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Brigitte Bardot, French screen legend, dies aged 91

Emmanuel Macron leads tributes to​ actor who became an international sex symbol ​and later embraced animal rights​ and far-right politics

It’s turkey time! The 12 worst films of 2025

This year has brought us some great movies – and also at least a dozen dire one-star disasters. Here are the Guardian’s critics on the pick of the year’s cinematic calamities

And the 2025 Braddies go to … Peter Bradshaw’s film picks of the year

Now the Guardian’s Top 50 countdowns, as voted for by the whole film team, have announced their No 1s, here are our chief critic’s personal choices – in no particular order

Palestine 36 director Annemarie Jacir: ‘We don’t want a state, we just want to live’

Fresh from a 20-minute ovation at Toronto, the film-maker’s historical drama reveals how Britain’s 1936 crackdown created the blueprint for the ongoing genocide in Gaza

Pépé le Moko review – mysterious and passionately despairing French noir with a luminous Jean Gabin

Powerful French film that inspired Casablanca stars Gabin as a holed-up gangster in Algiers lured to his doom by infatuation

‘This is big blissful entertainment’: global film critics on the one movie that defines their country

What single film best represents a nation? Here, 12 writers choose the one movie they believe most captures their home’s culture and cinema – from a bold cricket musical to a nine-hour documentary, gritty crime dramas to frothy tales of revenge

Viet and Nam review – hallucinatory love story feels the pain of a nation

Elusive film about a gay Vietnamese man looking for his dead father’s remains recalls the films of Apichatpong Weerasethakul

The shocking hit film about overworked nurses that’s causing alarm across Europe

A Swiss film about a nurse pushed to her limits one night is being praised for the picture it paints of treacherously underfunded healthcare. The director talks about the ‘heart-pounding’ story that inspired her

What Does That Nature Say to You review – funny and complex Korean dad-boyfriend standoff

Hong Sang-soo makes a genuinely intriguing addition to his booze- and conversation-fuelled oeuvre

‘You’re stealing my identity!’: the movie voiceover artists going to war with AI

As new tech imperils the £3bn dubbing artists industry, professionals including India’s Ryan Reynolds and India’s Jon Snow explain why audiences should listen to their fears

Three Friends review – charm aplenty in super-tasteful comedy that couldn’t be more French

All the typecast antics, such as having extramarital affairs, discussing feelings in depth and the occasional theatrical shrug are here in this typically bourgeois ensemble piece

Al Djanat: The Original Paradise review – striking account of Burkina Faso homecoming

Chloé Aïcha Boro’s watchful documentary charts the disharmony and legal wrangling caused by a dispute in her family over sacred burial land

Along Came Love review – l’amour, loss and lingering shame in eventful French relationship movie

Director Katell Quillévéré explores the ravages of romance in an intelligently performed period piece about a shamed mother and a closeted husband

Woman and Child review – drama of rage and pain in the Iranian marriage market

Saeed Roustaee’s new film takes aim at a slippery, entitled male who thinks he can lord it over a widow he plans to marry

Spring Night review – elliptical tale of Korean lovers is study of elemental passion

After meeting at a wedding, Su-hwan and Yeong-gyeong plunge into a desperate relationship fuelled by alcohol, and powered by tremendous performances

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  • ‘I’m looking for faces which surprise me’: how Richard Avedon photographed the soul of his subjects
  • Soul Patrol review – heartstopping story of the US army’s first Black special ops team at work in Vietnam
  • ‘We are human too’: the Roma film-makers striking back at stereotypes
  • Donnie Dunagan, original voice of Disney’s Bambi and triple Purple Heart marine, dies aged 92
  • 1 in 2 review – compassionate film about dealing with bowel cancer is a personal plea on behalf of the young
  • ‘We did 10 takes of it!’ Kerr Smith on Dawson’s Creek and filming US TV’s first gay kiss
  • ‘Sadistic, forbidden pleasure’: why Gone Girl is my feelgood movie
  • A Fox Under a Pink Moon review – Iranian teen refugee paints boldly imaginative self-portrait
  • 100 Sunset review – elliptical, elusive drama dreamlike through Toronto’s tight-knit Tibetan community
  • Look at Me by Dustin Hoffman review – an era-defining actor says his piece
  • Robert Pattinson has auditioned for James Bond – and finally the 007 race is interesting
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  • Pickpockets review – small-budget Australian crime flick steals audience’s heart
  • Bluey’s Daley Pearson on how losing his brother inspired his new film: ‘He was the best thing ever to me’
  • Monica Dolan looks back: ‘I was repulsed by Rose West, yet I had to work out what made her tick’
  • How African philosophies inspired a new approach to staging film festivals in Manchester
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  • From Wild Horse Nine to Kings of Leon: your complete entertainment guide for the week ahead
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  • Sebastián Lelio was a fascinating film-maker of great passion and poetry
  • Sebastián Lelio, director of A Fantastic Woman and Gloria, dies aged 52
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  • The Cat in the Hat review – Bill Hader brings plenty but this animated rework is a mess
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