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Seoul Station review – social realism infects animated zombie prequel

The prequel to Train to Busan is a more downbeat affair – a social satire with political ideas and a nasty conclusion

The Olive Tree review – captivating Spanish drama

A young woman decides to rescue her grandfather’s olive tree, sold to a German company as a green symbol, in Icíar Bollaín’s low-key, heartfelt film

A Silent Voice review – a beguiling Japanese coming-of-age animation

Based on a manga series, this delicately told story of wrongdoing, redemption and romance is subtle and sensuous

Sônia Braga: ‘The Oscars only have four spaces for best actress – one is always reserved for Meryl Streep’

The Brazilian says Latino actors don’t get many chances in Hollywood – but her role as the fiery Clara in corruption drama Aquarius might just be her rescue mission

The Student review – a forceful and provocative lesson from Russia

Far-right extremism causes havoc in a Russian school in this strident but timely tale

The Student review – a seductive satire of Russian Orthodox dogma

This hypnotic adaptation of Marius von Mayenburg’s play finds the comedy in the actions committed by a devout teenager in the name of his beliefs

Headshot review – ultra-violent Indonesian action-thriller

Bad guys go on the rampage in this stylish and excessively gory iteration of the action genre

The Nights of Zayandeh-Rood review – Makhmalbaf’s essential early film returns

The great auteur’s controversial 1990 critique of Iranian society is a rich meditation on family life, the legacy of violence and lost love

It’s my first time attending the Oscars – here’s my wishlist for the night

Will La La Land clean up? Will the stars come out against Trump’s travel ban? And will Ryan Seacrest give a certain debonair British film critic the red carpet moment he deserves?

Sweet Dreams review – muddled, sentimental tale of a son haunted by grief

Marco Bellochio’s story of a journalist dealing with the loss of his mother is spoiled by a disappointingly sugary resolution

End of empire: why Bollywood needs to grasp India’s story

Seven decades after independence, Indian cinema is still struggling to depict the Raj, leaving its screen depictions – from Gandhi to colonial racism – to be viewed almost solely through British eyes

Lars von Trier inspired by Donald Trump for new serial-killer film

Exclusive: The Danish director’s The House That Jack Built ‘celebrates the idea that life is evil and soulless, which is sadly proven by the recent rise of the Homo trumpus – the rat king’

Le Parc review – first date movie dissolves into sinister surrealism

Two teenagers meet and make out before everything gets seriously freaky in this ethereal low-budget French affair

Toni Erdmann review – fascinatingly fraught father-daughter relationship

There are plenty of laughs in Maren Ade’s unsettling, uproarious story of a family struggling to connect, but the funny thing is – it’s not really a comedy

Close Relations review – a family and a nation divided

Exploring how Russia’s involvement in Ukraine has affected his own family, Vitaly Mansky’s documentary shows the pain of loyalties tested

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  • Take It or Leave It review – vividly atmospheric formative adventures of future pop princes Madness
  • NAZA film-makers say they spoke to more than 100 sources about Israeli actions in Gaza
  • You Can See Everything review – Nathan Fielder’s Elizabeth Holmes doc is a modern masterpiece of deceit
  • Sex, drugs and amoebic dysentery: the 20 best making-of documentaries – ranked!
  • Tourette syndrome campaigner John Davidson to watch Bafta Scotland awards in separate ‘relaxed’ space
  • The Last First: Winter K2 review – race up second highest mountain reveals fatal cost of human ambition
  • ‘These early friendships are huge romances’: Extra Geography’s lessons in teenage love
  • Derek vs Derek review – farmers go head to head in rewilding rivalry with real bite
  • Extra Geography review – a wickedly funny lesson in sex, class and female friendship
  • Nicolas Cage calls Marvel movies ‘a glorified WWE’ with over-50s in ‘ridiculous outfits’
  • Don’t hate the movie, hate the critic! Digger’s new PR push is a risky bet for film that was never meant to be divisive
  • Knife: The Attempted Murder of Salman Rushdie review – terrifying and inspiring story of survival
  • ‘They raped our country’: documentary follows Kenyans’ fight for restitution over stolen land
  • Gaza documentary NAZA beats Avengers Endgame: Encore to top Italian box office
  • Post your questions for Michael Winterbottom
  • How Zach Cregger’s Resident Evil stands out from all other game adaptations
  • Verity review – Dakota Johnson leaves teethmarks as she goes back to Fifty Shades erotic thriller territory
  • Cotton Queen review – mystery, matriarchs and magic in pioneering Sudanese debut
  • The Swan contestants on the ‘sadistic’ pageant reality show: ‘Ultimately, we were just a job’
  • Rapture review – cult Spanish horror is a deeply strange cheese dream of cinemania
  • How Deep Is Your Love review – under the sea at Earth’s last frontier with the Psychedelic Elvis Worm
  • Reanimated AI Greta Garbo stars again … in a ball-bearing advert
  • SKF advert review – let’s hope this dull AI Greta Garbo is not the future
  • Patricio Guzmán obituary
  • The cure for doomscrolling? Why Tom Cruise stopped a woman mid-scroll
  • Digger review – Tom Cruise’s loudmouth oil tycoon goes hard in Alejandro G Iñárritu’s eco-satire
  • Child review – jump scares abound in twisty organ transplant fable that keeps horror at its heart

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