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Shanghai Blues review – delirious screwball comedy from Hong Kong’s Spielberg

Tsui Hark’s classic tale of love and mistaken identity, with plentiful helpings of farce and wackiness, has been restored for its 40th anniversary

By the Stream review – gentle college comedy of manners from Hong Sang-soo

The Korean director applies his languid style to the tale of a college campus coping with the arrival of a famous visitor

The Tasting review – French midlife romcom takes its leads guzzling fine wines

Easygoing tale has Hortense meet Jacques while buying a bottle at his shop, but the real star is the picturesque setting of Troyes

Architecton review – poetic study of humankind’s bricks-and-mortar impact on the Earth

Victor Kossakovsky’s follow-up to Gunda is a gorgeously shot reverie about our use of materials such as stone and concrete

It’s Raining Men review – Laure Calamy adultery comedy puts the heat in cheat

Call My Agent! star brings her light comic touch to a flimsy, sugary but sometimes oddly daring French romcom

Rocco and His Brothers review – Luchino Visconti’s operatically magnificent family epic

Alain Delon is coltishly beautiful in this compelling 1960s tale of homesickness, aspiration, anguish and rage

Diabel review – canine sidekick along for ride as dour war veteran biffs bad guys

A Polish ex-soldier returns to his home town and takes on local gangsters in an exhausting barrage of violence in humourless action film

How to Make Millions Before Grandma Dies review – tear-jerking Oscar contender from Thailand

A dropout’s burgeoning affection for his gran makes him rethink his plan of benefiting from her fortune in a shamelessly sentimental crowd-pleaser

And the 2024 Braddies go to … Peter Bradshaw’s film picks of the year

Now the Guardian’s Top 50 countdown, as voted for by the whole film team, has announced its No 1, here are our chief critic’s personal choices, in no particular order

How to Make Millions Before Grandma Dies review – sad but sweet Thai inheritance tale

The premise – a young man cosies up to his grandmother for the sake of her will – sounds cynical, but this is actually a tear-jerker with an important point

The Universal Theory review – beautiful, wigged-out German multiverse mystery

Gorgeous images and a lush score intrigue in Timm Kröger’s 60s-set noir thriller about a postgrad student’s alpine adventures

Sujo review – slow-burning Mexican drug cartel drama

A young man struggles to escape his bloody birthright in Astrid Rondero and Fernanda Valadez’s elegant Sundance winner

Sujo review – Mexican coming-of-age drama in the shadow of a cartel killing

A story about a boy deciding whether to enter the criminal underworld or become a student that lacks enough passion and anger to really hit home

The Universal Theory review – chilly German sci-fi noir splices genres with style

Ambitious feature by Timm Kröger moves from lurid colour to stark black and white following an academic’s Alpine adventures in the metaverse

Remembering Every Night review – drifting drama follows three Tokyo women living their lives

Yui Kiyohara’s film of long shots and silences could be deeply boring or oddly fascinating depending on your point of view

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  • 13 Assassins: Takashi Miike’s viscerally violent remake is full-throttle samurai mayhem
  • Whispers in the Woods review – paddling in the moonlight in tender study of human-animal interaction
  • Traces of Justice review – ‘Chinese Sherlock Holmes’ at centre of arresting forensic cop thriller
  • ‘I’m looking for faces which surprise me’: how Richard Avedon photographed the soul of his subjects
  • Soul Patrol review – heartstopping story of the US army’s first Black special ops team at work in Vietnam
  • ‘We are human too’: the Roma film-makers striking back at stereotypes
  • Donnie Dunagan, original voice of Disney’s Bambi and triple Purple Heart marine, dies aged 92
  • 1 in 2 review – compassionate film about dealing with bowel cancer is a personal plea on behalf of the young
  • ‘We did 10 takes of it!’ Kerr Smith on Dawson’s Creek and filming US TV’s first gay kiss
  • ‘Sadistic, forbidden pleasure’: why Gone Girl is my feelgood movie
  • A Fox Under a Pink Moon review – Iranian teen refugee paints boldly imaginative self-portrait
  • 100 Sunset review – elliptical, elusive drama dreamlike through Toronto’s tight-knit Tibetan community
  • Look at Me by Dustin Hoffman review – an era-defining actor says his piece
  • Robert Pattinson has auditioned for James Bond – and finally the 007 race is interesting
  • Godzilla Minus Zero takes US box office by storm in opening weekend
  • What are you yearning for? We took to the streets to find out
  • Pickpockets review – small-budget Australian crime flick steals audience’s heart
  • Bluey’s Daley Pearson on how losing his brother inspired his new film: ‘He was the best thing ever to me’
  • Monica Dolan looks back: ‘I was repulsed by Rose West, yet I had to work out what made her tick’
  • How African philosophies inspired a new approach to staging film festivals in Manchester
  • ‘I’ve seen people in my neighbourhood pulled out of their cars’: Ava DuVernay on the cruelty and brutality of Trump’s America
  • Hollywood banks on Ebenezer to bring Johnny Depp in from the cold
  • ‘Life is like a heartbeat. It’s up and down, up and down’: Michelle Yeoh on casting cliches, marriage at 60 and playing a replicant in Blade Runner 2099
  • From Wild Horse Nine to Kings of Leon: your complete entertainment guide for the week ahead
  • Russell Brand suspected to have attacked at least 10 other women
  • Sebastián Lelio was a fascinating film-maker of great passion and poetry
  • Sebastián Lelio, director of A Fantastic Woman and Gloria, dies aged 52
  • Marilyn Monroe is a magnetic misfit in Speculations, a spicy conspiracy drama full of bombshells
  • The Cat in the Hat review – Bill Hader brings plenty but this animated rework is a mess
  • If Dune is this generation’s Star Wars, we are all in big trouble

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