BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

Sujo review – Mexican coming-of-age drama in the shadow of a cartel killing

A story about a boy deciding whether to enter the criminal underworld or become a student that lacks enough passion and anger to really hit home

The Universal Theory review – chilly German sci-fi noir splices genres with style

Ambitious feature by Timm Kröger moves from lurid colour to stark black and white following an academic’s Alpine adventures in the metaverse

Remembering Every Night review – drifting drama follows three Tokyo women living their lives

Yui Kiyohara’s film of long shots and silences could be deeply boring or oddly fascinating depending on your point of view

All We Imagine As Light review – Cannes prize-winning Indian drama is a quiet, tender marvel

Payal Kapadia’s poetic, everyday tale of three women who work at the same hospital is all the more remarkable for being her fiction feature debut

Snow Leopard review – striking Tibetan drama about one big cat’s fate

A rare snow leopard becomes the centre of a tense family dispute in the late Pema Tseden’s final film

Memories of a Burning Body review – Costa Rican older women talk about sex and desire in deft docudrama

The vivid recollections of three women who grew up in the repressive 1950s and 60s are elegantly re-enacted in Antonella Sudasassi’s prize-winning drama

The Last Dance review – the Chinese funeral home comedy you’ve been waiting for

A wedding planner turned undertaker struggles to win over a Taoist priest in writer-director Anselm Chan’s drama with hidden depths

‘I felt this film was my duty’: director Mati Diop on Dahomey, about the return of looted African treasures

The French-Senegalese film-maker on winning the top prize at Berlin for her otherworldly new work, cultural identity and her beef with Beyoncé

The Goldman Case review – compelling real-life French courtroom drama

The 1970s appeal hearing of far-left activist and armed robber Pierre Goldman is mined for all its showboating excitement in Cédric Kahn’s film

Sugarcane review – impressive account of the Catholic church’s abuse of Indigenous children in Canada

Julian Brave NoiseCat and Emily Kassie’s documentary is all the more powerful for its measured telling

Girls Will Be Girls review – simmering emotions in Himalayan boarding school coming-of-age drama

A head prefect’s burgeoning romance is one more thing she needs to excel at in Shuchi Talati’s Sundance audience prize-winning tale of sexual awakening

My Favourite Cake review – lovely, quietly subversive late-life Iranian romance

A lonely widow seizes the day in this bittersweet comedy drama, which drew the ire of the Iranian authorities on its release earlier this year

‘The main issue was always the hijab’: the Iranian directors arrested for their gentle septuagenarian comedy

Maryam Moghaddam and Behtash Sanaeeha, makers of My Favourite Cake, received an ovation at the Berlin film festival while under house arrest in Tehran. They speak about the struggle of creating art under a dictatorship

Fawzia Mirza and Amrit Kaur on The Queen of My Dreams: ‘People want to hear more queer Muslim stories’

Mirza’s feature debut may have started with a wish to better understand her conservative Pakistani mother, but the joy it finds as it hops from 90s Canada to 60s Karachi speaks to big questions about south Asian identities

The Count of Monte Cristo review – highly enjoyable French costume spectacle

Three Musketeers screenwriters Alexandre de La Patellière and Matthieu Delaporte move on to Dumas’s swashbuckling tale of revenge with verve

Post navigation

← Older posts
Newer posts →

  • The Wolf of Wall Street to Creed III: the seven best films to watch on TV this week
  • Four wives, two passports and a very elusive butterfly: one woman’s search for her lepidopterist father
  • Dark Mofo: 2026 festival to show Willem Dafoe film that can only be watched by one person at a time
  • Oscars to leave Hollywood for downtown Los Angeles in 2029
  • Hook, line and cinema: why boxing films are still a knockout
  • Alexander Kluge, author and key film-maker in the New German Cinema movement, dies aged 94
  • DJ Ahmet review – totally charming tale of teen travails in North Macedonia
  • Will Stephen Colbert’s Lord of the Rings film be Tom Bombadil’s time to shine?
  • Halle Bailey: ‘It’s a vulnerable place to be – a young woman cast as a Disney princess’
  • Creator of AI actor Tilly Norwood says she received death threats over project
  • Rave Culture: A New Era review – high energy testimonial to the UK’s dance revolution
  • William Shakespeare’s Romeo+Juliet review – Baz Luhrmann’s joyful tragedy is still extravagantly full of life
  • They Will Kill You review – satanic beat-’em-up offers gore, bad jokes and deja vu
  • Dodging the ‘wrinkle wagon’: why a Brazilian film about ageing is inspiring older women
  • Orwell: 2+2=5 review – documentary portrait doesn’t wholly add up
  • Jamie Lee Curtis to lead Murder, She Wrote reboot movie
  • Pretty Lethal review – Amazon’s ballerina action thriller puts on a decent enough show
  • Valerie Perrine obituary
  • Backlash mounts over twist in Robert Pattinson Zendaya romcom The Drama
  • Billy Idol Should Be Dead review – nostalgic docu-tribute to British postpunk’s rebel
  • Underland review – poetic exploration of life deep beneath the Earth’s surface
  • Redoubt review – Denis Lavant is unforgettable as an oddball building a public shelter for obscure disaster
  • Stephen Colbert to write new Lord of the Rings film after end of the Late Show
  • Tom Georgeson obituary
  • Mike & Nick & Nick & Alice review – double the Vince Vaughn in middling time travel comedy
  • Live-action movie version of children’s TV series Mr Benn in the works
  • ‘Was that an earthquake?’ Italy’s great psychogeographer tackles the Vesuvius-haunted Naples tourists seldom see
  • Why is the US so expensive? Everything comes in a ‘premium’ version, from doctors’ appointments to movies
  • Who’s Afraid of Virginia Woolf? at 60: Elizabeth Taylor still crackles with feral energy
  • Transforming the Beautiful Game: The Clyde Best Story review – fitting tribute to a barnstorming trailblazer

Contact www.brillfilms.com   Terms of Use