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‘I’m surrounded by ghosts’: Bataclan survivor Ismaël El Iraki on his film Zanka Contact

The film-maker was at the Paris concert venue when attackers opened fire. His debut feature is inspired by his gruelling journey to recovery

Truth Makes Free review – Poland’s rebel priest meets his interrogator

A cat-and-mouse police grilling is blunted by explosive flashbacks in this real-life story of radical cleric Jan Zieja

Lacci review – handsome divorce drama revels in domestic disaster

European cousin to Marriage Story, Daniele Luchetti’s oddly soothing film follows the grisly meltdown of a middle-class couple

Koko-di Koko-da review – grisly Groundhog Day for grieving couple

Johannes Nyholm directs this strange psychological horror about a couple haunted by their dead daughter’s musical box

Socrates review – homelessness and homophobia in São Paulo

A gay teenager comes of age in a desperate situation in this audacious and elegant debut made on a shoestring

Battling on: what Russia’s unrelenting appetite for second world war films means

Heroism, tragedy – and lots of tanks … the Russian obsession with the war is as strong as the west’s – but it conveys a very different message

The Lost Prince review – father-daughter storybook tale is full of heart

Michel Hazanavicius’s latest offering transports mechanic Djibi and his child from a Paris tower block to a fantasyland

Away review – silent, surreal and entrancing animation

This silent adventure film about a man who parachutes out of a plane and lands on an island is both wondrous and weird – see it before Tenet

Love You Forever review – loopy, time-bending romcom

The story of a Chinese dancer who discovers a novel based on her own life and written by a mysterious admirer has a certain charm but outstays its welcome

Perfumes review – admirably refreshing French comedy-drama

Grégory Montel is chauffeur to challenging fragrance designer Emmanuelle Devos in this layered look at relationships

Coup 53 review – riveting documentary on a very British coup

Taghi Amirani’s gripping film about the move against Iran’s prime minister highlights an inglorious chapter of history

Wonders in the Suburbs review – charming genuine oddity of a film

With a superstar French cast including Emmanuelle Béart, this is a weirdly likable first solo directing credit for Jeanne Balibar

Ava review – smart teenage thriller amps up the micro-tyrannies

Sadaf Foroughi turns the family drama trope on its head in this superb story of a girl in Iran at war with her mother

Pinocchio review – Matteo Garrone crafts a satisfyingly bizarre remake

Drawing on the original children’s story for his new live-action version, the Gomorrah director combines sentimentality and the grotesque in a unique way

Message Man review – gorily efficient Indonesia-set actioner

There’s an awkward white-saviour dimension to Corey Pearson’s revenge thriller – but it picks up speed in a tuk-tuk

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  • You Can See Everything review – Nathan Fielder’s Elizabeth Holmes doc is a modern masterpiece of deceit
  • Sex, drugs and amoebic dysentery: the 20 best making-of documentaries – ranked!
  • Tourette syndrome campaigner John Davidson to watch Bafta Scotland awards in separate ‘relaxed’ space
  • The Last First: Winter K2 review – race up second highest mountain reveals fatal cost of human ambition
  • ‘These early friendships are huge romances’: Extra Geography’s lessons in teenage love
  • Derek vs Derek review – farmers go head to head in rewilding rivalry with real bite
  • Extra Geography review – a wickedly funny lesson in sex, class and female friendship
  • Nicolas Cage calls Marvel movies ‘a glorified WWE’ with over-50s in ‘ridiculous outfits’
  • Don’t hate the movie, hate the critic! Digger’s new PR push is a risky bet for film that was never meant to be divisive
  • Knife: The Attempted Murder of Salman Rushdie review – terrifying and inspiring story of survival
  • ‘They raped our country’: documentary follows Kenyans’ fight for restitution over stolen land
  • Gaza documentary NAZA beats Avengers Endgame: Encore to top Italian box office
  • Post your questions for Michael Winterbottom
  • How Zach Cregger’s Resident Evil stands out from all other game adaptations
  • Verity review – Dakota Johnson leaves teethmarks as she goes back to Fifty Shades erotic thriller territory
  • Cotton Queen review – mystery, matriarchs and magic in pioneering Sudanese debut
  • The Swan contestants on the ‘sadistic’ pageant reality show: ‘Ultimately, we were just a job’
  • Rapture review – cult Spanish horror is a deeply strange cheese dream of cinemania
  • How Deep Is Your Love review – under the sea at Earth’s last frontier with the Psychedelic Elvis Worm
  • Reanimated AI Greta Garbo stars again … in a ball-bearing advert
  • SKF advert review – let’s hope this dull AI Greta Garbo is not the future
  • Patricio Guzmán obituary
  • The cure for doomscrolling? Why Tom Cruise stopped a woman mid-scroll
  • Digger review – Tom Cruise’s loudmouth oil tycoon goes hard in Alejandro G Iñárritu’s eco-satire
  • Child review – jump scares abound in twisty organ transplant fable that keeps horror at its heart
  • The Portuguese House review – picturesque, polite drama of secrets and revelations at a country estate
  • April X review – Connor Storrie searches for missing twin in dystopian dream-tech sci-fi thriller
  • Century-old silent film made in New Hampshire found in Japan antique shop
  • Gen Z has very strong opinions about age-gap relationships – and it could be right

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