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Twilight of the A-list: has the 21st century killed off the movie star?

Brad Pitt’s new film is fizzling out. Meryl Streep is doing TV. Only Tom Cruise fills cinemas – and, in the age of superheroes and streaming, his days may be numbered. So, what does the future hold for Hollywood’s big beasts?

West Side Story star Rachel Zegler defends intimacy coordinators after Sean Bean criticism

Zegler is one of a number of actors voicing support for the role, after Bean said they can ‘spoil the spontaneity’ of sex scenes

Cancel culture is rife at newly merged HBO and Warner Bros isn’t immune either

The bean-counters have axed Batgirl and some other favourite TV shows are disappearing too

The Batgirl you’ll never see: why some films disappear for ever

She cost a cool $90m but the comic book heroine won’t even be streamed. Why do some productions deserve such an extreme fate?

Kylie Brakeman review – Hollywood’s hypocrisies lampooned

The US comic plays a fast-talking agent, a straight-talking sex therapist and a six-year-old divorcee in this confident, high-energy hour

‘Bullying is a problem’: visual effects artists speak out against Marvel

The rise of VFX professionals discussing mistreatment at the hands of Marvel has led to increased calls for unionisation

Tax concerns axed Batgirl, but studios will suffer if they become too cynical

Hollywood has always been hard-hearted – but now more than ever, it needs to remember that films are more than just profit-generating ‘content’

‘Shocking’ sexism and harassment in Australia’s film industry, report finds

Study reveals women more experienced but paid less, while Oscar-nominated cinematographer Ari Wegner calls findings ‘confronting’

Rising costs pose threat to independent film-making in UK, says BFI

Indie productions struggling to compete with well-financed, studio-backed projects, research shows

Sylvester Stallone attacks ‘parasitical’ Rocky producer over rights to franchise

The star and writer of the boxing movie franchise also describes the veteran producer, Irwin Winkler, as ‘untalented’

‘Two out of five stories should be hot’: why pre-code cinema was a golden age for women

Prior to the proscriptive Hays Code, films were populated by adulterous, marijuana-smoking gold diggers – wildly entertaining and more modern than the roles that came next

James Caan: my lunches, fallouts and golf-shoe hunts with the Hollywood legend

When James Caan agreed to be in her movie, director Carol Morley found herself on a rollercoaster ride. She recalls their months of sparring, bonding over avocados – and watching a master give his all

Top Gun: Maverick: ‘Conversations’ under way for sequel

Miles Teller, who stars alongside Tom Cruise in the hit action blockbuster, says he is keen, but ‘it’s all up to Tom’

The teens disrupting Minions screenings might actually be the saviours of cinema

‘Gentleminions’ being turned away from showings of the latest Despicable Me spinoff should be nectar for the ailing industry

Thinking the unthinkable: is Hollywood really going to make a sequel to ET?

Comments this week from Henry Thomas, who played Elliott in the 1982 hit, indicated that ET, wherever he is, just might be getting a call …

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  • Anthony LaPaglia: ‘There is not a role I didn’t get that I ever gave more than four hours of grievance to – even Tony Soprano’
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  • From Wildwood to John Legend: your complete entertainment guide to the week ahead
  • I expect you to cry: what the James Bond actors may face at the final audition
  • ‘Fighting an impossible fight is the only way to reclaim dignity’: Lee Chang-dong on class warfare and his searing Oscar contender
  • Taika Waititi’s Star Wars film is the latest to hit the buffers. At some point Lucasfilm is going to have to actually make a movie
  • ‘Overnight, everything was dead’: the Teesside fisherman turned activist dubbed the Mr Bates of the seas
  • Junk review – David Schwimmer is lost in Mubi’s frustrating LA-set misstep
  • Backrooms to The Monkey: the seven best films to watch on TV this week
  • ‘I struggle to see myself as someone special’: Sandra Hüller on being the star of four – or, possibly, five – of the year’s biggest films
  • James Bond finalists to screen-test for role this week – reports
  • Tom Skerritt, Alien and Top Gun actor, dies aged 93
  • Nana Patekar obituary
  • Zach Braff: ‘You can be talented and good-looking, but acting success is still like winning the lottery’
  • ‘Jane Austen is for everyone’: novelist Diana Reid on adapting Sense and Sensibility – and surprising Brits with her accent
  • ‘If my brother hadn’t died, my life would be so different’: Olympic boxer Ramla Ali’s incredible journey
  • Judi Dench says sight loss means she can no longer perform but she is still ‘besotted by’ Shakespeare’s sonnets
  • What Chris Rock’s film Misty Green misses about Black characters
  • In You Can See Everything, it’s Elizabeth Holmes’s partner who makes for 2026’s timeliest villain
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  • 860 review – Billy Crystal’s charisma powers rambling one-man play
  • Clayface review – flesh-stretching DC body horror is very gory but not very good
  • ‘A vehicle to expose prejudice, bias, and stupidity’: Sacha Baron Cohen defends Ali G as satire
  • ‘I’m always being real’: what on earth persuades disgraced people like Elizabeth Holmes to let the cameras in?
  • UK cinemas report ‘bonkers’ demand for documentary You Can See Everything
  • Scream review – Wes Craven meta horror remains super smart and scary 30 years on
  • Making Marie Antoinette review – sweet Coppola home movie reveals the family business
  • Ghosts: The Possession of Button House review – new levels of giddiness unleashed in spooky spin-off
  • You Can See Everything mania lifts viewership for The Dropout by 186%

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