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Would George Lucas’s Star Wars sequels have been better than Disney’s?

It was a relief to many fans when the creator of Jar Jar Binks lost control of the space saga but his vision for the films that followed made a lot of sense

Jonathan Pryce: cutting-edge films may die as streaming giants thrive

The veteran actor on the need to take artistic risks, surviving Covid and his admiration for the pope

Covid pandemic fuelling growth of film and TV studios in UK

As cinemas shut and streaming booms, real estate developers are spending millions on Hollywood-style lots

Cinemas battle to keep filmgoing flame alive as UK lockdown bites

British film distributors scramble to salvage release plans, as cinemas in Scotland and elsewhere manage to stay open

Hollywood firm to build £300m film and TV studio in Dagenham

Production complex will create 1,200 jobs and contribute £35m a year to east London economy

John Kerry: ‘People want a future. The orange menace is not providing that’

The 2004 presidential candidate has teamed up with three Brits to make films to counter fake news, dirty tricks and misinformation – things of which he has been on the receiving end

Never-ending stories: from Bond to Galbraith, why is everything so long?

Films are bum-numbers, books are doorstoppers – even podcasts go on for hours. What’s behind the rise of cultural epics – and is it time someone gave them a trim?

No money to burn: how Bond crowdfunder could be the way forward

A new campaign to buy No Time to Die from MGM has been started on GoFundMe. Next step: nationalise 007

Cross-border toilet trips at Chester cinema fall foul of Welsh Covid rules

Loos for Storyhouse’s Halloween drive-in screenings were just over Welsh side of the line

Borat can’t save us from Trump – but he may be the way forward for film

Sacha Baron Cohen’s sequel has passed up the chance to help cinemas in their hour of need. But its topical, social media-friendly blueprint points to the industry’s future

Everyman cinema staff say Covid-19 lay offs have left them in limbo

Company letter claims decision to stand down 400 employees will keep more people in jobs

‘I don’t sleep. I’m afraid to open the post’: Covid’s continued effect for film industry workers

At the end of March, we spoke to professionals in the movie business caught up in the criss. Seven months on, we find out how they’re faring

James Bond filmmakers receive millions in UK tax credits, report finds

Thinktank questions why studio allowed to save millions despite tiny profits

Million-pound question: why save Secret Cinema while real cinemas are in ruins?

As affordable arts venues fight to survive, the exorbitant events company got a huge bailout. And film fans will pay the price

‘Cinema brings hope in a way laptops cannot’: what readers miss most about the movies

Last week we asked you to tell us what you most mourn about the big screen experience, as chains across the UK announce plans to close. Here’s what you had to say

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  • Peter Medak, veteran director of The Krays and The Changeling, dies aged 88
  • Iranian film-maker Jafar Panahi given new prison sentence
  • Walter Koenig obituary
  • Bafta trustees may have broken charity law by accepting free guest tickets
  • Film buffs love it. Trump and Tom Hanks hosted it. Can TCM survive a Hollywood mega-merger?
  • The Devils review – Ken Russell’s 1971 possessed-nuns tale is a frenzied aria of confrontation and hysteria
  • Everest: The Other Side review – couple’s climb on the mountain’s toughest face comes with tricky moral questions
  • Peter Asher: Everywhere Man review – music-biz face from Beatles-buddy pop act to superstar producer
  • Post your questions for Alex Cox
  • ‘It’s the gay Titanic!’ Inside La Bola Negra, the maximalist queer spectacular bound for Oscars glory
  • Tom Skerritt obituary
  • ‘Meaningless as a laptop screensaver’: reviewers slate Musk’s AI-made Odyssey film
  • ‘How on earth is this man not sweating?’ The director who spent 10 years painstakingly remastering Bowie’s ‘greatest filmed performance’
  • Elon Musk’s AI Odyssey review – the dullest, most pointless riposte possible to Christopher Nolan’s brilliant epic
  • Big Baby review – a screenwriter’s nightmares become reality in a meta-horror misfire
  • Arnie & Barney review – dimwit ant double-act from Maya the Bee are on mission to entertain
  • ‘If a person isn’t conscious, they’re not saying yes’: Cynthia Erivo on her searing new film about sexual assault
  • We, the Hated review – standing up to be abused: behind the scenes with Just Stop Oil
  • ‘Lost’ 1978 David Bowie tour film to play arenas in 2027, remastered by Moonage Daydream director Brett Morgen
  • City of Masks review – theatreland ghost story with female phantom of the opera out for revenge
  • ‘A cultural moment’: smash hit doc You Can See Everything continues to dazzle America
  • ‘Cocaine is the Gollum of drugs’ – and other things we learned from Anthony LaPaglia’s surprisingly juicy memoir
  • Never After Dark review – ghostbuster-for-hire meets her match in Japanese exorcism horror
  • ‘I laughed so hard my Tampax fell out’: Michael Gambon’s pranks revealed by the stars he cracked up
  • Bad Day at the Office review – gratuitously entertaining Go-Pro thriller is like Crank meets The Hangover
  • All About the Money review – confusion and compelling weirdness of wealthy leftwing heir
  • ‘Vicarious wish-fulfillment’: why That Thing You Do! is my feelgood movie
  • Ever Since I Knew Myself review – confronting the scars of childhood
  • ‘Nothing worked for me until I was clean and sober’: Ashley Walters on acting, directing – and turning his life around
  • Bayeux tapestry becomes pop culture hit as young people more keen to see exhibition than top films

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