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Inside the Yellow Cocoon Shell review – jewel of slow cinema is a wondrous meditation on faith and death

Much is open-ended about this realist yet dreamlike exploration of midlife crisis and regret set in Vietnam

Driving Mum review – droll Icelandic road movie

With the body of his mother in the backseat, a man fulfils her last wish on a life-changing drive across the country in Hilmar Oddsson’s oddball odyssey

Red Island review – cocktails, colonialism and comics in 70s Madagascar

The last days of French rule on the island play out though the eyes of a young boy in 100 Beats Per Minute director Robin Campillo’s autobiographically-inspired drama

Four Daughters review – emotionally wrenching look at why two Tunisian girls turned to fundamentalism

​Director Kaouther Ben Hania weaves a real family’s reminiscences with dramatic reconstructions in this compelling, Oscar-nominated documentary

Sex, lies and sundowners: Robin Campillo on turning his army brat childhood into a film

The cult director grew up on the luscious island of Madagascar just as it was casting off French rule. It was a deliriously happy time for him – but now he realises what was really going on

Driving Mum review – happy-sad Icelandic road movie hits the spot

This quirky story of a lonely farmer and his deceased mother celebrates the Nordic country’s breathtaking landscape

Berlin film festival 2024 roundup – tasty treats and the odd potboiler

A careworn Cillian Murphy excelled, Atlantics director Mati Diop returned, astronaut Adam Sandler had us drifting off, and kitchen dramas continued to sizzle

Dying review – the biggest conductor meltdown since Cate Blanchett’s Tár

Lars Eidinger plays the man embarking on a major orchestral project, but whose professional status is threatened by family turmoil behind the scenes

Eureka review – Lisandro Alonso’s meditation on Indigenous life is striking but slow

The latest from the Argentine auteur, with a star turn from Viggo Mortensen, is formally​ d​aring​ but often deathly dull

Hors du Temps (Suspended Time) review – lockdown memoir revives childhood bliss

Olivier Assayas’ thinly disguised autobiographical study of a film-maker’s Edenic experience during Covid isolation is a civilised pleasure

My Favourite Cake review – charming portrayal of a 70-year-old Iranian’s appetite for romance

Heroine Mahin (Lily Farhadpour) is fiercely determined to revitalise her mundane existence and taste a better life

Repentance review – dreamlike satire from Soviet Georgia brings life to Stalinist ghosts

1980s black comedy unravels the brutal legacy of a despot who is as ludicrous as his crimes are appalling

Samsara review – unlike anything else you will experience in the cinema

Part film, part guided meditation, Lois Patiño’s tale of a Lao woman’s death and rebirth is partly designed to watch with your eyes closed

The Enigma of Kaspar Hauser review – Herzog’s early masterpiece is bold and brilliant

Rereleased for its 50th anniversary, this gripping retelling of a true story about a disturbed youth who finds favour in high society, features a masterstroke of casting

Werner Herzog: Radical Dreamer review – master director’s passionate idealism

Account of the German film-maker’s singular career takes in numerous starry admirers but also is a portrait of an existential disruptor

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  • ‘In our deepest hearts we are voyeurs’: the paedophile-hunting show that inspired Robert Pattinson’s new film
  • Meryl Streep’s casting as Aslan has angered the Christian right. Don’t they have more pressing issues?
  • ‘Cracking auction, Gromit!’ Original Aardman puppets go under the hammer
  • Post your questions for Zach Braff
  • Greek epics, gory obsessions and awkward invites: where does this year’s Oscars race stand?
  • ‘I’m a writer but then nobody’s perfect’: how Billy Wilder conquered Hollywood
  • Forgotten Island review – best friends forever trapped in frantic DreamWorks animation
  • Twenty years after An Inconvenient Truth, Al Gore still believes in the climate fight: ‘We are going to win this’
  • ‘He made something every single day’: David Lynch’s inscrutable photography celebrated in LA show
  • Manhunter review – Michael Mann serves up a bold and queasy starter to the serial killer spectacle
  • Boorman and the Devil review – enjoyable re-evaluation of the disaster that was Exorcist II: The Heretic
  • Another taste of honey: Shelagh Delaney’s long-lost play about a teenage truant is a little gem
  • North Sea, Nature Untamed review – stunning footage finds the beauty and splendour under the water
  • The Love Hypothesis review – hit BookTok romcom lacks spark on screen
  • Remake review – Ross McElwee’s magnificent and moving tribute to a tragic loss and the art it inspired
  • Post your questions for Miranda Richardson
  • Great to see what Tom Cruise’s belly button looks like, but it’s the stuff he is never asked about that interests me
  • Heart of the Beast review – Brad Pitt survivalist dogmance serves up wilderness with side of cheese
  • Heresy review – feminist folk horror summons something scary in the woods with supply of fresh blood
  • Shadows of Beirut review – chaos and crisis as woman goes back to birth city in fractured Covid-era drama
  • Brigitte Bardot’s personal items sell for nearly €1m at auction in Paris
  • Meet Barbie Pig: new documentary reveals the wonders of life on the Pacific seabed
  • Babystar review – a new arrival upends camera-ready life in disturbing family influencer satire
  • ‘Addiction is not only caused by weak will’: how a talking pigeon got Czechia to face up to its alcohol problem
  • Moviegoer using phone during film pepper-sprayed in LA, police say
  • Sense and Sensibility review – Daisy Edgar-Jones leads sober-minded next-gen do-over of Austen romcom
  • ‘Being in Madness kept some of them out of jail’: how the baggy-trousered nutty boys made a guerrilla cinema classic
  • Dunesday: will this be Barbenheimer on steroids – the biggest weekend of cinema ever?
  • The Seasons review – Portuguese pastoral offers poetic excavation of myth and mapping
  • Heart of the action: why organ couriers are cinema’s new heroes

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