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Joe Berger and Pascal Wyse June 20, 2008

The Pitchers: Playing a waiting game

Do they know who we are?

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Comcast to spin off NBCUniversal and Sky into separate media business
‘His ability is hard to deny’: is Tom Hardy a secretly good rapper?
Done Quixote? Film archivists on quest to finish Orson Welles passion project
Black Box: Flight 298 review – there’s a beastie in the hold in airborne conspiracy horror
‘Genuinely changed my life’: why Groundhog Day is my feelgood movie
The Last Assassins review – shades of Blade Runner in dystopian thriller shrouded in silty-green murk
Fragments of Ice review – fascinating chronicle of Soviet collapse through the lens of a Ukrainian ice skater
I’m a psychiatrist who was terrified of horror films – until I learned about ‘cinematic neurosis’
Still blazing after all these years: Mel Brooks at 100
Tearing up the screen: BFI’s Rip It Up season rebels against tired teen stereotypes
Brassed Off review – stirring tale of coal and cornets moves Yorkshire audience to tears
Watching Brokeback Mountain kept me in the closet
From Supergirl to Muse: your complete entertainment guide to the week ahead
O what a tangled web: unweaving the weirdest fan rumours surrounding Spider-Man: Brand New Day
‘I’m a soldier. I don’t have a gun, but I have a pen and a camera’: Mahnaz Mohammadi on fighting the Iranian regime
Glastonbury the Movie review – thirty years on, the sunset of a hippy dream in all its glory
Enola Holmes 3 to Bang My Box: The Robin Byrd Story – the seven best films to watch on TV this week
Wanted: a new PM, a new James Bond, a new Doctor – and a UK that can agree on its leading characters
Strung review – far-fetched thriller awkwardly mixes Blumhouse and Tyler Perry
The Mission review – a surgeon saves lives in war-torn Gaza in a visceral portrait of human endurance
Pride review – solidarity between gay activists and miners in a magnificent musical
Little Brother review – Netflix comedy is neither weird or funny enough for star Eric André
Can a $290m film studio on a former cow paddock lure Hollywood to Perth?
‘Our characters like to be naughty’: the makers of the Nirvanna mockumentary on illegal skydiving, taboo-breaking and time travel
Jackass: Best and Last review – kings of gross-out comedy’s final, funny farewell
Puppy eyes, sad hair and a big boom box: John Cusack films – ranked!
A Better Tomorrow review – firefights aplenty and unapologetic melodrama in John Woo’s blood-drizzled crime classic
Chris and Martina: The Final Set review – tennis titans discuss their deep bond and intense rivalry
The Furious review – dial-shifting dadsploitation mayhem as father goes in search of kidnapped daughter
Blue Heron review – sombre and sophisticated portrait of childhood trauma in 1990s Canada

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