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La Famille Bélier review – feelgood comedy

An award-winning French tale about a teenage girl and her deaf parents is frothy but moving

Avengers: Age of Ultron; The Age of Adaline; The Tribe; Hard to Be a God; The Wonders; The Salt of the Earth; The Dance of Reality; Marshland; Empire – review

Marvel’s latest lacks the wit of its forebears, and while Harrison Ford puts his heart into Adaline, the best of the week’s DVDs are foreign-language films

Abel Ferrara: ‘Pasolini’s death is not some kind of fictional event’

The fearless champion of bad taste talks spirituality, improvisation and his shamanic approach to shooting a film about Pasolini’s fateful final hours

The Second Mother review – master and servant roles under scrutiny

The delicate relationship between employer and servant is skilfully subverted and scrutinised in this funny, serious study of class in modern-day Brazil

Closed Curtain review – dreamlike and deadpan

A screenwriter finds a remote place to work and protect his dog, when his space is invaded, in Jafar Panahi’s Pirandellian sideswipe at Iran’s government

Wolf Totem review – lupine thrills and pack mentality

Bestseller adaptation that is part wildlife doc, part dissection of the Cultural Revolution; at times fantastically exiting, at others bogged down in muddy metaphor

Theeb review – timeless art-house drama

There is a stark authenticity to this beautifully shot story of a Bedouin boy’s fight for survival during the first world war

Marshland review – True Detective in post-Franco Spain

It’s surely coincidence but this Spanish crime drama shares many elements with the HBO drama, including some breathtaking camerawork

Hard to Be a God review – mud, blood and holy hell

A slo-mo kaleidoscope of medieval squalor, fear and pandemonium, Alexei German’s three-hour epic isn’t easy to watch, but it is awe-inspiring in its own monumentally mad way

Five great female-friendly comic-book adaptations

The Diary of a Teenage Girl is the latest comic book movie to feature a heroine, but women are still woefully underrepresented in the genre overall

Man With a Movie Camera review – pure cinema, still unparalleled

Dziga Vertov’s unclassifiable 1929 masterpiece celebrates the infinite possibilities of film

Cub review – visually stylish Belgian chiller

An eccentric build-up and some ingenious booby-trappery can’t quite compensate for the plotting holes in this cub scout slasher movie

David Gulpilil – magnetic Indigenous actor connecting two Australias

Melbourne International film festival celebrates an enduring career with Walkabout, Charlie’s Country, Ten Canoes and an important new film

Melbourne film festival: you’ll laugh, you’ll cry with top 10 things to see and do

Luke Buckmaster scans a lineup designed to stir the emotions, including a tearjerker gamer movie, a reincarnation comedy starring Colin Farrell and a concentration-challenging nine-hour movie marathon

Eden review – the perfect mix of music and melancholia

Mia Hansen-Løve’s tremendously stylish film about a Paris DJ coolly shuns a traditional narrative to move in time with its own ambient beat

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  • The ICE documentary as chilling as a horror movie: ‘We’re trying to put the audience in a position of terror’
  • Oasis: Don’t Look Back in Anger to All We Imagine As Light: the seven best films to watch on TV this week
  • ‘If you can’t hold it, you don’t own it’: why media fans want to escape algorithms with CDs, DVDs and vinyl
  • ‘I look at the footage to convince myself that you were alive’: how Ross McElwee made a film about unimaginable loss, grief and guilt
  • Why boxing is still a box-office smash hit even as the sport’s popularity wanes
  • Take It or Leave It review – vividly atmospheric formative adventures of future pop princes Madness
  • NAZA film-makers say they spoke to more than 100 sources about Israeli actions in Gaza
  • You Can See Everything review – Nathan Fielder’s Elizabeth Holmes doc is a modern masterpiece of deceit
  • Sex, drugs and amoebic dysentery: the 20 best making-of documentaries – ranked!
  • Tourette syndrome campaigner John Davidson to watch Bafta Scotland awards in separate ‘relaxed’ space
  • The Last First: Winter K2 review – race up second highest mountain reveals fatal cost of human ambition
  • ‘These early friendships are huge romances’: Extra Geography’s lessons in teenage love
  • Derek vs Derek review – farmers go head to head in rewilding rivalry with real bite
  • Extra Geography review – a wickedly funny lesson in sex, class and female friendship
  • Nicolas Cage calls Marvel movies ‘a glorified WWE’ with over-50s in ‘ridiculous outfits’
  • Don’t hate the movie, hate the critic! Digger’s new PR push is a risky bet for film that was never meant to be divisive
  • Knife: The Attempted Murder of Salman Rushdie review – terrifying and inspiring story of survival
  • ‘It’s frustrating to see immoral videos do so well’: how YouTube sensation Half-Asleep Chris sent a rollercoaster to space and made Bella the cat a star
  • ‘They raped our country’: documentary follows Kenyans’ fight for restitution over stolen land
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  • Post your questions for Michael Winterbottom
  • How Zach Cregger’s Resident Evil stands out from all other game adaptations
  • Verity review – erotic thriller leaves teethmarks as Dakota Johnson goes back to Fifty Shades territory
  • Cotton Queen review – mystery, matriarchs and magic in pioneering Sudanese debut
  • The Swan contestants on the ‘sadistic’ pageant reality show: ‘Ultimately, we were just a job’
  • Rapture review – cult Spanish horror is a deeply strange cheese dream of cinemania
  • How Deep Is Your Love review – under the sea at Earth’s last frontier with the Psychedelic Elvis Worm
  • Reanimated AI Greta Garbo stars again … in a ball-bearing advert

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