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About Endlessness review – a divine comedy with moments of devilish wit

Lost souls and lonely hearts populate Roy Andersson’s deliciously odd follow-up to A Pigeon Sat on a Branch Reflecting on Existence

The Painted Bird review – savage, searing three-hour tour of hell

Stellan Skarsgård, Harvey Keitel and Udo Kier star in this phantasmagorical horror about eastern Europe that saw half the Venice audience walk out. I couldn’t look away

The Perfect Candidate review – powerful insight into Saudi absurdity

Haifaa al-Mansour, the first Saudi woman to direct a feature, goes back to basics with an effective story of a doctor trying to enter politics

Aniara review – a eerily mesmerising outer-space odyssey

Disaster leaves a public spacecraft adrift and its social order on the brink of breakdown in this cleverly pertinent sci-fi chiller

Streaming: is the Brazilian film Araby the movie of the decade?

A Brazilian road movie that’s been wowing critics for two years finally makes its UK debut

A Faithful Man review – drearily frothy French romcom

The female objects of desire in this disappointing ménage à trois comedy by Louis Garrel are more fantasies than characters

Transit review – taut German thriller

A 1940s tale of refugees, riot police and stolen identities

Djon África review – globetrotting quest yields warmth and wonder

Miguel Moreira’s Portuguese idler travels to Cape Verde to find his dad in in this meandering, lusciously shot drama

Transit review – brilliant existential thriller works like a dream

In Christian Petzold’s superbly deft drama, a fugitive steals someone else’s identity with deeply disturbing results

Gaza review – heartfelt chronicle of life under political siege

This sombre, angry documentary captures a sense of ordinary life in the strip bordered by Egypt, Israel and the sea

Opus Zero review – Willem Dafoe’s no Columbo in auteurist mystery

Dafoe adds watchability in this story of a composer obsessed with a long-ago disappearance, but this arthouse drama feels like a misstep

Oldboy review – a beautifully blood-spattered modern classic

Limbs, teeth and live octopuses all come in for unblinkingly brutal treatment in Park Chan-wook’s stunning revenge epic

Une Femme Douce review – Bresson’s transcendent reflection on marriage

The French director’s 1969 spectacle about the wife of a pawnbroker who kills herself is still difficult, devastating and captivating 50 years on

The Candidate review – corruption and paranoia at the Spanish seaside

Antonio de la Torre is magnetic as a politician at the centre of a web of betrayal in Rodrigo Sorogoyen’s slow-burn thriller

Holiday review – an unlovely sojourn around the twisted male psyche

Sex, violence and alpha-male malice collide with sickening consequences in Isabella Eklöf’s unflinching directorial debut

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  • NAZA film-makers say they spoke to more than 100 sources about Israeli actions in Gaza
  • You Can See Everything review – Nathan Fielder’s Elizabeth Holmes doc is a modern masterpiece of deceit
  • Sex, drugs and amoebic dysentery: the 20 best making-of documentaries – ranked!
  • Tourette syndrome campaigner John Davidson to watch Bafta Scotland awards in separate ‘relaxed’ space
  • The Last First: Winter K2 review – race up second highest mountain reveals fatal cost of human ambition
  • ‘These early friendships are huge romances’: Extra Geography’s lessons in teenage love
  • Derek vs Derek review – farmers go head to head in rewilding rivalry with real bite
  • Extra Geography review – a wickedly funny lesson in sex, class and female friendship
  • Nicolas Cage calls Marvel movies ‘a glorified WWE’ with over-50s in ‘ridiculous outfits’
  • Don’t hate the movie, hate the critic! Digger’s new PR push is a risky bet for film that was never meant to be divisive
  • Knife: The Attempted Murder of Salman Rushdie review – terrifying and inspiring story of survival
  • ‘They raped our country’: documentary follows Kenyans’ fight for restitution over stolen land
  • Gaza documentary NAZA beats Avengers Endgame: Encore to top Italian box office
  • Post your questions for Michael Winterbottom
  • How Zach Cregger’s Resident Evil stands out from all other game adaptations
  • Verity review – Dakota Johnson leaves teethmarks as she goes back to Fifty Shades erotic thriller territory
  • Cotton Queen review – mystery, matriarchs and magic in pioneering Sudanese debut
  • The Swan contestants on the ‘sadistic’ pageant reality show: ‘Ultimately, we were just a job’
  • Rapture review – cult Spanish horror is a deeply strange cheese dream of cinemania
  • How Deep Is Your Love review – under the sea at Earth’s last frontier with the Psychedelic Elvis Worm
  • Reanimated AI Greta Garbo stars again … in a ball-bearing advert
  • SKF advert review – let’s hope this dull AI Greta Garbo is not the future
  • Patricio Guzmán obituary
  • The cure for doomscrolling? Why Tom Cruise stopped a woman mid-scroll
  • Digger review – Tom Cruise’s loudmouth oil tycoon goes hard in Alejandro G Iñárritu’s eco-satire
  • Child review – jump scares abound in twisty organ transplant fable that keeps horror at its heart
  • The Portuguese House review – picturesque, polite drama of secrets and revelations at a country estate
  • April X review – Connor Storrie searches for missing twin in dystopian dream-tech sci-fi thriller
  • Century-old silent film made in New Hampshire found in Japan antique shop
  • Gen Z has very strong opinions about age-gap relationships – and it could be right

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