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The Beast review – Léa Seydoux’s audacious drama throbs with fear

Disaster appears imminent as Seydoux and an impressive George MacKay meet across three different eras in what is maybe Bertrand Bonello’s best movie yet

The First Slam Dunk review – dynamic basketball anime

Takehiko Inoue’s affecting account of a high school match between an elite team and the underdogs breathes new life into the sports movie genre

Tokyo Story review – Yasujiro Ozu’s exquisite family tale stands the test of time

An elderly couple visit their grownup children in this stunning work of art from 1953, now re-released for its 70th anniversary

Maigret review – Gérard Depardieu is a charismatic version of Simenon’s detective

The actor doesn’t move much but brings off the Parisian copper’s air of worldly, tolerant bemusement

The Innocent review – hardened cons go romcom in appealing French caper

Louis Garrel directs and stars in a droll movie that builds a madcap momentum

The Innocent review – enjoyably French romcom heist caper

A lonely young widower is drawn into a dangerous plot to pilfer caviar and negotiates pleasingly barmy plot twists

Lie With Me review – handsome but predictable French drama

Based on a bestselling novel, this tale of a middle-aged author who returns to his home town to reconnect with his romantic past is oddly insular and fussy

Brigitte Bardot: ‘I don’t understand why the whole world is still talking about me’

The French film star has spoken of her frustration at her lasting fame, but has agreed to a drama series about her life

L’immensità review – Penélope Cruz stars in turbulent family drama set in 70s Rome

A mother and her eldest child negotiate parallel realms of unhappiness in Emanuele Crialese’s semi-autobiographical coming-of-age drama

Incredible But True review – screwball metaphysics on the property market

Giddy comedy about middle-aged house hunters who find more in a bargain buy than anyone but director Quentin Dupieux could have dreamed

L’Immensità review – desperation and secret yearning in 1970s Rome

Emanuele Crialese’s drama of family dysfunction, starring Penélope Cruz, offers moments of glorious escapist fantasy

Paris Memories review – soulful portrait of a terrorist attack survivor

Based on her brother’s experience of the Bataclan attack in Paris, Alice Winocour’s unexpectedly hopeful drama is lit up by a César-winning performance from Virginie Efira

Do Not Expect Too Much From the End of the World review – giddy Romanian experiment

Freewheeling essay-movie-slash-black-comedy collage takes swipes from all angles at modern life

Victor Belmondo: ‘I wanted to be an actor – I never said to myself, yes, but that’s what Papi does too’

At his grandfather’s funeral in 2021, Victor Belmondo described the legendary nouvelle vague star as an ‘eternal sun’. Now beginning to light up the screen himself, he talks about trying to capture his predecessor’s famous insouciance

Everybody Loves Jeanne review – salty romcom with intriguing edge of quirk

The stylish feature debut from Céline Devaux explores the life of businesswoman Jeanne, her louche ex-lover and a strangely seductive new acquaintance

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  • ‘In our deepest hearts we are voyeurs’: the paedophile-hunting show that inspired Robert Pattinson’s new film
  • Meryl Streep’s casting as Aslan has angered the Christian right. Don’t they have more pressing issues?
  • ‘Cracking auction, Gromit!’ Original Aardman puppets go under the hammer
  • Post your questions for Zach Braff
  • Greek epics, gory obsessions and awkward invites: where does this year’s Oscars race stand?
  • ‘I’m a writer but then nobody’s perfect’: how Billy Wilder conquered Hollywood
  • Forgotten Island review – best friends forever trapped in frantic DreamWorks animation
  • Twenty years after An Inconvenient Truth, Al Gore still believes in the climate fight: ‘We are going to win this’
  • ‘He made something every single day’: David Lynch’s inscrutable photography celebrated in LA show
  • Manhunter review – Michael Mann serves up a bold and queasy starter to the serial killer spectacle
  • Boorman and the Devil review – enjoyable re-evaluation of the disaster that was Exorcist II: The Heretic
  • Another taste of honey: Shelagh Delaney’s long-lost play about a teenage truant is a little gem
  • North Sea, Nature Untamed review – stunning footage finds the beauty and splendour under the water
  • The Love Hypothesis review – hit BookTok romcom lacks spark on screen
  • Remake review – Ross McElwee’s magnificent and moving tribute to a tragic loss and the art it inspired
  • Post your questions for Miranda Richardson
  • Great to see what Tom Cruise’s belly button looks like, but it’s the stuff he is never asked about that interests me
  • Heart of the Beast review – Brad Pitt survivalist dogmance serves up wilderness with side of cheese
  • Heresy review – feminist folk horror summons something scary in the woods with supply of fresh blood
  • Shadows of Beirut review – chaos and crisis as woman goes back to birth city in fractured Covid-era drama
  • Brigitte Bardot’s personal items sell for nearly €1m at auction in Paris
  • Meet Barbie Pig: new documentary reveals the wonders of life on the Pacific seabed
  • Babystar review – a new arrival upends camera-ready life in disturbing family influencer satire
  • ‘Addiction is not only caused by weak will’: how a talking pigeon got Czechia to face up to its alcohol problem
  • Moviegoer using phone during film pepper-sprayed in LA, police say
  • Sense and Sensibility review – Daisy Edgar-Jones leads sober-minded next-gen do-over of Austen romcom
  • ‘Being in Madness kept some of them out of jail’: how the baggy-trousered nutty boys made a guerrilla cinema classic
  • Dunesday: will this be Barbenheimer on steroids – the biggest weekend of cinema ever?
  • The Seasons review – Portuguese pastoral offers poetic excavation of myth and mapping
  • Heart of the action: why organ couriers are cinema’s new heroes

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