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Can Shang-Chi and the Legend of the Ten Rings fix Marvel’s ‘Asian problem’?

The presence of Hong Kong cinematic legend Tony Leung lends authenticity to Marvel’s forthcoming superhero movie

Golden Globes crisis deepens as former president expelled and advisers resign

Hollywood Foreign Press Association expels Philip Berk after he shared article calling Black Lives Matter a ‘racist hate group’

Sparks musical with Adam Driver and Marion Cotillard to open Cannes film festival

Written by Ron and Russell Mael and set in Los Angeles, Annette is the first English-language film by Holy Motors director Leos Carax

Clapboard Jungle review – confessions of an indie horror film director

Canadian director Justin McConnell has created a self-indulgent selfie-fest – I’d pass on his fantasy horror too

Oscars 2021: looming TV ratings disaster could be calamitous for Academy

The starry telecast keeps the Academy afloat – but plunging viewers suggest the institution is out of sync with the public

I Blame Society review – film-maker turns serial killer in uneven black comedy

Sometimes funny, often annoying, director Gillian Wallace Horvat’s film tells us what happens when your script is rejected one time too many

Richard Rush, Oscar-nominated director of The Stunt Man, dies aged 91

The film-maker’s early underground work included Hells Angels on Wheels before he entered the mainstream with hits such as Freebie and the Bean

Virtual awards and real diversity: all-new Baftas dust off cobwebs of the past

This year’s ceremony will exhibit the effects of top-down changes made to an institution with its eyes suddenly set on the future

Peter Bradshaw’s Baftas 2021 predictions: who will win – and who should

Our film critic picks his winners ahead of the big night – and the gems left off the nominations list altogether

British films for British people: even the new inclusive Baftas must battle with a paradox

Having piled prizes on films about tormented toffs for decades, Bafta has woken up to Britain’s diversity of talent. Suddenly the establishment event is at odds with No 10 - but is there also an internal struggle?

Why Godzilla vs. Kong saved cinema, not Tenet

Christopher Nolan’s film baffled audiences – all they wanted in this most bewildering of years was to see a giant ape and a dinosaur going at it for 15 rounds

Why did The Bonfire of the Vanities go from bestselling book to box-office bomb?

Thirty years on, why was Brian De Palma’s star-studded adaptation of Tom Wolfe’s novel such a flop?

Can cinemas bank on a big return to the big screen?

The Covid crisis and the TV streaming boom has badly hurt cinemas but experts say a happy ending is possible

Bafta diversity scheme participant says casting director made racist comments

India Eva Rae, selected for Bafta’s Elevate programme, alleges she was subsequently threatened by a mentor to not speak out about the comments

Investors should take the danger of Deliveroo’s ‘ticking bomb’ seriously

Top fund mangers’ long-term worries sound correct as labour practices are only likely to rise further up the political agenda

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  • ‘If a person isn’t conscious, they’re not saying yes’: Cynthia Erivo on her searing new film about sexual assault
  • City of Masks review – theatreland ghost story with female phantom of the opera out for revenge
  • ‘A cultural moment’: smash hit doc You Can See Everything continues to dazzle America
  • ‘Cocaine is the Gollum of drugs’ – and other things we learned from Anthony LaPaglia’s surprisingly juicy memoir
  • Never After Dark review – ghostbuster-for-hire meets her match in Japanese exorcism horror
  • ‘I laughed so hard my Tampax fell out’: Michael Gambon’s pranks revealed by the stars he cracked up
  • Bad Day at the Office review – gratuitously entertaining Go-Pro thriller is like Crank meets The Hangover
  • All About the Money review – confusion and compelling weirdness of wealthy leftwing heir
  • ‘Vicarious wish-fulfillment’: why That Thing You Do! is my feelgood movie
  • Ever Since I Knew Myself review – confronting the scars of childhood
  • ‘Nothing worked for me until I was clean and sober’: Ashley Walters on acting, directing – and turning his life around
  • Bayeux tapestry becomes pop culture hit as young people more keen to see exhibition than top films
  • ‘He’s not going to punk me. I’ll trick him’: Ali G: Who Iz I? stooge says he was in on joke but didn’t tell Sacha Baron Cohen
  • Matthew McConaughey has read all his bad reviews – and I applaud him
  • When Aboriginal people appeared in a 1950 film they were asked to invent dialogue. Now a spotlight is shining on the tale they told
  • Anthony LaPaglia: ‘There is not a role I didn’t get that I ever gave more than four hours of grievance to – even Tony Soprano’
  • ‘Cuts mean jobs’: Skydance staff brace for shake-up after $110bn megamerger
  • Lime bike jousts? Why youth culture is embracing the medieval era
  • From Wildwood to John Legend: your complete entertainment guide to the week ahead
  • I expect you to cry: what the James Bond actors may face at the final audition
  • ‘Fighting an impossible fight is the only way to reclaim dignity’: Lee Chang-dong on class warfare and his searing Oscar contender
  • Taika Waititi’s Star Wars film is the latest to hit the buffers. At some point Lucasfilm is going to have to actually make a movie
  • ‘Overnight, everything was dead’: the Teesside fisherman turned activist dubbed the Mr Bates of the seas
  • Junk review – David Schwimmer is lost in Mubi’s frustrating LA-set misstep
  • Backrooms to The Monkey: the seven best films to watch on TV this week
  • ‘I struggle to see myself as someone special’: Sandra Hüller on being the star of four – or, possibly, five – of the year’s biggest films
  • James Bond finalists to screen-test for role this week – reports
  • Tom Skerritt, Alien and Top Gun actor, dies aged 93
  • Nana Patekar obituary
  • Republican leader embarrassed by Ali G film says he plans to sue Sacha Baron Cohen: ‘A liar and a pervert’

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