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HMV to launch on-demand film service

High-street retailer HMV turns to digital channels to battle slumping sales. By Mark Sweney

Movie fans turn to piracy when the online cupboard is bare

Cory Doctorow: Downloaded movie prices are about 30% to 50% higher than buying an actual DVD. That's if you can find the film online

Is 3D the medium of the future?

3D is the hottest thing in cinema and television ... and fertile new ground for academic study

Which cultural creations from the 21st century will stand the test of time?

Is the Black Eyed Peas' 'I Gotta Feeling' a future classic? Will we still be watching The Office in 2111? Our critics and writers offer their tips for posterity

LoveFilm signs rights deal with Warner Bros

Agreement gives Amazon-owned LoveFilm streaming rights to Warner films including The Hangover and The Dark Knight. By Mark Sweney

Hackers get to grips with data from the north’s arts organisations

Some of the north's best-known cultural organisations opened up information about their collections and internal processes for computer developers to work with

Hacking away at the truth: Alan Rusbridger’s Orwell lecture

Full text of the Guardian editor's Orwell lecture on journalism and the phone-hacking scandal, given at University College, London

US home entertainment spending growth defies slump

Spend on e-commerce services such as Netflix and Amazon soars more than 50% in Q3, helped by Blu-ray sales rise. By Mark Sweney

Why Ralph Fiennes is wrong about short words dumbing down language

Michael Rosen: Words are just mere splashes of ink or sound waves. It's the meaning we ascribe to them that is crucial

The Adventures of Tintin is great art crudely redrawn

If you love the Tintin books, don't see Steven Spielberg's 'execrable' film adaptation, urges Tom McCarthy

Warner Bros blocks flow of films to Blockbuster in DVD window row

Blockbuster loses titles including latest Harry Potter as studio tries to enforce 28-day gap between DVD sale and rental. By Josh Halliday

Netflix shares hit by cost of UK launch

Company to 'pause' international expansion following rollout in UK and Ireland. By Mark Sweney

Netflix to launch in UK and Ireland in 2012

US-based online video streaming service to take on LoveFilm and YouTube. By Josh Halliday

Blood in the Mobile – review

The Danish Michael Moore takes on Nokia over illegal mining in Africa in a quietly angry movie, writes Philip French

Internet users get animated about RSA short film series

Andrew Park's videos, which are drawn from capitalism and education speeches, have received 46m YouTube hits

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  • Sex, drugs and amoebic dysentery: the 20 best making-of documentaries – ranked!
  • Tourette syndrome campaigner John Davidson to watch Bafta Scotland awards in separate ‘relaxed’ space
  • The Last First: Winter K2 review – race up second highest mountain reveals fatal cost of human ambition
  • ‘These early friendships are huge romances’: Extra Geography’s lessons in teenage love
  • Derek vs Derek review – farmers go head to head in rewilding rivalry with real bite
  • Extra Geography review – a wickedly funny lesson in sex, class and female friendship
  • Nicolas Cage calls Marvel movies ‘a glorified WWE’ with over-50s in ‘ridiculous outfits’
  • Don’t hate the movie, hate the critic! Digger’s new PR push is a risky bet for film that was never meant to be divisive
  • Knife: The Attempted Murder of Salman Rushdie review – terrifying and inspiring story of survival
  • ‘They raped our country’: documentary follows Kenyans’ fight for restitution over stolen land
  • Gaza documentary NAZA beats Avengers Endgame: Encore to top Italian box office
  • Post your questions for Michael Winterbottom
  • How Zach Cregger’s Resident Evil stands out from all other game adaptations
  • Verity review – Dakota Johnson leaves teethmarks as she goes back to Fifty Shades erotic thriller territory
  • Cotton Queen review – mystery, matriarchs and magic in pioneering Sudanese debut
  • The Swan contestants on the ‘sadistic’ pageant reality show: ‘Ultimately, we were just a job’
  • Rapture review – cult Spanish horror is a deeply strange cheese dream of cinemania
  • How Deep Is Your Love review – under the sea at Earth’s last frontier with the Psychedelic Elvis Worm
  • Reanimated AI Greta Garbo stars again … in a ball-bearing advert
  • SKF advert review – let’s hope this dull AI Greta Garbo is not the future
  • Patricio Guzmán obituary
  • The cure for doomscrolling? Why Tom Cruise stopped a woman mid-scroll
  • Digger review – Tom Cruise’s loudmouth oil tycoon goes hard in Alejandro G Iñárritu’s eco-satire
  • Child review – jump scares abound in twisty organ transplant fable that keeps horror at its heart
  • The Portuguese House review – picturesque, polite drama of secrets and revelations at a country estate
  • April X review – Connor Storrie searches for missing twin in dystopian dream-tech sci-fi thriller
  • Century-old silent film made in New Hampshire found in Japan antique shop
  • Gen Z has very strong opinions about age-gap relationships – and it could be right

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