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Lucidity and beyond: how Toy Story’s visual effects transformed cinema

Woody, Buzz and co didn’t just charm families in 1995 – they started an arms race that ushered in a new era of film-making

Spielberg After Dark: will a horror show that can only be watched at night be scarier?

Episodes of the mobile-only series are unlocked when the sun sets. But is TV that can only be watched at a certain time really groundbreaking?

‘It’s ghost slavery’: the troubling world of pop holograms

Dead stars from Whitney Houston to Maria Callas are going on tour again. As Miley Cyrus explores the issue in a new Black Mirror, we uncover the greatest identity crisis in music today

Meet Rose Garnett, the mastermind behind Britain’s best movies

The head of BBC Films is worshipped by everyone from Rachel Weisz to Steve McQueen. How did an ex-heroin addict become the biggest hitmaker in British cinema?

Too Old to Die Young review – Nicolas Winding Refn’s dead-eyed LA nightmare

The Only God Forgives director has made his first foray into TV with a supernatural noir series, and it’s just as horrible and upsetting as you’d expect

Woody Allen movie dropped by Amazon to get European release

Distributors Lucky Red have bought Italy rights to A Rainy Day in New York after Amazon Studios terminated agreement with director

The Guardian view on critics: thin-skinned artists beware

Editorial: US rapper Lizzo took to social media when angered by an unflattering review. But the wisdom of crowds hasn’t altered the need for independent, expert advice

Avengers: Endgame Thanos Easter egg lets users throw down Google gauntlet

Site search for ‘Thanos’ gives users the same power as Marvel’s Infinity Gauntlet

Netflix adds 9.6m subscribers in three months despite increasing competition

Streaming service, which spent $12bn on original content in 2018, beat analysts expectations in latest earnings report

Cut! Is this the death of sex in cinema?

The number of films classified 18 for sex has plummeted. We explore how studio pressure, #MeToo nerves and the proliferation of porn created a new puritanism

Body shock: Suspiria’s Damien Jalet unleashes his headless dancers

The horror-film choreographer’s new show, Vessel, weaves spells with writhing limbs, menacing ritual figures and a cauldron of gloop. He explains its origins

Tsai Ming-liang: master of long takes and watermelon sex

This ‘slow cinema’ legend has now abandoned all dialogue. As the UK Taiwan film festival kicks off, he talks about his latest work – about a man with neck pain who owns a fish

Amazon claims Woody Allen ‘sabotaged’ films with #MeToo comments

Tech giant says it was justified in terminating four-film deal with director who has since taken $68m legal action

Apple Martin tells off mother Gwyneth Paltrow for sharing photo without consent

Fourteen-year-old publicly criticised Paltrow for oversharing, reflecting unease of an entire generation

Eat up, honey! See Tom Hiddleston serve you the creepiest breakfast ever

The actor stars in a new ad for Centrum women’s supplements, speaking Chinese and acting like a guilty dog who’s about to cry

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  • Shadows of Beirut review – chaos and crisis as woman goes back to birth city in fractured Covid-era drama
  • Brigitte Bardot’s personal items sell for nearly €1m at auction in Paris
  • Babystar review – a new arrival upends camera-ready life in disturbing family influencer satire
  • Sense and Sensibility review – Daisy Edgar-Jones leads sober-minded next-gen do-over of Austen romcom
  • ‘Being in Madness kept some of them out of jail’: how the baggy-trousered nutty boys made a guerrilla cinema classic
  • The Seasons review – Portuguese pastoral offers poetic excavation of myth and mapping
  • Heart of the action: why organ couriers are cinema’s new heroes
  • ‘Still feel a jolt of joy’: why Dirty Dancing is my feelgood movie
  • Rising Up at Night review – community spirit shines bright in Kinshasa’s shadows
  • Legend of the White Dragon review – Power Rangers alumni back for more in low-budget superhero retread
  • La Bola Negra wins Toronto film festival people’s choice award
  • Readers reply: what would be the most useful superpower?
  • ‘Resident Evil movies? I’ve never seen one’: Weapons director Zach Cregger on resurrecting the beloved zombie franchise
  • Hunk – or ‘unc’? What magazine covers of Michael B Jordan and Tom Cruise tell us about manhood
  • ‘It’s almost impossible not to feel inspired’: how the story of Terry Fox fired up Canada’s patriotic spirit again
  • John Wilson on his unlikely concrete movie: ‘There might be a kind of sickness in shooting things this way’
  • ‘He’s simply astonishing’: will Andrew Scott become the first out gay man to win the best actor Oscar?
  • From Shaun the Sheep to The Split Up: your complete entertainment guide to the week ahead
  • From ovations in Venice to death threats in Israel: the extreme responses to NAZA documentary
  • Letter to Brezhnev review – terrific return for Merseysiders’ romance with Russian sailors
  • The Guardian view on NAZA’s persecuted directors: journalism is not treason
  • ‘The man’s a psychopath when it comes to hedgerows’: Derek vs Derek, the unexpectedly heartwarming doc about farmers at war
  • Zack Snyder is angling to make another Batman movie. Stranger things have happened
  • Iranian actor Laleh Marzban faces severe threats after Venice film festival speech
  • Toy Story 5 to Hamlet: the seven best films to watch on TV this week
  • Pulp: What Do You Do for an Encore? review – Jarvis Cocker’s wit and warmth upstage the hits
  • Best of the Best review – college comedy formula gets a Bollywood makeover
  • ‘The damage was much worse than I had imagined’: the shocking inside story of Salman Rushdie’s survival
  • Queen at Sea review – crushingly sad dementia drama offers a startling portrait of intimacy
  • Watching NAZA was like peering through a window – and seeing the machinery of killing in Gaza

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