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From Beyoncé to the Oscars: Mary Twala, Africa’s queen of cinema

The late South African actor was introduced to a whole new audience in Beyoncé’s Black Is King. But it’s her final film – This Is Not a Burial, It’s a Resurrection – that could be her best work

Patrick review – wry, existential nudist comedy

The fact that almost everyone’s in the nude is the least remarkable thing about this deadpan delight from Peaky Blinders director Tim Mielants

Ext.Night review – After Hours-ish, Cairo-set yarn hampered by misogyny

An intriguing comedy drama about a film-maker who falls foul of a taxi driver and a sex worker is atmospheric but muddled

The Life Ahead review – Sophia Loren serves up some grandmother courage

The imperious star is as magnetic as ever as a Holocaust survivor and creche worker who takes in a troubled Senegalese boy

To the Ends of the Earth review – dreamlike vision of clashing cultures

A young reporter on assignment in Uzbekistan undertakes a minor rebellion in Kiyoshi Kurosawa’s sweet, sad tale

Train to Busan Presents: Peninsula – zombie romp cannibalises the classics

Sequel to the South Korean gem shuns the social commentary of its predecessor in favour of tired cliches and tedious CGI

Sophia Loren: ‘The body changes. The mind does not’

The 86-year-old, star of the Netflix drama The Life Ahead, looks back at her own life, from the squalor of wartime Naples to the glamour of international fame

Queen of Hearts review – addictive study of infidelity in picture-perfect life

Trine Dyrholm is outstanding as a liberal-minded lawyer who has a predatory affair with her stepson in May el-Toukhy’s excellent Danish drama

Wolfwalkers review – an exquisite Irish animation masterpiece

This dazzling 17th-century folk tale is a total joy

The Young Observant review – teenage kicks at prestigious Italian waiter school

This docu-fictional hybrid follows a blank-faced and talentless waiter in the ways of swanky silver service

Song Without a Name review – heart-rending story of Peruvian baby trafficking

An indigenous woman has her newborn child stolen by a fake maternity clinic in this desperately sad account of real-life events in the 1980s

Sidse Babett Knudsen: the Borgen star mixing Danish drama and Westminster intrigue

Set to reprise her role as prime minister in new series of hit Scandi drama, actor is just as excited to share limelight in David Hare thriller, Roadkill

Being a Human Person review – the Monty Pythonesque artistry of Roy Andersson

The Swedish director, known for his brilliant dreamlike visions and gags, is celebrated in this documentary set around his latest film, About Endlessness

Two/One review – beautiful tale of parallel worlds

In adman Juan Cabral’s first feature, the lives of two men on opposite sides of the world are mysteriously intertwined

Netflix indicted by Texas grand jury over ‘lewd visual material’ in Cuties

French film about pre-teen girls who form a dance group is called ‘prurient’ in Tyler County prosecution. Netflix defends story as social commentary against sexualisation

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  • Tourette syndrome campaigner John Davidson to watch Bafta Scotland awards in separate ‘relaxed’ space
  • The Last First: Winter K2 review – race up second highest mountain reveals fatal cost of human ambition
  • ‘These early friendships are huge romances’: Extra Geography’s lessons in teenage love
  • Derek vs Derek review – farmers go head to head in rewilding rivalry with real bite
  • Extra Geography review – a wickedly funny lesson in sex, class and female friendship
  • Nicolas Cage calls Marvel movies ‘a glorified WWE’ with over-50s in ‘ridiculous outfits’
  • Don’t hate the movie, hate the critic! Digger’s new PR push is a risky bet for film that was never meant to be divisive
  • Knife: The Attempted Murder of Salman Rushdie review – terrifying and inspiring story of survival
  • ‘They raped our country’: documentary follows Kenyans’ fight for restitution over stolen land
  • Gaza documentary NAZA beats Avengers Endgame: Encore to top Italian box office
  • Post your questions for Michael Winterbottom
  • How Zach Cregger’s Resident Evil stands out from all other game adaptations
  • Verity review – Dakota Johnson leaves teethmarks as she goes back to Fifty Shades erotic thriller territory
  • Cotton Queen review – mystery, matriarchs and magic in pioneering Sudanese debut
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  • Rapture review – cult Spanish horror is a deeply strange cheese dream of cinemania
  • How Deep Is Your Love review – under the sea at Earth’s last frontier with the Psychedelic Elvis Worm
  • Reanimated AI Greta Garbo stars again … in a ball-bearing advert
  • SKF advert review – let’s hope this dull AI Greta Garbo is not the future
  • Patricio Guzmán obituary
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  • Digger review – Tom Cruise’s loudmouth oil tycoon goes hard in Alejandro G Iñárritu’s eco-satire
  • Child review – jump scares abound in twisty organ transplant fable that keeps horror at its heart
  • The Portuguese House review – picturesque, polite drama of secrets and revelations at a country estate
  • April X review – Connor Storrie searches for missing twin in dystopian dream-tech sci-fi thriller
  • Century-old silent film made in New Hampshire found in Japan antique shop
  • Gen Z has very strong opinions about age-gap relationships – and it could be right

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