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Happening review – cleverly structured and impeccably produced abortion drama

Winner at the Venice film festival, Audrey Diwan’s film captures the panic of an unwanted pregnancy before the legalisation of abortion in provincial France

Director Laura Wandel: ‘The brutality of the playground is conveyed through noise’

The schoolyard is a psychological minefield in Playground, Wandel’s stomach-churning debut. As the film is released in the UK, she reveals the secret to immersing the viewer in a child’s world

The new wave of female film-makers confronting Mexico’s violence against women

After years of on-screen successes led by the likes of Guillermo del Toro and Alfonso Cuarón, female directors are making their mark with urgent, disquieting cinema

The Tale of King Crab review – storytelling session turns into Herzogian nightmare

The bizarre tale of an Italian village drunk which switches to a crustacean-assisted treasure hunt aims for warped horror but doesn’t always get it right

The Great Movement review – compellingly strange Bolivian drama

A former miner uncovers dangerous magic in the hidden corners of La Paz

White Building review – Cambodia’s modernist masterpiece is centre of attention

This gentle-going watch injects sensitivity and insight into the story of a family’s displacement at the hands of property developers

The Great Movement review – intriguing drama as Bolivian miners look for work

Following three friends as they struggle to survive in La Paz, the drama lurches confusingly from verité drama to bonkers dance routines

Navalny review – extraordinary documentary about the attempt to kill Putin’s rival

Daniel Roher directs a riveting account of how the charismatic Russian opposition leader narrowly survived being poisoned by a nerve agent

Murina review – simmering drama on the Croatian coast

Tensions erupt in this sinewy tale of a defiant father and his teenage daughter coming to blows at sea

Small Body review – spellbinding Italian drama set in 1900

Laura Samani’s striking first feature, about a woman trying to save the soul of her stillborn baby, is powerfully embedded in folklore and mysticism

Compartment No 6 review – bittersweet brief encounter on an Arctic-bound train

Two wildly mismatched travellers find themselves sharing a sleeping compartment from Moscow to Murmansk in Finnish director Juho Kuosmanen’s beguiling romance

Prayers for the Stolen – extraordinary tale of fear and friendship in Mexican drug country

Tatiana Huezo’s haunting film captures the desperate lives of a remote rural community at the mercy of marauding cartels

Compartment No 6 review – meet-uncute train romance is a Finnish Before Sunrise

An archaeology student is on her way to Russia’s remote north-west when she has to share a compartment with a shaven-headed drunk

‘I would never just direct a cute story’: Murina director Antoneta Alamat Kusijanović

Her brilliant first film won a top prize at Cannes – the day after she gave birth. The Croatian filmmaker talks about being a child refugee – and why she wants to do a superhero movie

Prayers for the Stolen review – heart-rending tale of childhood blighted by drug cartels

Ana and her friends live in a Mexican village menaced by gangs and people traffickers in this complex and subtle story

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  • Terry Cox obituary
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  • Deathstalker review – ludicrously enjoyable revisit of 80s swords-and-sorcery silliness
  • Bone Keeper review – there’s a critter in the caves in serviceable Brit horror
  • Let’s get metaphysical! Existentialist cinema is back, if anyone cares
  • What’s new to streaming in Australia in April: Half Man, The Audacity and Beef returns
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  • Smiley Face: finally, a stoner comedy for the girls who get overstimulated at the supermarket
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  • The Drama review – Zendaya and Robert Pattinson’s controversial wedding film delivers on its promise
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  • Two Women review – sex comedy remake is French-Canadian answer to Confessions of a Window Cleaner
  • James McAvoy: ‘I’ve been “that Scottish person”, reduced to a noise that comes out of my mouth’
  • Corey Feldman speaks out about Rob Reiner Oscars tribute snub: ‘Like a family reunion I wasn’t invited to’
  • McCartney: The Hunt for the Lost Bass review – amiable tale of how Macca’s Höfner was finally found
  • Mary Beth Hurt, star of Interiors and The World According to Garp, dies aged 79
  • Rob Schneider calls on US to restore military draft
  • ​​Being Ola review – a sweet and gentle film about disability, friendship and abandonment
  • ‘Nostalgic glint of adventure’: why The Beach is my feelgood movie
  • Night Stage review – public sex enthusiasm the key to extravagant and subversive erotic thriller
  • Q review – freedom, lies and transgressions in emotional fallout from a secretive Muslim women’s movement
  • Kim Novak says Sydney Sweeney is ‘totally wrong to play me’ in biopic
  • Shaun Micallef: ‘Charlie Pickering said that’s the only thing keeping him going – to vanquish me’
  • From The Magic Faraway Tree to 5 Seconds of Summer: your complete entertainment guide to the week ahead
  • ‘Break your silence’: Jane Fonda leads rally against Trump crackdown on arts and media
  • Robert Fox obituary
  • The Guardian view on new musicals: sex, drugs and song ‘n’ dance
  • Post your questions for Paul Dano

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