscar contenders balance life and work

Barbie and Oppenheimer are just two of this year’s Oscar-nominated films created by life partners who are also creative teams

When accountants attack: why Netflix is cancelling Halle Berry’s new sci-fi movie

Could The Mothership have been 2024’s Ex Machina? We’ll never know, as the alien farm drama joins Batgirl in the dustbin of write-offs

Credits due: what is behind A-listers queueing up to become executive producers?

Many celebrities are given the credit on films of all types, but what it means can vary from moral support to marketing or sometimes shepherding whole projects into being

‘You’re in a sea’: how film-makers survive in a straight-to-streaming age

Fringe movies such as horror and documentary are increasingly turning to digital releases. It allows for creative freedom but doesn’t easily pay the rent

How award show speeches can make or break actors’ Oscar hopes

Whether sharing a personal story, highlighting a political message or showcasing relatable charm, Hollywood stars have more riding on their podium performance than thank yous

Tom Cruise to return to skies for third Top Gun movie

Film is expected to reunite Pete ‘Maverick’ Mitchell with protege fighter pilots played by Miles Teller and Glen Powell

Several women accuse Vincent Gallo of disturbing audition experiences

Actor allegedly made sexually explicit and unsettling remarks during casting process for serial killer thriller The Policeman

‘That film taught Mattel nothing’: screenwriters lead backlash to ‘women in film’ Barbies

Writer Taffy Brodesser-Akner and The Wire creator David Simon were quick to point out the limitations of the range, while female screenwriters Emma Forrest and Carol Morley also had notes

How film distributor and studio A24 became the hottest name in merch

In this week’s newsletter: The company behind Priscilla and Uncut Gems sells clothes that are a knowing wink to fashionistas as much as cinephiles

Hollywood’s attempts to encourage diversity ‘performative’, study finds

Two new studies show female film-makers still underrepresented despite recent successes such as Barbie

Film, TV and video-game producers to get more generous UK tax relief

Industry has said Britain could lose out to other countries, particularly in animation and special effects

My friend David Leland’s films always cheered for the underdog

From Wish You Were Here to Mona Lisa and The Big Man, he was determined to shine a light on those marginalised in society albeit using his quirky sense of humour

‘It was the ultimate outsider cinema’: the indelible influence of London’s Scala

In the 1980s and early 90s, the King’s Cross picture house attracted all manner of freaks, geeks, itinerants and outcasts to its cult movie all-nighters. The makers of a new documentary discuss its rise, fall, and quite heroic legacy

Post navigation

← Older posts
Newer posts →

  • Corey Feldman speaks out about Rob Reiner Oscars tribute snub: ‘Like a family reunion I wasn’t invited to’
  • McCartney: The Hunt for the Lost Bass review – amiable tale of how Macca’s Höfner was finally found
  • Mary Beth Hurt, star of Interiors and The World According to Garp, dies aged 79
  • Rob Schneider calls on US to restore military draft
  • ​​Being Ola review – a sweet and gentle film about disability, friendship and abandonment
  • ‘Nostalgic glint of adventure’: why The Beach is my feelgood movie
  • Night Stage review – public sex enthusiasm the key to extravagant and subversive erotic thriller
  • Q review – freedom, lies and transgressions in emotional fallout from a secretive Muslim women’s movement
  • Kim Novak says Sydney Sweeney is ‘totally wrong to play me’ in biopic
  • Shaun Micallef: ‘Charlie Pickering said that’s the only thing keeping him going – to vanquish me’
  • From The Magic Faraway Tree to 5 Seconds of Summer: your complete entertainment guide to the week ahead
  • ‘Break your silence’: Jane Fonda leads rally against Trump crackdown on arts and media
  • Robert Fox obituary
  • The Guardian view on new musicals: sex, drugs and song ‘n’ dance
  • Post your questions for Paul Dano
  • The Wolf of Wall Street to Creed III: the seven best films to watch on TV this week
  • Four wives, two passports and a very elusive butterfly: one woman’s search for her lepidopterist father
  • Dark Mofo: 2026 festival to show Willem Dafoe film that can only be watched by one person at a time
  • Oscars to leave Hollywood for downtown Los Angeles in 2029
  • Hook, line and cinema: why boxing films are still a knockout
  • Alexander Kluge, author and key film-maker in the New German Cinema movement, dies aged 94
  • DJ Ahmet review – totally charming tale of teen travails in North Macedonia
  • Will Stephen Colbert’s Lord of the Rings film be Tom Bombadil’s time to shine?
  • Halle Bailey: ‘It’s a vulnerable place to be – a young woman cast as a Disney princess’
  • Creator of AI actor Tilly Norwood says she received death threats over project
  • Rave Culture: A New Era review – high energy testimonial to the UK’s dance revolution
  • William Shakespeare’s Romeo+Juliet review – Baz Luhrmann’s joyful tragedy is still extravagantly full of life
  • They Will Kill You review – satanic beat-’em-up offers gore, bad jokes and deja vu
  • Dodging the ‘wrinkle wagon’: why a Brazilian film about ageing is inspiring older women
  • Orwell: 2+2=5 review – documentary portrait doesn’t wholly add up

Contact www.brillfilms.com   Terms of Use