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An Impossible Project review – life after digital in forward-looking retro doc

Florian Kaps – Vienna’s answer to Steve Jobs – enthuses over analogue hardware and makes a persuasive case for moving beyond an online existence

‘I don’t want to upset people’: Tom Cruise deepfake creator speaks out

Visual effects artist Christopher Ume reveals he made TikTok fakes with help from Cruise impersonator

Sacha Baron Cohen: ‘If you’re protesting against racism, you’re going to upset some racists’

Stopping Trump, reforming Facebook and risking his life to make a Borat sequel. In an exclusive interview, the actor unveils his plans for a revolution – and reveals how it feels to come out as himself

Tights! Spatulas! Action! The madcap world of chain reaction videos

Need your hair cut? Cake served? No problem! Lockdown has led millions to discover the work of Joseph Herscher and friends, whose absurdly complicated ‘labour-saving’ machines reveal the potential for magic in the everyday

Pvt Chat review – refreshingly grownup take on virtual sex

This mumblecore drama about a man’s obsession with an online sex worker is uncomfortably funny and semi-insightful

Are we all living in the Matrix? Behind a documentary on simulation theory

In A Glitch in the Matrix, film-maker Rodney Ascher speaks to people who are convinced that the world we’re living in isn’t real

A Glitch in the Matrix review – deep-dive into simulation theory

Using animation, archive and clips from the movie franchise, Rodney Ascher’s genre-bending doc gives philosophers and kooks space to explain why we are living in a synthetic world

Life in a Day 2020 review – ambitious, bizarre and hugely exasperating

Kevin Macdonald’s film aims to give a snapshot of the modern world but its context-free clips look more like a corporate ad

Never mind machines getting cleverer – is technology making me stupider?

Thanks to too-useful apps and gadgets I have managed to lose some basic skills, from map-reading to finding my phone. Is this the real threat from AI, asks Adrian Chiles

Ladies and Gentleman, the Fabulous Stains: teenage Diane Lane and Laura Dern rock punk

This long-buried gem from 1982 about a teen-girl punk band subverts the great rock’n’roll swindle of the Sex Pistols

When film stars attack: Russell Crowe’s reaction to criticism could set a trend

The actor’s unexpected response to a complaint about an 18-year-old film could pave the way for big-name actors to personally insult Twitter users

Archive review – anyone for a posthuman wife? She comes with an off switch

A lonely computer scientist in the year 2038 secretly works on an android version of his wife who died in a car crash – is it romantic, or something more sinister?

The Intergalactic Adventures of Max Cloud review – video game send-up is virtually pointless

This affectionate spoof of early 90s gaming scores high in nostalgia, but lags without comedic heavy-hitters

UK lockdowns fuel record year for home entertainment spending

Netflix, Prime and Disney+ surge 38% to £2.9bn in 2020, with Frozen 2 the biggest selling video

Hollywood studio MGM puts itself up for sale at $5bn

Studio behind James Bond franchise looks to cash in on rocketing prices for content amid TV streaming boom

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  • Shadows of Beirut review – chaos and crisis as woman goes back to birth city in fractured Covid-era drama
  • Brigitte Bardot’s personal items sell for nearly €1m at auction in Paris
  • Babystar review – a new arrival upends camera-ready life in disturbing family influencer satire
  • Sense and Sensibility review – Daisy Edgar-Jones leads sober-minded next-gen do-over of Austen romcom
  • ‘Being in Madness kept some of them out of jail’: how the baggy-trousered nutty boys made a guerrilla cinema classic
  • The Seasons review – Portuguese pastoral offers poetic excavation of myth and mapping
  • Heart of the action: why organ couriers are cinema’s new heroes
  • ‘Still feel a jolt of joy’: why Dirty Dancing is my feelgood movie
  • Rising Up at Night review – community spirit shines bright in Kinshasa’s shadows
  • Legend of the White Dragon review – Power Rangers alumni back for more in low-budget superhero retread
  • La Bola Negra wins Toronto film festival people’s choice award
  • Readers reply: what would be the most useful superpower?
  • ‘Resident Evil movies? I’ve never seen one’: Weapons director Zach Cregger on resurrecting the beloved zombie franchise
  • Hunk – or ‘unc’? What magazine covers of Michael B Jordan and Tom Cruise tell us about manhood
  • ‘It’s almost impossible not to feel inspired’: how the story of Terry Fox fired up Canada’s patriotic spirit again
  • John Wilson on his unlikely concrete movie: ‘There might be a kind of sickness in shooting things this way’
  • ‘He’s simply astonishing’: will Andrew Scott become the first out gay man to win the best actor Oscar?
  • From Shaun the Sheep to The Split Up: your complete entertainment guide to the week ahead
  • From ovations in Venice to death threats in Israel: the extreme responses to NAZA documentary
  • Letter to Brezhnev review – terrific return for Merseysiders’ romance with Russian sailors
  • The Guardian view on NAZA’s persecuted directors: journalism is not treason
  • ‘The man’s a psychopath when it comes to hedgerows’: Derek vs Derek, the unexpectedly heartwarming doc about farmers at war
  • Zack Snyder is angling to make another Batman movie. Stranger things have happened
  • Iranian actor Laleh Marzban faces severe threats after Venice film festival speech
  • Toy Story 5 to Hamlet: the seven best films to watch on TV this week
  • Pulp: What Do You Do for an Encore? review – Jarvis Cocker’s wit and warmth upstage the hits
  • Best of the Best review – college comedy formula gets a Bollywood makeover
  • ‘The damage was much worse than I had imagined’: the shocking inside story of Salman Rushdie’s survival
  • Queen at Sea review – crushingly sad dementia drama offers a startling portrait of intimacy
  • Watching NAZA was like peering through a window – and seeing the machinery of killing in Gaza

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