O’Horten
A pleasant, if undemanding film with some nice visual humour, says Peter Bradshaw
Pierre Etaix’s marathon court battle to get his films back on French screens
Oscar-winning director wins long running fight over distribution rights
Film preview: All Change: The Romanian Film Festival, London
Curzon Mayfair, W1, to Mon 4 May
In praise of… Paolo Sorrentino
Editorial: Some directors shout, others mumble; Paolo Sorrentino prefers to crack sly jokes out of the side of his mouth
The Grocer’s Son
This is a sweet and engaging little film, writes Peter Bradshaw
Giulio Andreotti, master spinner
Robert Fox: Il Divo, the film that charts the career of the former Italian prime minister, is a brilliant celebration of the state and non-state in Italy
Before I Forget
A relaxed insight into the demi-monde of the ageing, former-gigolo, gay Frenchman
Tony Manero
This Chilean comedy about a Saturday Night Fever obsessive is like being accosted by a loner on a night bus
Cherry Blossoms
One of Germany's most unpredictable independent directors reworks, or pays homage to, Yasujiro Ozu's Tokyo Story, says Philip French
Martyrs
This is a sadistic, religiose French horror movie, writes Philip French
Fade away
Chris Marker's La Jetée, a half-hour futuristic film that explores time and memory, seems to conjure an entire century's romance with the moving image. Brian Dillon looks at the French director and his enigmatic masterpiece
We’ll always have Paris
With its cool style and daring techniques, the French new wave revolutionised cinema. But does it still stand up today? By Joe Queenan
Films of my life: Chimamanda Ngozi Adichie
The author confesses to a crush on Omar Sharif, but hates Eddie Murphy's portrayal of an African prince in Coming to America. Interview by Killian Fox
France’s most wanted
Since his electric breakthrough appearance in La Haine, French actor Vincent Cassel has established a distinct brand of cool. He talks to Jason Solomons