BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

World of Warcraft movie: Duncan Jones tweets first image

Shot of orc chieftain Orgrim Doomhammer fuses features of English actor Robert Kazinsky with CGI work from Hulk creators Industrial Light and Magic

Woody Allen: agreeing to make Amazon TV series was ‘a catastrophic mistake’

In Cannes with new movie Irrational Man, veteran director reveals his unease about forthcoming online streaming series and says he’d reshoot all his previous films if he could

Viral video chart: Star Wars, Jack Black and Arnold Schwarzenegger

Vanity Fair goes on set with Harrison Ford and Co, the Terminator runs through his film repetoire in six minutes, and a mayor’s very public toilet break

Five things we love: from super-light skateboards to jedi knight chopsticks

Our tech favourites this week let you grill with the power of the sun, or eat chow mein with the power of the force

Unfriended review – cyberbullying Skype tale rings too true

Scary and subversive, Unfriended is the first time our online lives have been successfully represented on the big screen – where it has to be seen

YouTube goes to Hollywood with plans to make movies featuring digital stars

Google’s online video service will make a series of films with AwesomenessTV, as well as bagging exclusive rights for new shows by The Fine Brothers and Smosh

The best pizza in cyberspace: match the fake website to the movie – quiz

This week sees the release of Unfriended, a web-based horror that operates with real official websites. But how about those films that haven't had official approval? Can you guess which films these fake websites are from?

The UK creative sector leads the world in talent – now it needs a strategy

A plan that links culture, the creative industries and education would encourage economic growth and draw new talent from universities

Game on: after Marvel’s Avengers, Nintendo’s stars could be next to hit the big screen

The man behind Avengers: Age of Ultron has hopes of creating another unbeatable movie team with Mario, Zelda, Donkey Kong and co

I know who you Skyped last summer: how Hollywood plays on our darkest digital fears

Hit horror Unfriended takes place entirely on social media and computer screens. So if the genre really is a barometer for the anxieties of an age, what does that say about the world we now live in?

Star Wars Battlefront – the quest to capture fan nostalgia

Electronic Arts has promised gaming’s most authentic Star Wars experience, but can its new shooter compete with the vastness of the movie universe?

Star Wars: Armada review – epic space battles on your dinner table

The pre-painted ships and custom dice peeking out from the box beg to be played. But is it worth the price?

‘Reading lists, outfits, even salads are curated – it’s absurd’

Everyone is a curator these days, but what does curationism tell us about our society? And does the process of selection and arrangement add any value?

WikiLeaks republishes all Sony hacking scandal documents

Julian Assange says data ‘belongs in the public domain’ and says hacked files shed light on extent of cooperation between government and Hollywood

Post navigation

← Older posts
Newer posts →

  • Itch! review – skin-crawling body horror meets supermarket standoff in low-budget chiller
  • Mother Mary review – Anne Hathaway and Michaela Coel are lost in ludicrous pop star drama
  • ‘Cheers, Timmy!’ Royal Ballet and Opera head thanks Chalamet for ‘fantastic’ boost to sales
  • Miracle Mile: boy meets girl, romcom meets nuclear war
  • Endless Cookie review – Cheech and Chong meet Tristram Shandy in trippy tales of First Nations life
  • Is the new Super Mario Galaxy movie really that bad?
  • Kinaesthesia review – treasure trove of early cinema visions and the dream life they contain
  • Searching for Satyrus review – on the hunt for an elusive butterfly and the lepidopterist who named them
  • Mark Ruffalo and Emma Thompson among 1,000+ signatories on open letter opposing Paramount’s Warner buyout
  • Luca Guadagnino defends Timothée Chalamet over opera and ballet remarks: ‘How can one comment become a planetary polemic?’
  • Bollywood classics, rave bangers and Michael Stipe duets: 10 of Asha Bhosle’s greatest recordings
  • Sunshine Women’s Choir review – weepie prison musical is huge Taiwan hit but drowns in own gloop
  • Post your questions for Sam Neill
  • Ken Loach revisits I, Daniel Blake: ‘We were asking if food banks are tolerable. Now they’re an institution’
  • Departures review – airport meet triggers love lost and found in a haze of hookups and hangovers
  • I have just one secret from my husband. If he reads this, even that will be gone
  • Time Hoppers: The Silk Road review – plucky kids’ time travel yarn takes in medieval Baghdad
  • Chagrin Valley review – the ins and outs of care home life inside an uncanny artificial paradise
  • The incredible life of the ‘bird man’ refugee who brought tweets, chirps and trills to British radio
  • Indian music legend Asha Bhosle dies aged 92
  • New documentary reveals boyband 98 Degrees had age-of-consent manual while touring in 90s
  • Celebrity on celebrity: are we losing the art of the big star interview?
  • From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead
  • The Guardian view on dystopias for our times: the American nightmare
  • ‘Butter Birkin’: popcorn plastic It bag in demand by Devil Wears Prada fans
  • The sheila is returning to Australian culture, riding on a new wave of ‘bogan feminism’
  • Critics assemble! Here’s my list of the greatest superhero movies of all time
  • Bafta apologises for events surrounding John Davidson’s Tourette’s outburst
  • Pillion to Roofman: the seven best films to watch on TV this week
  • Thrash review – cursed shark thriller sinks like a stone on Netflix

Contact www.brillfilms.com   Terms of Use