BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content

Skip to secondary content

News
- Celebrity
- Industry
- Technology
- Festivals
- Obituary
Books
Reviews
World
Doc
Drama
Comedy
Romance
Family
Action
Horror
Thriller
SciFi
Amimation

Post navigation

← Previous Next →

July 1, 2008

Peter Greenaway’s Last Supper

Watch an extract of Peter Greenaway's projection onto Leonardo da Vinci's Last Supper

Tweet

Leave a Comment Cancel comment

Required fields are marked *

Name *

Email *

Website

CAPTCHA Code*

Comment *

Spielberg’s Disclosure Day is making some wonder: will we have real disclosure soon?
Shrinks on the verge of a nervous breakdown: how horror movies came for therapists
Nirvanna the Band the Show the Movie review – two goofballs in search of a gig roll back the years
The best theatre to stream this month: all rise for Rosamund Pike’s Inter Alia
‘Get away from there – run!’ The stunning film about love blossoming amid the carnage of Aleppo
Enola Holmes 3 review – Netflix mystery franchise is starting to lose steam
Citizen Vigilante review – Armie Hammer returns to obliterate the imaginary woke piñata of Europe-stan
Blake Lively files to receive $8m in legal fees from Justin Baldoni and his studio
‘I’m not a quitter!’ Rubén Blades, the salsa supremo who acted with Jack Nicholson, inspired Bad Bunny – and served as Panama’s tourism minister
The Three Musketeers: D’Artagnan brings genuine thrills – and a massive budget – to a well-trodden tale
Spider-Man’s web of lies: what would actually happen if you were bitten by a radioactive spider?
Why is Elon Musk boosting an anti-immigrant film loved by the far right?
Supergirl: doggy distress, frontier justice and a new direction for superhero movies – discuss with spoilers
UK ‘minded’ to intervene in Paramount’s $110bn takeover of Warner Bros Discovery
Michael Byrne obituary
Elon Musk promotes ‘anti-migrant’ Armie Hammer film with free download on X
The original Moana: did a 1926 documentary give birth to a 21st century Disney blockbuster?
The Invite review – Seth Rogen adds zest and bite to fruity dinner party comedy
Not a Pretty Picture review – Martha Coolidge’s recreation of her rape remains shockingly powerful
Executioner review – sleazy MP hams it up with sex worker in darkly comic blackmail thriller
Comcast to spin off NBCUniversal and Sky into separate media business
‘His ability is hard to deny’: is Tom Hardy a secretly good rapper?
Done Quixote? Film archivists on quest to finish Orson Welles passion project
Black Box: Flight 298 review – there’s a beastie in the hold in airborne conspiracy horror
‘Genuinely changed my life’: why Groundhog Day is my feelgood movie
The Last Assassins review – shades of Blade Runner in dystopian thriller shrouded in silty-green murk
Fragments of Ice review – fascinating chronicle of Soviet collapse through the lens of a Ukrainian ice skater
I’m a psychiatrist who was terrified of horror films – until I learned about ‘cinematic neurosis’
Still blazing after all these years: Mel Brooks at 100
Tearing up the screen: BFI’s Rip It Up season rebels against tired teen stereotypes

Contact www.brillfilms.com Terms of Use