Nosferatu: A Symphony of Horror – review
FW Murnau’s unauthorised 1922 adaptation of Dracula inspired countless thriller storytellers after him, including Hitchcock, writes Peter Bradshaw
Wolf Children – review
Lycanthropy becomes a metaphor for puberty in this photorealistically drawn, touching animation that beats Twilight at its own game, writes Chris Michael
A Magnificent Haunting – review
A troupe of Turkish-Italian ghosts turns up to keep a lonely actor company – but Ferzan Ozpetek's light comedy is frustratingly unresolved, writes Chris Michael
Skylab – review
Julie Delpy's second directorial effort is a garrulous, charming argument against Sarkozy's joyless economic crusade, writes Peter Bradshaw
The Taste of Money – review
Im Sang-soo's deft portrayal of a wealthy South Korean family torn apart by greed and lust could boost his international profile, writes Peter Bradshaw
Blue is the Warmest Colour director appears to threaten legal action against lead actor for slander
Director Abdellatif Kechiche says 'it is for her to explain in court' after Léa Seydoux described the shoot as 'horrible'
Like Father, Like Son – review
Two families discover that their children were switched at birth in a rewarding Japanese drama, writes Mark Kermode
The Broken Circle Breakdown – review
A bluegrass-loving couple are joined in tragedy in this immensely moving drama, writes Mark Kermode
Like Father, Like Son – review
An intelligent drama from Japanese director Hirokazu Kore-eda about a baby mix-up is charming, but not his best work, writes Peter Bradshaw
Top 10 sci-fi movies
A long time ago, in a land far away... there were no space movies. Luckily, we have lots and the Guardian and Observer's critics have picked the 10 best
Nobody’s Daughter Haewon – review
Hong Sang-soo's subtle tale of a teacher-student romance has hidden depths, writes Mark Kermode
Blue is the Warmest Colour ‘banned’ in Idaho as sex and alcohol don’t mix
Alcohol licensing laws which prohibit screening of films with a sexual nature stops arthouse cinema from screening Palme D'Or winner
Nobody’s Daughter Haewon – review
This gentle, humorous drama about a troubled student is a useful introduction to eccentricities of Korean director Hong Sang-soo, says Peter Bradshaw
Snowpiercer director reportedly furious about Weinstein English-version cuts
Bong Joon-ho unhappy about heavy editing of his South Korean sci-fi blockbuster by Bob and Harvey Weinstein's film studio
Spanish film-makers hit back at ‘cultural war’ on funding
Leading directors accuse 'scared' government of political motive for slashing cinema financing