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Being human: how realistic do we want robots to be?

With Google’s AI assistant able to make phone calls and androids populating households in games and films, the line between machine and man is getting scarily blurred

Virtual truth: face to face with immersive documentaries

Experience life after a horrific accident, play a customs officer or swim with sea otters. A new breed of VR film-making is making viewers engage in a deeper way with the issues they confront

Teleportation: will it ever be a possibility?

Instant travel seems further away than when Captain Kirk first reanimated, but scientists are fighting to make it happen

How 3D printers became Hollywood’s favorite gimmick

Ocean’s 8 and Hotel Artemis are the latest films to use far-fetched technology to progress plots

Why are (some) Star Wars fans so toxic?

Kelly Marie Tran, who plays Rose, has received a torrent of online abuse and quit Instagram. Is the worst thing about Star Wars other Star Wars fans?

Kill the tech bro, save the world: how CEOs became Hollywood’s new supervillains

Upgrade, a new thriller set in a Tesla-like dystopia, is the latest big-budget film to replace the stereotypical evil Russian with the evil Silicon Valley nerd

Holograms: are they still the preserve of science fiction?

A projected Princess Leia in Star Wars suggested a 3D future, but we’ll have to wait a while before we are playing holochess

Celebrity species: from the DiCaprio water beetle to Obama spiders

Forget the awards and acclaim – nothing says you’ve hit the big time like having a creature named after you

Will Choose Your Own Adventure work on the big screen?

Fox will bring the book series to life with an in-cinema app that allows audience members to dictate the direction, an innovation that could lead to disaster

Online streaming services face ‘30% made in Europe’ law

EU law says services must meet ‘Netflix quota’ and fund European TV series and films

What kind of a person does Netflix favourites think I am?

I look at my algorithm-generated ‘Recommendations for Lizzie’, and I don’t like that person, says broadcaster Lizzie O’Shea

Unsane: how Steven Soderbergh manages to thrill with just an iPhone

The director’s latest film, shot entirely on a phone, is a dizzying deep dive into the psyche of a stalking victim kept in a mental care facility against her will. Contains spoilers

Black Panther becomes most tweeted-about movie ever

The hit Marvel adventure has been mentioned more than 35m times, knocking off Star Wars: The Force Awakens from the top spot

Call Me By Monet: how Instagram hybrids turned pop into art

High art and pop culture have often been mashed together – but rarely as effectively as on three Instagram accounts delighting fans of Monet, Alexa Chung and Harry Potter

Bombshell: The Hedy Lamarr Story review – a remarkable double life

By day, a glamorous film star, by night a technology pioneer

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  • Oh what a circus! The Greatest Showman hits the stage as a high-flying, hammer-juggling, banger-filled spectacular
  • Legendary Disney composer Alan Menken on winning Oscars, Razzies and his ‘filthy’ rock musical
  • The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic
  • Slither review – James Gunn’s Troma-style comedy horror debut gets a reboot for reputational glow-up
  • ‘Coke and booze didn’t help my creativity’: Joe Eszterhas on his wild times – and his supernatural, anti-woke Basic Instinct reboot
  • ‘Coke and booze didn’t help my creativity’: Joe Eszterhas on his wild times – and his supernatural, anti-woke Basic Instinct reboot
  • The Drama: sex, secrets and that gobsmacking twist – discuss with spoilers
  • Noel Chanan obituary
  • ‘The original triple threat’: two exhibitions celebrate Marilyn Monroe as creative pioneer
  • Dracula review – Romania’s most reliable export is focus of knockabout cut-up satire
  • House of Gloss review – tender portrait of a young trans couple finding refuge in new kind of family
  • My mother, Audrey Hepburn: the star’s son Sean on her movies, marriages, good works and fascist parents
  • ‘I still think it’s one of the great films of all time’: All the President’s Men turns 50
  • Monica Barbaro: ‘Yesterday I went home thinking I’m a terrible actor and they’re finding out’
  • Artemis II’s Jeremy Hansen calls Project Hail Mary ‘a real treat’ before his space mission
  • Mary Beth Hurt obituary
  • From The Drama to Malcolm in the Middle: your complete entertainment guide to the week ahead
  • Justin Baldoni’s lawyer says defendants are ‘very good people’ as Blake Lively lawsuit narrows
  • Supergirl: the new trailer suggests that the DC Universe has an intriguing trick up its sleeve
  • Weapons to Sexy Beast: the seven best films to watch on TV this week
  • ‘It’s the year of gay Brazilian cruising!’ The makers of Night Stage on public sex and their ‘deranged erotic thriller’
  • Federal judge throws out most of Blake Lively’s claims against Justin Baldoni
  • ‘Curated chaos’: Danny Boyle on the ‘pop culture spectacular’ he’s bringing to London’s Southbank Centre
  • Killer rabbits, bunny boilers and the holy hand grenade of Antioch: Easter bunny movies – ranked!
  • Terry Cox obituary
  • ‘We got cancelled and we’re still here!’ Michael Patrick King on The Comeback – and why And Just Like That will age well
  • Fuze review – Theo James and Aaron Taylor-Johnson face off in head-spinning London heist
  • Why do this spring’s blockbusters feel so smug?
  • Deathstalker review – ludicrously enjoyable revisit of 80s swords-and-sorcery silliness
  • Bone Keeper review – there’s a critter in the caves in serviceable Brit horror

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