Film of the week: Radu Mihaileanu's tale of an Ethiopian boy seeking survival by pretending to be Jewish is brave and full of suspense, says Philip French.
Film of the week: Ken Loach's well-observed railway collaboration with Ermanno Olmi and Abbas Kiarostami revives the long-neglected art of the portmanteau movie, says Philip French.
London film festival: George Clooney's vivid portrayal of TV journalists in the McCarthy era provides a fine end to the festival, writes Jason Solomons.
Andrew Pulver: A parcel of interlinked stories set in the city of the title ... the quality is patchy, and the musical score digs you in the ribs at times. But it's always watchable
Andrew Pulver: A moody, sensitively observed study of a French transsexual's return to her family home that's largely undermined by leaden pace and a general air of inconsequentiality
Peter Bradshaw: This clever, dyspeptic whodunnit from 1943 by Henri-Georges Clouzot, re-released as part of the BFI's retrospective season, brilliantly captures a spirit of paranoid pettiness and self-loathing.
Peter Bradshaw: Stunning in its power, uncompromising in its severity and seriousness, Carl Theodor Dreyer's silent masterpiece from 1928 all but scorches a hole in the screen