Francesca Steele: Jean-Luc Godard and his pals may have fuelled a stylistic revolution, but their flimsy characterisation and excessive soul-searching quickly grew dull
There's nothing but lame stereotypes to be found in this duff but well-meaning comedy about a one-time conductor hoping to relive past glories, says Peter Bradshaw
This gangster thriller set in modern-day Johannesburg looks initially promising, but loses its way when tries to tackle complex moral issues, says Peter Bradshaw