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AI models may be developing their own ‘survival drive’, researchers say

Like 2001: A Space Odyssey’s HAL 9000, some AIs seem to resist being turned off and will even sabotage shutdown

‘Have we done ourselves out of a job?’: concerns in film and TV industry over on-set body scanning

Actors unclear on rights over their data and what it will be used for, as cast and crew alike fear for future of their roles

Equity threatens mass direct action over use of actors’ images in AI content

Union says growing numbers of its members have made complaints about infringements of copyright in AI material

‘AI is here to stay and change things’: Mad Max director George Miller on why he is taking part in an AI film festival

The director believes AI has made film-making ‘way more egalitarian’ – and is set to lead the judges at Omni AI film festival in Australia

Robin Williams’ daughter Zelda hits out at AI-generated videos of her dead father: ‘stop doing this to him’

Film-maker tells the public to stop sending her videos, saying: ‘You’re not making art, you’re making disgusting, over-processed hotdogs out of the lives of human beings’

Amazon drops gun-free James Bond poster artwork from Prime Video streaming site

After a backlash from fans and media outlets branding Bond ‘woke’ the offending artwork has been removed from sites and replaced with stills – that are also ‘gunless’

The Guardian view on Tilly Norwood: she’s not art, she’s data

Editorial: The first 100% AI actor is a cause for alarm. But the human connection of great acting can never be replaced

The AI ‘actor’ Tilly Norwood is a symptom of blandified film culture. We need a return to reality

The industry should refuse to work with these uncanny figures, which plagiarise the performances of generations of actors

‘It’s too late to be scared’: readers on the controversial rise of AI ‘actors’

The birth of AI ‘actor’ Tilly Norwood has caused a backlash in Hollywood and has sparked conversation from Guardian readers

Emily Blunt and Sag-Aftra join film industry condemnation of ‘AI actor’ Tilly Norwood

US actors’ union joins stars in opposition to Norwood, which it says was created ‘using stolen performances’

Tilly Norwood: how scared should we be of the viral AI ‘actor’?

A bunch of code is being pushed as the next Scarlett Johansson, a creation that is already causing pushback from real human actors

Garden Reflexxx: the 10 funniest things we have ever seen (on the internet)

The film-making duo share their list of online essentials. It’s mostly women on the verge of a nervous breakdown

‘Tentacles squelching wetly’: the human subtitle writers under threat from AI

Artificial intelligence is making steady advances into subtitling but, say its practitioners, it’s a vital service that needs a human to make it work

Tinseltown takeover: how Harry Potter fanfic has evolved into Hollywood’s hottest property

What once seemed a pretty fringe subculture of hobbyists riffing on stories that got them privately hot is now bringing mainstream cinema to a rolling boil

‘Hollywood has everything to do with the terrible state of the world’: Charlie Kaufman on AI, Eternal Sunshine – and toothache

As his most commercial film, 2004’s Eternal Sunshine of the Spotless Mind, is re-released, the critically acclaimed director says he can’t get a movie off the ground now – but will never give in to the ‘Hollywood machine’

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  • I Play Rocky review – Anthony Ippolito adds knockout sweetness to the story of Stallone’s Hollywood triumph
  • Jimmy review – simple-minded James Stewart biopic is too straightforward
  • Think of England review – far-fetched tale of state-sponsored second world war porn turns deadly serious
  • Being Heumann review – stirring biopic of a pioneering disability rights campaigner
  • A Dog’s Perfect Christmas review: Netflix kicks off holiday movie season with a whimper
  • Tinto Brass, director of Caligula and maestro of Euro erotica, dies aged 93
  • ‘He lent me his RSC Oberon cape for my school play’: Patrick Stewart remembered by readers
  • Ramayana: Rise of a Legend review – India’s most expensive film ever becomes spectacular, huge-scale epic
  • Callum Turner emerges as James Bond favourite as Pierce Brosnan endorses actor: ‘He’s so strong’
  • Crawlers review – killer-spiders movie offers giant-arachnid action alongside anticapitalist commentary
  • Merry Christmas Aubrey Flint review – Dickensian festive Britpic decorated by selection box of familiar faces
  • Amazing Grace review – blazing Hannah Walters struggles to save a lonely caller at the end of his tether
  • Judi Dench says Daniel Craig ordered her death. James Bond just got a lot scarier
  • Peter Medak obituary
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  • Mum, I’m Alien Pregnant review – slime and silliness in amusing New Zealand comedy horror
  • Andrew Scott drama Elsinore leads British independent film award nominations
  • ‘His voice was too queer – so they silenced him’: how Spain’s national poet Lorca finally became a gay icon
  • Ghost Town review – the phantoms and lost souls haunting a Japanese city after the 2011 earthquake
  • Carrie at 50: Brian De Palma’s fiery masterpiece still has the power
  • Manipulation review – preposterous Da Vinci Code-esque thriller like being trapped in a Ferrero Rocher ad
  • New Group review – schoolkids build human pyramids in bizarre Japanese horror-satire on conformity
  • Dustin Hoffman says filming The Graduate was ‘a terrible experience’ due to Mike Nichols’ ‘sadism’
  • ‘Screams on the level of a Taylor Swift concert’: horny romp Wicker gets the 4DX treatment

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