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Lola and the Sea review – trans woman goes on road trip with angry dad

Mya Bollaers is superb as a trans woman forced to travel with her bigoted father in a film that can’t quite escape its own cliches

Lamb review – sheep thrills in Iceland

Noomi Rapace stars in this creepy story of a couple raising a strange ovine addition to their household

The 50 best films of 2021 in the UK, No 8: Azor

An eerie, unsettling drama-thriller from director Andreas Fontana sees a Swiss banker navigate Argentina’s dirty war

Lamb review – Noomi Rapace outstanding in wild horror-comedy of Icelandic loneliness

This outrageous story of a bereaved couple’s surrogate child ropes in a wild bestiary of creatures great and digital

The 50 best films of 2021 in the US, No 9: Azor

An unnervingly subtle and dreamlike conspiracy thriller set in the strange world of the super-wealthy at the time of the dirty war in Argentina

Hope review – sensitive study of the grief that lies behind a cancer diagnosis

Stellan Skarsgård plays a man whose attention has been more focused on his career than his family wrestles with accepting his wife’s terminal illness

Not Knowing review – homophobic bullies wreck Turkish water polo kid’s life

Rumours about a young athlete’s sexuality have devastating consequences in an public-service lesson that lacks dramatic acuity

There Is No Evil review – devastating everyday tales of life under Iran’s brutal regime

Mohammad Rasoulof’s Golden Bear winner examines the brutal impact of the death penalty and suppressed freedom on ordinary Iranians

Screen sensation: the single-shot thriller bringing time-travel into the Zoom era

It was shot in a week and premiered to 12 people, but micro-budget sci-fi movie Beyond the Infinite Two Minutes has since become the breakout success of the year

The Hand of God review – Paolo Sorrentino tells his own Maradona story

The Italian film-maker may owe his life to the footballer, as this vivid, autobiographical Neapolitan drama reveals

Celts review – bitchy zingers sting at a birthday party in Belgrade

Director Milica Tomović’s debut is a sharp, well-scripted party piece set in early 1990s Serbia

Drive My Car review – supremely confident Haruki Murakami adaptation

A widowed actor bonds with his chauffeur in Ryûsuke Hamaguchi’s beguiling film exploring the creative process, jealousy and guilt

You Will Die at Twenty review – radiant Sudanese coming-of-age tale

A young man whose early death was foretold begins to question a life of caution

Natural Light review – bleak but beautifully shot war drama

Dénes Nagy’s sombre second world war film doesn’t give much away, but its coldness speaks volumes about the nature of conflict

Céline Sciamma: ‘My films are always about a few days out of the world’

From Girlhood to Portrait of a Lady on Fire, the film-maker’s intimate human dramas have ​brought her acclaim. She talks about her latest, Petite Maman

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  • How Zach Cregger’s Resident Evil stands out from all other game adaptations
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  • Verity review – Dakota Johnson leaves teethmarks as she goes back to Fifty Shades erotic thriller territory
  • Verity review – Dakota Johnson leaves teethmarks as she goes back to Fifty Shades erotic thriller territory
  • Verity review – Dakota Johnson leaves teethmarks as she goes back to Fifty Shades erotic thriller territory
  • Verity review – Dakota Johnson leaves teethmarks as she goes back to Fifty Shades erotic thriller territory
  • Verity review – Dakota Johnson leaves teethmarks as she goes back to Fifty Shades erotic thriller territory
  • Verity review – Dakota Johnson leaves teethmarks as she goes back to Fifty Shades erotic thriller territory
  • Cotton Queen review – mystery, matriarchs and magic in pioneering Sudanese debut
  • Cotton Queen review – mystery, matriarchs and magic in pioneering Sudanese debut
  • Cotton Queen review – mystery, matriarchs and magic in pioneering Sudanese debut
  • Cotton Queen review – mystery, matriarchs and magic in pioneering Sudanese debut
  • Cotton Queen review – mystery, matriarchs and magic in pioneering Sudanese debut
  • Cotton Queen review – mystery, matriarchs and magic in pioneering Sudanese debut
  • Cotton Queen review – mystery, matriarchs and magic in pioneering Sudanese debut
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  • The Swan contestants on the most sadistic reality show on TV: ‘Ultimately, we were just a job’
  • The Swan contestants on the most sadistic reality show on TV: ‘Ultimately, we were just a job’
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  • Rapture review – cult Spanish horror is a deeply strange cheese dream of cinemania
  • Rapture review – cult Spanish horror is a deeply strange cheese dream of cinemania
  • Rapture review – cult Spanish horror is a deeply strange cheese dream of cinemania
  • Rapture review – cult Spanish horror is a deeply strange cheese dream of cinemania
  • Rapture review – cult Spanish horror is a deeply strange cheese dream of cinemania
  • Rapture review – cult Spanish horror is a deeply strange cheese dream of cinemania
  • Rapture review – cult Spanish horror is a deeply strange cheese dream of cinemania

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