BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

Lockdown watch: Mark Cousins on why he’s only seeing films from 1940

In the first of a series in which film-makers reveal their self-isolation viewing habits, the documentarian on batty curios and rare gems from 80 years ago

Haifaa Al-Mansour: ‘Female leaders are crushed. Look at Hillary Clinton’

The Saudi Arabian director directed her first film, Wadjda, hiding in the back of a van on the streets of Riyadh. Now her latest, The Perfect Candidate, is opening doors in Hollywood

The Perfect Candidate review – accidental heroine takes on the cynics

When a doctor runs for office in Saudi Arabia, her campaign gathers unexpected momentum in this assured drama by Wadjda director Haifaa Al Mansour

Domains review – eerie echoes of a world in isolation

This stark, experimental drama about a woman in a troubled marriage who reconnects with an old friend is the first movie of the coronavirus era

Fire Will Come review – emotional Spanish drama

An arsonist falls under suspicion in a Galician village in Oliver Laxe’s Cannes prize-winner

Dogs Don’t Wear Pants review – alarming antics in the sex dungeon

The hardcore story of a grieving surgeon who embarks on an odyssey of forbidden pleasures is intriguing but hard to watch

The Truth review – mothers, memory and an imperious Catherine Deneuve

A legendary movie star’s dubious memoirs outrage her daughter – played by Juliette Binoche – in Hirokazu Kore-eda’s stylish, seductive family drama

Fire Will Come review – pyromaniac’s tale obscured by smoke

Oliver Laxe’s drama about a fire-starter in rural Spain is visually arresting but exasperating as a piece of storytelling

Bacurau review – wildly entertaining Brazilian weirdness

A rural community comes under attack in a thriller with anticolonial overtones

And Then We Danced review – freewheeling story of secret love

Levan Akin’s terrific romance about two male dancers in Tbilisi is electrifying in its physicality and fervent in its storytelling

Bacurau review – ultraviolent freakout in Brazil’s outback

This disquieting horror-style western about a town under siege from a mysterious threat is executed with ruthless clarity

Strangulation, asphyxiation, rubber: making the BDSM romcom Dogs Don’t Wear Pants

Finnish director Jukka-Pekka Valkeapää ensured that his new film was torture for his actors – literally. But he insists his immersive methods are just like gardening

Vitalina Varela review – secrets and lies amid the ruins

Vitalina Varela stars as herself in Pedro Costa’s bleak but beautiful film about a woman discovering the hidden life of her late husband

Immortal Hero review – silly vanity project made in bad faith

The self-produced film by faith leader Ryuho Okawa is woefully misjudged and reveals the laughable reality behind Happy Science

Poland’s world-beating new film-makers: ‘We have a common enemy’

From Kieślowski to Munk, Polish film has a mighty past. Yet can today’s auteurs survive the interference of a government hostile to ‘whingeing, arty stuff’ that shows the world as ambiguous’?

Post navigation

← Older posts
Newer posts →

  • NAZA film-makers say they spoke to more than 100 sources about Israeli actions in Gaza
  • You Can See Everything review – Nathan Fielder’s Elizabeth Holmes doc is a modern masterpiece of deceit
  • Sex, drugs and amoebic dysentery: the 20 best making-of documentaries – ranked!
  • Tourette syndrome campaigner John Davidson to watch Bafta Scotland awards in separate ‘relaxed’ space
  • The Last First: Winter K2 review – race up second highest mountain reveals fatal cost of human ambition
  • ‘These early friendships are huge romances’: Extra Geography’s lessons in teenage love
  • Derek vs Derek review – farmers go head to head in rewilding rivalry with real bite
  • Extra Geography review – a wickedly funny lesson in sex, class and female friendship
  • Nicolas Cage calls Marvel movies ‘a glorified WWE’ with over-50s in ‘ridiculous outfits’
  • Don’t hate the movie, hate the critic! Digger’s new PR push is a risky bet for film that was never meant to be divisive
  • Knife: The Attempted Murder of Salman Rushdie review – terrifying and inspiring story of survival
  • ‘They raped our country’: documentary follows Kenyans’ fight for restitution over stolen land
  • Gaza documentary NAZA beats Avengers Endgame: Encore to top Italian box office
  • Post your questions for Michael Winterbottom
  • How Zach Cregger’s Resident Evil stands out from all other game adaptations
  • Verity review – Dakota Johnson leaves teethmarks as she goes back to Fifty Shades erotic thriller territory
  • Cotton Queen review – mystery, matriarchs and magic in pioneering Sudanese debut
  • The Swan contestants on the ‘sadistic’ pageant reality show: ‘Ultimately, we were just a job’
  • Rapture review – cult Spanish horror is a deeply strange cheese dream of cinemania
  • How Deep Is Your Love review – under the sea at Earth’s last frontier with the Psychedelic Elvis Worm
  • Reanimated AI Greta Garbo stars again … in a ball-bearing advert
  • SKF advert review – let’s hope this dull AI Greta Garbo is not the future
  • Patricio Guzmán obituary
  • The cure for doomscrolling? Why Tom Cruise stopped a woman mid-scroll
  • Digger review – Tom Cruise’s loudmouth oil tycoon goes hard in Alejandro G Iñárritu’s eco-satire
  • Child review – jump scares abound in twisty organ transplant fable that keeps horror at its heart
  • The Portuguese House review – picturesque, polite drama of secrets and revelations at a country estate
  • April X review – Connor Storrie searches for missing twin in dystopian dream-tech sci-fi thriller
  • Century-old silent film made in New Hampshire found in Japan antique shop
  • Gen Z has very strong opinions about age-gap relationships – and it could be right

Contact www.brillfilms.com   Terms of Use