Salaam Bombay! review – still fiercely unsentimental and throbbing with energy The re-release of Mira Nair’s unflinching 1988 story of street children, prostitutes and drug dealers shows it has lost none of its power
Treasure City review – bizarre, oppressive and horribly brutal Anger, confusion and despair are the keynotes of this one-night-in-a-city film that leads towards a horrendous scene of abuse
The best films of 2021 so far Chloé Zhao hits the road, Carey Mulligan takes her revenge and Emma Stone refashions Cruella in the pick of this year’s films
Shock Wave: Hong Kong Destruction review – one long tick-tick-boom symphony Andy Lau plays a bomb-disposal officer in this old-school action thriller with tricksy, Infernal Affairs-esque storytelling
Safe Inside review – a flawed thriller with a doozy of a twist A coach accident leads two tourists to a rural French mansion in this intriguing but confused film with implausibility at its core
The Dog Who Wouldn’t Be Quiet review – a mini masterwork A health crisis turns a series of odd vignettes into an enigmatic wonder as one man and his dog navigate a mysterious world
Death Will Come and Shall Have Your Eyes review – a strangely comforting end A lesbian couple move to the country to deal with terminal illness in this tense, sensitive film by Chilean director José Luis Torres Leiva
Why Not You review – a hollow depiction of homophobic violence An aspiring dancer is devastated by survivor’s guilt after a shooting in a gay bar, in a topical film that takes on too many big issues
From Black Widow to unseen Beatles footage: what films to see as cinemas reopen The dazzling Nomadland leads the way with a medieval thriller, a Ben Wheatley chiller and Emma Stone’s Cruella hot on its heels
Oxygen review – air runs out for claustrophobic survival nightmare Mélanie Laurent is excellent as a woman who wakes up in a cryogenic pod with enough oxygen to last the length of the film
Outrage as male voice actor dubs Laverne Cox in Italian-language Promising Young Woman Cox’s character in the revenge thriller given deep voice of Roberto Pedicini, sparking backlash over European dubbing of trans actors
The Lady in the Portrait review – painterly pageantry in a Chinese royal court Fan Bingbing stars as an emperor’s wife having her portrait painted in this artful yet inert period drama
The Salesman: Arthur Miller’s American classic reframed in Iran Asghar Farhadi’s Oscar-winning film about two married actors has intriguing parallels with the play they are performing
Apples review – quirky amnesia mystery is funnily forgettable Christos Nikou’s black comedy about a plague of forgetfulness is intriguingly absurd but not as memorable as it thinks it is
Under the Pavement Lies the Strand: Berliners build a feminist future Part of the New German Cinema boom, Helma Sanders-Brahms’ 1975 film about two actors asks if theatre still has revolutionary potential