BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

In Short, Europe: Loving Encounters review – small and sweet chunks of Euro love

Small and mostly sweet, this short film selection buoys us up in the wake of the pandemic with an upbeat view of relationships

Wild Men review – the world’s worst Viking goes off grid

Dressed in animal furs and brandishing an axe, an office worker goes full Fred Flintstone in this madcap comedy featuring Sofie Gråbøl

Atabai review – great man’s homecoming in sincere Iranian drama about love and loss

Anger and pain course through this film about an architect who returns to his village, but it fails to deliver the emotional payoff

Happening review: unflinching abortion drama that draws you in

The audience really feels the trauma of a young student’s hard choices in 1960s France in Audrey Diwan’s compelling Venice winner

Rap the casbah: the Casablanca school giving young hip-hop stars a voice

Nabil Ayouch’s film Casablanca Beats offers a glimpse of how Moroccan teens are finding an outlet in hip-hop. The director reveals how its positive energy has given him hope

Playground review – kid’s-eye-view nightmare of schoolyard bullying

Maya Vanderbeque makes an amazing debut as seven-year-old Nora, who tells on the boys bullying her brother with nightmarish consequences

The film Putin doesn’t want the world to see: Firebird, a gay love story about fighter pilots

It has been accused of ‘shaming Moscow’ and ‘punching the Russian soldier in the face’. But the makers of this powerful drama about dogfights and dangerous desires refuse to be silenced

Happening review – cleverly structured and impeccably produced abortion drama

Winner at the Venice film festival, Audrey Diwan’s film captures the panic of an unwanted pregnancy before the legalisation of abortion in provincial France

Director Laura Wandel: ‘The brutality of the playground is conveyed through noise’

The schoolyard is a psychological minefield in Playground, Wandel’s stomach-churning debut. As the film is released in the UK, she reveals the secret to immersing the viewer in a child’s world

The new wave of female film-makers confronting Mexico’s violence against women

After years of on-screen successes led by the likes of Guillermo del Toro and Alfonso Cuarón, female directors are making their mark with urgent, disquieting cinema

The Tale of King Crab review – storytelling session turns into Herzogian nightmare

The bizarre tale of an Italian village drunk which switches to a crustacean-assisted treasure hunt aims for warped horror but doesn’t always get it right

The Great Movement review – compellingly strange Bolivian drama

A former miner uncovers dangerous magic in the hidden corners of La Paz

White Building review – Cambodia’s modernist masterpiece is centre of attention

This gentle-going watch injects sensitivity and insight into the story of a family’s displacement at the hands of property developers

The Great Movement review – intriguing drama as Bolivian miners look for work

Following three friends as they struggle to survive in La Paz, the drama lurches confusingly from verité drama to bonkers dance routines

Navalny review – extraordinary documentary about the attempt to kill Putin’s rival

Daniel Roher directs a riveting account of how the charismatic Russian opposition leader narrowly survived being poisoned by a nerve agent

Post navigation

← Older posts
Newer posts →

  • Gen Z has very strong opinions about age-gap relationships – and it could be right
  • Pandora’s Legacy review – fascinating profile of silent film legend GW Pabst
  • Crushed review – Steve Oram is priestly lead in harrowing Bangkok-set child-abduction thriller
  • Just Play Dead review – Samuel L Jackson and Eva Green punch up switchback crime caper
  • Kikuyu Land review – the colonial-era misery behind our morning cup of tea
  • ‘We could have had good fun a few decades ago’: Christine Baranski and Richard E Grant on sex scenes, parties and theatre
  • Rapper and actor Eve looks back: ‘I was the only girl in the boardroom in major label meetings – that Philly girl had to come out’
  • ‘A joyful place’: a new museum coaxes Austrians to embrace The Sound of Music
  • NAZA film-makers address threats at documentary’s New York City premiere
  • Godzilla Minus Zero review – spectacular Japanese action continues franchise’s winning streak
  • From Sense and Sensibility to Kill Jackie: your complete entertainment guide to the week ahead
  • Always a joker: Magda Szubanski reveals Heath Ledger asked to play her stalker on Kath and Kim
  • ‘In our deepest hearts we are voyeurs’: the paedophile-hunting show that inspired Robert Pattinson’s new film
  • Meryl Streep’s casting as Aslan has angered the Christian right. Don’t they have more pressing issues?
  • ‘She never accepted no’: Liam Neeson on dogged heroine behind Tuam mass baby grave film
  • My dad was a monster! Sara Karloff on reviving Frankenstein, 95 years on
  • Susan Sarandon and Hannah Einbinder arrested at anti-Netanyahu protest in New York
  • ‘Cracking auction, Gromit!’ Original Aardman puppets go under the hammer
  • Bob Mackie obituary
  • ‘I get lost going to the bathroom’: John Hannah on world travel, stealing props and being ‘the Scottish Eminem’
  • Global release announced for acclaimed Gaza documentary NAZA
  • Post your questions for Zach Braff
  • Greek epics, gory obsessions and awkward invites: where does this year’s Oscars race stand?
  • ‘I’m a writer but then nobody’s perfect’: how Billy Wilder conquered Hollywood
  • Forgotten Island review – best friends forever trapped in frantic DreamWorks animation
  • Twenty years after An Inconvenient Truth, Al Gore still believes in the climate fight: ‘We are going to win this’
  • ‘He made something every single day’: David Lynch’s inscrutable photography celebrated in LA show
  • Manhunter review – Michael Mann serves up a bold and queasy starter to the serial killer spectacle
  • Boorman and the Devil review – enjoyable re-evaluation of the disaster that was Exorcist II: The Heretic
  • Another taste of honey: Shelagh Delaney’s long-lost play about a teenage truant is a little gem

Contact www.brillfilms.com   Terms of Use