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Tramontane review – musical road trip untangles trauma of Lebanese civil war

Vatche Boulghourjian was selected for Cannes’ Critics’ Week for this meandering mystery about a blind musician who discovers that his childhood was a lie

In Between review – flatmates crash the cultural boundaries

Three women from Muslim and Christian backgrounds bond over hummus and history in a delightful drama set in Tel Aviv

On Body and Soul review – bizarre and brutal tale of lovers in the slaughterhouse

In this strange, unsettling romance, a Hungarian abattoir provides the backdrop for an affair between two workers that exists only when they sleep

Our Last Tango review – passion and pain in tango doc well timed for Strictly season

This engaging film focuses on a couple who once dazzled audiences with their intimate dance routines but whose off-stage love turned to heartbreak

In the Last Days of the City review – adrift in Cairo as the Arab spring looms

A film-maker returns to the place of his boyhood on a quest for love and creative fulfilment in this melancholy cine-journal

The Villainess review – rampage through the criminal underworld in sensible heels

A street-tough young woman graduates from a finishing school for contract killers in this bloodily inventive South Korean thriller

The Villainess review – overstuffed, overdone and riotous good fun

This Korean revenge thriller reels from genre to genre with abandon but boasts some exceptional moments

My Pure Land review – a good idea gone slightly awry

This female-centric Pakistani western boasts beautiful imagery but ultimately fails to hold together

Nocturama; Strong Island; Alien: Covenant and more – review

Bertrand Bonello’s mesmerising thriller Nocturama gets its UK premiere on Netflix, while Michael Fassbender is the saving grace in Alien: Covenant

My Pure Land review – teenage girls wield guns against bandits in masala western

A gun-trained female trio resist robbers bent on stealing their home in this Pakistan drama that pays homage to Hollywood and south-Asian film-making

7 Days review – wedding planners entangled in a knotty affair

There’s a satisfying, life-affirming undertow in this story of a midlife romance set on an idyllic Mediterranean island

Center of My World review – sensitive gay coming-of-age story strikes a chord

This German adaptation of Andreas Steinhöfel’s YA novel wobbles between genuinely cute and aggravatingly twee, but it has a moving emotional candour

Kills on Wheels review – hitman in a wheelchair fires up plucky comedy drama

Attila Till’s movie isn’t exactly a radical representation of disability, but has its heart in the right place

The Graduation review – French film-school doc shows long, hard route to the top

This Frederick Wiseman-style vérité documentary sits in on the judging process as the prestigious La Fémis winnows down its applicants

C’est la Vie! review – underpowered party planner comedy that offers little to chew on

The new comedy from the makers of French hit Untouchable has fine cast, led by Jean-Pierre Bacri, but it just isn’t funny or exciting enough

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  • Take It or Leave It review – vividly atmospheric formative adventures of future pop princes Madness
  • NAZA film-makers say they spoke to more than 100 sources about Israeli actions in Gaza
  • You Can See Everything review – Nathan Fielder’s Elizabeth Holmes doc is a modern masterpiece of deceit
  • Sex, drugs and amoebic dysentery: the 20 best making-of documentaries – ranked!
  • Tourette syndrome campaigner John Davidson to watch Bafta Scotland awards in separate ‘relaxed’ space
  • The Last First: Winter K2 review – race up second highest mountain reveals fatal cost of human ambition
  • ‘These early friendships are huge romances’: Extra Geography’s lessons in teenage love
  • Derek vs Derek review – farmers go head to head in rewilding rivalry with real bite
  • Extra Geography review – a wickedly funny lesson in sex, class and female friendship
  • Nicolas Cage calls Marvel movies ‘a glorified WWE’ with over-50s in ‘ridiculous outfits’
  • Don’t hate the movie, hate the critic! Digger’s new PR push is a risky bet for film that was never meant to be divisive
  • Knife: The Attempted Murder of Salman Rushdie review – terrifying and inspiring story of survival
  • ‘They raped our country’: documentary follows Kenyans’ fight for restitution over stolen land
  • Gaza documentary NAZA beats Avengers Endgame: Encore to top Italian box office
  • Post your questions for Michael Winterbottom
  • How Zach Cregger’s Resident Evil stands out from all other game adaptations
  • Verity review – Dakota Johnson leaves teethmarks as she goes back to Fifty Shades erotic thriller territory
  • Cotton Queen review – mystery, matriarchs and magic in pioneering Sudanese debut
  • The Swan contestants on the ‘sadistic’ pageant reality show: ‘Ultimately, we were just a job’
  • Rapture review – cult Spanish horror is a deeply strange cheese dream of cinemania
  • How Deep Is Your Love review – under the sea at Earth’s last frontier with the Psychedelic Elvis Worm
  • Reanimated AI Greta Garbo stars again … in a ball-bearing advert
  • SKF advert review – let’s hope this dull AI Greta Garbo is not the future
  • Patricio Guzmán obituary
  • The cure for doomscrolling? Why Tom Cruise stopped a woman mid-scroll
  • Digger review – Tom Cruise’s loudmouth oil tycoon goes hard in Alejandro G Iñárritu’s eco-satire
  • Child review – jump scares abound in twisty organ transplant fable that keeps horror at its heart
  • The Portuguese House review – picturesque, polite drama of secrets and revelations at a country estate
  • April X review – Connor Storrie searches for missing twin in dystopian dream-tech sci-fi thriller
  • Century-old silent film made in New Hampshire found in Japan antique shop

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