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‘Our best tip-off was Greggs in Bolton’: the secrets behind finding the hottest new screen stars

From boxing gyms to train stations, Streetcasters are plucking people from obscurity and giving them leading roles. Here, the best tell all – including why they’re always mistaken for the police

Avatar: The Way of Water overtakes Top Gun: Maverick at the global box office

James Cameron’s second film in the Avatar series is set to earn $1.5bn globally, pushing it past the Tom Cruise adventure to become the highest-grossing film from 2022

Will 2023 be a year of muddling through for the UK economy?

Despite the gloomy predictions, an extended period of lower energy prices could bring some cheer

Cineworld denies talks with Odeon owner AMC over sale of cinemas

Bankrupt chain says it is looking for buyer for entire business, rather than offloading individual sites

Avatar 2 and Glass Onion prove cinema is back – but too late to save theatres?

UK box office is expected to climb to £950m this year and £1.12bn next year, just more than £100m shy of pre-pandemic levels

How a teenager created one of the UK’s last celluloid-only cinemas

The retro Slindon cinema has grown from student Joe Cornick’s passion project to a cherished community hub in a West Sussex village hall

‘All that hyperventilating makes you dizzy’: Brendan Fraser and Darren Aronofsky on The Whale

The actor and director are joined by screenwriter Samuel D Hunter to discuss career comebacks, the hazards of Hollywood and the importance of human connection

Will Smith begins road to redemption with Oscar-tipped slavery drama

Emancipation premiered to gushing reviews for the actor whose infamous slap left his reputation in tatters. Is the comeback on?

Box office blues: why are so many films bombing this season?

A poor Thanksgiving showing is the latest sign that Hollywood is struggling to lure consumers back to the multiplex

Sr review – Robert Downey Jr paints an affectionate portrait of his father

Downey Jr starred in Robert Downey Sr’s wacky counterculture movies as an child; now he puts this radical and potent personality in a documentary of his own

‘Wow, Samuel L Jackson is here!’ – how Yorkshire became Marvel’s go-to location

Why did the superhero franchise descend on the moors? What made Tom Cruise film Mission: Impossible nearby, and Shane Meadows follow suit? We report from new screen star hotspot Halifax – now being renamed Haliwood

Claydream review – claymation genius behind California Raisins tells own story

Animation geeks will enjoy following the twists and turns in the remarkable career of claymation expert Will Vinton

Juanita Moore: the Oscar nominee who fought stereotypes and racism

The Imitation of Life star was pigeonholed and undervalued by Hollywood but years later, she is finally receiving the recognition she deserves

‘My dad Roy Kinnear died filming a stunt. Why are lives still at risk?’

Decades after the star’s death, safety on set for cast and crew is not the priority it should be, says the award-winning actor Rory Kinnear

Hollywood: The Oral History by Jeanine Basinger and Sam Wasson review – dinner with the stars

From pancakes with Jack Nicholson to drinks with Billy Wilder – stories from the great and good of Tinseltown

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  • ‘He’s not going to punk me. I’ll trick him’: Ali G: Who Iz I? stooge says he was in on joke but didn’t tell Sacha Baron Cohen
  • Matthew McConaughey has read all his bad reviews – and I applaud him
  • When Aboriginal people appeared in a 1950 film they were asked to invent dialogue. Now a spotlight is shining on the tale they told
  • Anthony LaPaglia: ‘There is not a role I didn’t get that I ever gave more than four hours of grievance to – even Tony Soprano’
  • ‘Cuts mean jobs’: Skydance staff brace for shake-up after $110bn megamerger
  • Lime bike jousts? Why youth culture is embracing the medieval era
  • From Wildwood to John Legend: your complete entertainment guide to the week ahead
  • I expect you to cry: what the James Bond actors may face at the final audition
  • ‘Fighting an impossible fight is the only way to reclaim dignity’: Lee Chang-dong on class warfare and his searing Oscar contender
  • Taika Waititi’s Star Wars film is the latest to hit the buffers. At some point Lucasfilm is going to have to actually make a movie
  • ‘Overnight, everything was dead’: the Teesside fisherman turned activist dubbed the Mr Bates of the seas
  • Junk review – David Schwimmer is lost in Mubi’s frustrating LA-set misstep
  • Backrooms to The Monkey: the seven best films to watch on TV this week
  • ‘I struggle to see myself as someone special’: Sandra Hüller on being the star of four – or, possibly, five – of the year’s biggest films
  • James Bond finalists to screen-test for role this week – reports
  • Tom Skerritt, Alien and Top Gun actor, dies aged 93
  • Nana Patekar obituary
  • Republican leader embarrassed by Ali G film says he plans to sue Sacha Baron Cohen: ‘A liar and a pervert’
  • Ali G: Who Iz I? review – Sacha Baron Cohen’s high-stakes satire punches up and down with spectacular bad taste
  • Zach Braff: ‘You can be talented and good-looking, but acting success is still like winning the lottery’
  • ‘Jane Austen is for everyone’: novelist Diana Reid on adapting Sense and Sensibility – and surprising Brits with her accent
  • ‘If my brother hadn’t died, my life would be so different’: Olympic boxer Ramla Ali’s incredible journey
  • Judi Dench says sight loss means she can no longer perform but she is still ‘besotted by’ Shakespeare’s sonnets
  • What Chris Rock’s film Misty Green misses about Black characters
  • In You Can See Everything, it’s Elizabeth Holmes’s partner who makes for 2026’s timeliest villain
  • ‘I’d consider replacing one of my children’: Taika Waititi on robot kids, his cheese-o-meter and Klara and the Sun
  • 860 review – Billy Crystal’s charisma powers rambling one-man play
  • Clayface review – flesh-stretching DC body horror is very gory but not very good
  • ‘A vehicle to expose prejudice, bias, and stupidity’: Sacha Baron Cohen defends Ali G as satire
  • ‘I’m always being real’: what on earth persuades disgraced people like Elizabeth Holmes to let the cameras in?

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