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‘Soon you’ll hit gold!’: the day I took lessons with Herzog, Atwood, Lynch and more

Comedy tips from Steve Martin, film-making lessons from David Lynch, ballet insights from Misty Copeland … our writer signs up for MasterClass, the star-studded online tutorial service that’s booming in lockdown

Technique Critique: indulgently addictive web series dissects your favourite performances

Is that accent dire? Is that disguise realistic? Could that car chase have really happened like that? This YouTube series brings in the experts

‘You lot can’t rattle me’: John Boyega defends explicit anti-racism posts in wake of George Floyd death

The Star Wars actor expanded on his defiance of racist social media users in an Instagram Live video

Screened Out review – screentime doc knows how to press your buttons

Parents of locked-down kids might be advised to steer clear of this compulsive look at the smartphone and its ruinous effects

Tom Cruise space-set film moves closer to reality after adding director

Doug Liman on board as director of film be shot aboard International Space Station, backed by Nasa and Elon Musk

Tackling the dark side of the movie business: the blockchain startup ensuring film workers get paid

When you buy a ticket to watch a film, do you think about how the money reaches those who made it? Often it doesn’t – and a new tech firm aims to change that

TikTok’s first auteur: Zach King on his madcap micro movies

He scored his first viral hit with Jedi Kittens. Now the farmboy from Oregon’s joyous visual gags are making him a titan of TikTok – with 43 million followers and rising

Why is Elon Musk telling us to ‘take the red pill’?

A cryptic tweet from the Tesla billionaire that referenced the first Matrix movie has garnered approval from Ivanka Trump – but not everyone is happy

Lilly Wachowski rounds on Ivanka Trump and Elon Musk over Matrix tweets

The director was infuriated by social media banter in which Musk and Trump tweeted about ‘the red pill’

Together in the dark: what we miss about going to the movies

Cinemas are closed, but the silver screen’s primal magic lingers – and streaming is no substitute. From close-ups to communal screams, Oscar-winning editor Walter Murch explains why cinema needs a crowd

Chloë Sevigny: unafraid of going her own way over lockdown etiquette

There is a famous scene in the first episode of Friends in which Ross says: “I just want to be married again” and Rachel runs into Central Perk, right at that moment, wearing a wedding dress. “And I just want … Continue reading →

Odeon bans all Universal Pictures films as studio skips cinema releases

Fast & Furious maker to break with tradition and release some films direct to streaming services

You, in your bedroom, with your laptop. That’s not the future of film festivals

In the wake of Covid-19, We Are One: A Global Film Festival is taking the experience online. But cinema is a bigger encounter

UK traffic to film and TV piracy sites up nearly 60% in lockdown

Figures mirror rise in legal streaming, while comedy and family shows thrive on TV

Need zing in your Zoom? Let Warhol and the avant-garde vamp up your video conferences

It’s hard to make much of a mark in the strange, static world of video-conferencing. But we could all learn a trick or two from famous arthouse film-makers, from Jim Jarmusch to Andy Warhol

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  • Shadows of Beirut review – chaos and crisis as woman goes back to birth city in fractured Covid-era drama
  • Brigitte Bardot’s personal items sell for nearly €1m at auction in Paris
  • Babystar review – a new arrival upends camera-ready life in disturbing family influencer satire
  • Sense and Sensibility review – Daisy Edgar-Jones leads sober-minded next-gen do-over of Austen romcom
  • ‘Being in Madness kept some of them out of jail’: how the baggy-trousered nutty boys made a guerrilla cinema classic
  • The Seasons review – Portuguese pastoral offers poetic excavation of myth and mapping
  • Heart of the action: why organ couriers are cinema’s new heroes
  • ‘Still feel a jolt of joy’: why Dirty Dancing is my feelgood movie
  • Rising Up at Night review – community spirit shines bright in Kinshasa’s shadows
  • Legend of the White Dragon review – Power Rangers alumni back for more in low-budget superhero retread
  • La Bola Negra wins Toronto film festival people’s choice award
  • Readers reply: what would be the most useful superpower?
  • ‘Resident Evil movies? I’ve never seen one’: Weapons director Zach Cregger on resurrecting the beloved zombie franchise
  • Hunk – or ‘unc’? What magazine covers of Michael B Jordan and Tom Cruise tell us about manhood
  • ‘It’s almost impossible not to feel inspired’: how the story of Terry Fox fired up Canada’s patriotic spirit again
  • John Wilson on his unlikely concrete movie: ‘There might be a kind of sickness in shooting things this way’
  • ‘He’s simply astonishing’: will Andrew Scott become the first out gay man to win the best actor Oscar?
  • From Shaun the Sheep to The Split Up: your complete entertainment guide to the week ahead
  • From ovations in Venice to death threats in Israel: the extreme responses to NAZA documentary
  • Letter to Brezhnev review – terrific return for Merseysiders’ romance with Russian sailors
  • The Guardian view on NAZA’s persecuted directors: journalism is not treason
  • ‘The man’s a psychopath when it comes to hedgerows’: Derek vs Derek, the unexpectedly heartwarming doc about farmers at war
  • Zack Snyder is angling to make another Batman movie. Stranger things have happened
  • Iranian actor Laleh Marzban faces severe threats after Venice film festival speech
  • Toy Story 5 to Hamlet: the seven best films to watch on TV this week
  • Pulp: What Do You Do for an Encore? review – Jarvis Cocker’s wit and warmth upstage the hits
  • Best of the Best review – college comedy formula gets a Bollywood makeover
  • ‘The damage was much worse than I had imagined’: the shocking inside story of Salman Rushdie’s survival
  • Queen at Sea review – crushingly sad dementia drama offers a startling portrait of intimacy
  • Watching NAZA was like peering through a window – and seeing the machinery of killing in Gaza

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