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Willem Dafoe and Hillary Clinton to attend Berlin film festival

Dafoe stars in Abel Ferrara’s Siberia in a competition that beats out Cannes and Venice for female directors, while a documentary about Clinton shows outside the main lineup

How I Became a Gangster. True Story review – dire, derivative mob caper

Based on real events, this story of Polish gangsters fighting each other and abusing women is self-important and cliche-ridden

No Fathers in Kashmir review – dithering heights

A British girl and her Kashmiri friend trek into the mountains in this clunky tale of two missing fathers

Weathering With You review – thrillingly beautiful anime romance

A runaway teenager falls for a mysterious ‘sun girl’ who has the power to stop the rain in Japan’s highest-grossing film of 2019

Midnight Traveler review – refugees’ gripping escape from Afghanistan

Filmed entirely on smartphones, Hassan Fazili’s powerful documentary charts his family’s perilous, gruelling trek to sanctuary in Europe

Lullaby review – a no-thrills thriller

A middle-class French family is terrorised by the nanny from hell

El Topo review – Jodorowsky’s weird world of occult psychedelia

The veteran director stars as a black-clad horseman on a bizarre desert quest with worrying Mansonesque overtones in his rereleased head trip of 1970

Lullaby review – bad-nanny thriller up past its bedtime

A young couple make a terrible childcare choice in this strained, unsatisfying drama based on Leïla Slimani’s bestselling novel

The most exciting movies of 2020 – foreign language

Paul Verhoeven plays the provocateur, bloody excess hits Brazil’s wild west and Bong Joon-ho’s Parasite finally invades these shores

La Dolce Vita review – a sexy, surreal masterpiece of modernity

Federico Fellini’s rereleased film brilliantly captures postwar Rome and its denizens as they tumble headlong into hedonistic excess – and secret melancholy

We Are from Jazz review – zany Russian musical comedy

In this entertaining fantasy from the Soviet era, a brilliant pianist is expelled from the music academy because of his passion for decadent American jazz

War epics, airmen and young Sopranos: essential films for 2020

Daniel Craig bows out as Bond, the original Ghostbusters make a slimy return and Dickens gets a razor-sharp reboot – our preview of movie highlights this year

Mark Kermode’s best films of 2019

The Observer’s film critic introduces his 10 best movies of 2019

Long Day’s Journey Into Night review – some kind of sorcery at work

This staggeringly ambitious love story will dazzle and baffle long after the credits have rolled

Merry Men 2 review – low-budget Fast & Furious-style shenanigans

The criminal fringe meets sexy high-stakes espionage in this rough-and-ready Nollywood action sequel

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  • You Can See Everything review – Nathan Fielder’s Elizabeth Holmes doc is a modern masterpiece of deceit
  • Sex, drugs and amoebic dysentery: the 20 best making-of documentaries – ranked!
  • Tourette syndrome campaigner John Davidson to watch Bafta Scotland awards in separate ‘relaxed’ space
  • The Last First: Winter K2 review – race up second highest mountain reveals fatal cost of human ambition
  • ‘These early friendships are huge romances’: Extra Geography’s lessons in teenage love
  • Derek vs Derek review – farmers go head to head in rewilding rivalry with real bite
  • Extra Geography review – a wickedly funny lesson in sex, class and female friendship
  • Nicolas Cage calls Marvel movies ‘a glorified WWE’ with over-50s in ‘ridiculous outfits’
  • Don’t hate the movie, hate the critic! Digger’s new PR push is a risky bet for film that was never meant to be divisive
  • Knife: The Attempted Murder of Salman Rushdie review – terrifying and inspiring story of survival
  • ‘They raped our country’: documentary follows Kenyans’ fight for restitution over stolen land
  • Gaza documentary NAZA beats Avengers Endgame: Encore to top Italian box office
  • Post your questions for Michael Winterbottom
  • How Zach Cregger’s Resident Evil stands out from all other game adaptations
  • Verity review – Dakota Johnson leaves teethmarks as she goes back to Fifty Shades erotic thriller territory
  • Cotton Queen review – mystery, matriarchs and magic in pioneering Sudanese debut
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  • Rapture review – cult Spanish horror is a deeply strange cheese dream of cinemania
  • How Deep Is Your Love review – under the sea at Earth’s last frontier with the Psychedelic Elvis Worm
  • Reanimated AI Greta Garbo stars again … in a ball-bearing advert
  • SKF advert review – let’s hope this dull AI Greta Garbo is not the future
  • Patricio Guzmán obituary
  • The cure for doomscrolling? Why Tom Cruise stopped a woman mid-scroll
  • Digger review – Tom Cruise’s loudmouth oil tycoon goes hard in Alejandro G Iñárritu’s eco-satire
  • Child review – jump scares abound in twisty organ transplant fable that keeps horror at its heart
  • The Portuguese House review – picturesque, polite drama of secrets and revelations at a country estate
  • April X review – Connor Storrie searches for missing twin in dystopian dream-tech sci-fi thriller
  • Century-old silent film made in New Hampshire found in Japan antique shop
  • Gen Z has very strong opinions about age-gap relationships – and it could be right

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