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Selfie review – droll Gallic eye on slaves to the algorithm

Online metrics are pillow talk, and digital secrets go public in this tragicomic portmanteau of five stories about our relationship with technology

Bertrand Tavernier: a flesh-and-blood lion of French cinema

The director was a prolific and legendary figure, making films in a dizzying range of genres from crime to sci-fi, satire to jazz

Memories of My Father review – deeply felt memoir of Medellín’s public-health champion

Almodóvar regular Javier Cámara brings a wonderful richness to his portrayal of Colombian professor and campaigner Héctor Abad Gómez

Stray review – exquisite dog’s eye view of Istanbul

Elizabeth Lo’s film about the street dogs of the Turkish metropolis is the perfect companion piece to Kedi, a 2016 work about its cats

Oleg review – migrant drama of despair leaves no way out

A young man from Riga falls into a sinister situation to stay in Belgium in Juris Kursietis’s bleak social-realist film

Malmkrog review – cerebral period drama lives on in the mind

Cristi Puiu’s fourth film makes a virtue of high seriousness as guests at a country house discuss God, man, warfare and evil

Preparations to Be Together for an Unknown Period of Time review – a clever, uncanny love story

A brain surgeon worries that her recent romance may be one big delusion in writer-director Lili Horvát’s seductive psychological drama

Russian Raid review – hostile takeover of screens in steroidal martial arts actioner

Hooligans are up to all sorts of impish mayhem in this rote action flick apparently modelled on The Raid

The Legend of the Stardust Brothers review – 80s Japanese bubblegum pop curio

Even with a glorious mishmash of a pop soundtrack, it’s not obvious why Makoto Tezuka’s cult musical needs a revival

Preparations to Be Together for an Unknown Period of Time review – Blow-Up in Budapest

A liaison between two surgeons leads to a psychological riddle – even if director Lili Horvát can’t quite provide a satisfying answer

The full list of 2021 Oscars nominations

From Mank to Judas and the Black Messiah, all the nominations for the 93rd Academy Awards, which take place on 25 April

My Oscar goes to… our film critics reveal their personal shortlists

Ahead of the official Academy nominations, Observer film critics pick their own shortlists

The Columnist review – middle class writer on a murder spree

There is absurdist carnage as a journalist takes bloody real-life revenge on the keyboard warriors tormenting her

My English Cousin review – searching doc about a man between two worlds

This charming but opaque documentary about an Algerian migrant returning to his homeland doesn’t challenge its subject – or itself

Baftas 2021: the full list of nominations

From Nomadland to Promising Young Woman, the films up for a gong at this year’s British film awards

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  • NAZA film-makers say they spoke to more than 100 sources about Israeli actions in Gaza
  • You Can See Everything review – Nathan Fielder’s Elizabeth Holmes doc is a modern masterpiece of deceit
  • Sex, drugs and amoebic dysentery: the 20 best making-of documentaries – ranked!
  • Tourette syndrome campaigner John Davidson to watch Bafta Scotland awards in separate ‘relaxed’ space
  • The Last First: Winter K2 review – race up second highest mountain reveals fatal cost of human ambition
  • ‘These early friendships are huge romances’: Extra Geography’s lessons in teenage love
  • Derek vs Derek review – farmers go head to head in rewilding rivalry with real bite
  • Extra Geography review – a wickedly funny lesson in sex, class and female friendship
  • Nicolas Cage calls Marvel movies ‘a glorified WWE’ with over-50s in ‘ridiculous outfits’
  • Don’t hate the movie, hate the critic! Digger’s new PR push is a risky bet for film that was never meant to be divisive
  • Knife: The Attempted Murder of Salman Rushdie review – terrifying and inspiring story of survival
  • ‘They raped our country’: documentary follows Kenyans’ fight for restitution over stolen land
  • Gaza documentary NAZA beats Avengers Endgame: Encore to top Italian box office
  • Post your questions for Michael Winterbottom
  • How Zach Cregger’s Resident Evil stands out from all other game adaptations
  • Verity review – Dakota Johnson leaves teethmarks as she goes back to Fifty Shades erotic thriller territory
  • Cotton Queen review – mystery, matriarchs and magic in pioneering Sudanese debut
  • The Swan contestants on the ‘sadistic’ pageant reality show: ‘Ultimately, we were just a job’
  • Rapture review – cult Spanish horror is a deeply strange cheese dream of cinemania
  • How Deep Is Your Love review – under the sea at Earth’s last frontier with the Psychedelic Elvis Worm
  • Reanimated AI Greta Garbo stars again … in a ball-bearing advert
  • SKF advert review – let’s hope this dull AI Greta Garbo is not the future
  • Patricio Guzmán obituary
  • The cure for doomscrolling? Why Tom Cruise stopped a woman mid-scroll
  • Digger review – Tom Cruise’s loudmouth oil tycoon goes hard in Alejandro G Iñárritu’s eco-satire
  • Child review – jump scares abound in twisty organ transplant fable that keeps horror at its heart
  • The Portuguese House review – picturesque, polite drama of secrets and revelations at a country estate
  • April X review – Connor Storrie searches for missing twin in dystopian dream-tech sci-fi thriller
  • Century-old silent film made in New Hampshire found in Japan antique shop
  • Gen Z has very strong opinions about age-gap relationships – and it could be right

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