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The film fans who refuse to surrender to streaming: ‘One day you’ll barter bread for our DVDs’

As more movies vanish from streaming services, cinephiles are rallying to physical media. Can they save a seemingly dying format?

‘Dalí’s were unfilmable’: the astonishing story of Hitchcock’s lost storyboards – found in a bric-a-brac sale

Five decades ago, a fan picked up a set of the director’s meticulous storyboards for just $50 – including the lost Spellbound dream sequence by Salvador Dalí in which Ingrid Bergman turns into ants

Kind hearts, ladykillers and whisky galore: Ealing comedies – ranked!

Classic heist caper The Lavender Hill Mob is getting a cinema rerelease. But which of these 40s and 50s film fancies are slyly subversive, and which have dated less well?

UK film board tightens guidance on sex scenes in 12/12A-rated releases

BBFC survey finds sexual violence remains main area of concern, as it relaxes rules on swearing in trailers

Let’s be honest: Oscars night is too safe, struggling with relevance, and needs a rethink

Each year the ceremony becomes slicker – and safer – no matter how much more diverse, creative and bold the films being feted are, says the Guardian’s Coco Khan

The big bang: how Oppenheimer pulled off its extraordinary Oscars victory

Despite its doomy story, three-hour length – and some remarkable competition – Christopher Nolan’s film dominated the Academy Awards. We examine the campaign behind the slowburner which blew Barbie away

Top stars must help protect cast and crew from bad behaviour, says Denise Gough

Gough, who is resuming her Olivier award-winning role in People, Places and Things, calls on those in positions of power to become allies for colleagues

Canine film stars battle it out in doggy Oscars: will Messi the collie get teeth into top Fido award?

Anatomy of a Fall’s Snoop sheepdog faces competition from Barbie’s labrador and Napoleon’s pomeranian

Oscars 2024 aiming for a bigger audience, but that may be beyond Ken

An earlier time, an embarrassment of superstars and Ryan Gosling’s live turn will, it’s hoped, boost viewers. But it’s not clear the audience is coming back

Worth its weight in gold: how to make a killing predicting the Oscars

The TV audience may be in decline, but a passionate community of amateurs has been monitoring every tremor of buzz long before the ceremony

Stuntwomen review – real all-action movie-set heroes tell their bruising stories

Elena Avdija’s revelatory and nuanced documentary shines a light on the incredibly brave performers who face physical and emotional battles on and off screen

Mary Poppins’ UK age rating raised to PG due to discriminatory language

British Board of Film Classification lifts it from U certificate almost 60 years after film was first released

Actor Judith Godrèche urges French film industry to face up to sexual abuse

Star tells audience at prestigious César awards that they need to challenge powerful and abusive men whatever the career risk

UK indie films will ‘die’ without fiscal aid, Ken Loach producer says

Rebecca O’Brien, award-winning collaborator on Loach's films, raised urgent warnings at a select committee inquiry into the industry

In LA, directors have clubbed together to save a landmark cinema. Why don’t Brits do the same?

In the US and Europe, a combination of figurehead film-makers allied with community partners really seems to work

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  • 860 review – Billy Crystal’s charisma powers rambling one-man play
  • Clayface review – flesh-stretching DC body horror is very gory but not very good
  • ‘A vehicle to expose prejudice, bias, and stupidity’: Sacha Baron Cohen defends Ali G as satire
  • ‘I’m always being real’: what on earth persuades disgraced people like Elizabeth Holmes to let the cameras in?
  • UK cinemas report ‘bonkers’ demand for documentary You Can See Everything
  • Scream review – Wes Craven meta horror remains super smart and scary 30 years on
  • Making Marie Antoinette review – sweet Coppola home movie reveals the family business
  • Ghosts: The Possession of Button House review – new levels of giddiness unleashed in spooky spin-off
  • You Can See Everything mania lifts viewership for The Dropout by 186%
  • ‘It’s important that Michael’s voice is heard’: Jaafar Jackson says second biopic of his uncle will cover sexual abuse allegations
  • ‘We’ll keep doing this if people pay us!’ The cast of TV hit Ghosts on making a movie – and maybe a caveman spinoff
  • Explosive births, talking foxes and the devil in a trenchcoat – the Sitges fantastic film festival in all its creepy glory
  • Spielberg’s War of the Worlds forced Americans to look in the mirror – and see the real monster
  • Actor Christina Applegate reveals she was misdiagnosed with multiple sclerosis
  • Tom Cruise’s Digger is a commercial flop – but also the perfect climate film for our time
  • Children of the Wicker Man review – how the folk-horror classic haunted the family that made it
  • RJ Mitte obituary
  • ‘Oh God, I can’t bear it’: Judi Dench says Cats film was ‘a waste of goodwill and talent’
  • All Rivers Spill Their Stories to the Sea review – stirring portrait of fishers driven to eco-activism
  • Monster Mia review – kooky kid discovers school of beastly besties in wholesome Halloween fun
  • Hollywood AI-listers: is the technology ready to rival flesh-and-blood film stars?
  • The Cycle review – forensic scientist autopsies her dad in grisly psychodrama that turns supernatural
  • Secrets, lies and a shock A-list cameo: how You Can See Everything became the film of the year
  • ‘They pulled a guy’s face off. It’s my favourite bit!’ Linda Cardellini on Freaks and Geeks, Mad Men and slasher horror Crystal Lake
  • The reviews are in! Is You Can See Everything the greatest film ever?
  • The Night Is Fading Away review – hypnotic homage to cinema as a force for public good
  • ‘We tried to levitate the Pentagon’: the almost unbelievable life of Ed Sanders, trickster god of the US counterculture
  • Pedigree chums: why the movies are killing off fewer dogs
  • ‘They were brilliant people’: fascinating film reveals a Harlem Renaissance reunion
  • Vampire Carnival review – it’s Twilight at the fairground as abs run wild in pointy-toothed tug of war

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