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Five Nights at Freddy’s 2 review – inept game-based horror is one of the year’s worst

The box office smash of Halloween 2023 gets a shoddily made follow-up written carelessly and devoid of an actual ending

Oh. What. Fun. review – Michelle Pfeiffer leads Amazon’s underbaked Christmas turkey

Starry cast, including Felicity Jones and Chloë Grace Moretz, can’t save misfiring cross between Home Alone and The Family Stone

It Was Just an Accident review – Jafar Panahi takes us on a nightmare trip into a land of bribes and brutality

An unfortunate encounter with a dog sets off a chain of surreal, grotesque events that expose the corruption and tyranny at the heart of Iran

Sunset Boulevard review – Hollywood never looked more glorious or more tragic

Gloria Swanson is extraordinary as faded film-star Norma Desmond in Billy Wilder’s cameo-packed self-referential masterpiece about tinseltown ghosts and delusions

Cover-Up review – atrocity exposer Seymour Hersh, journalist legend, gets a moment in the spotlight

Hersh’s record on uncovering the big stories, from My Lai to Abu Ghraib, speaks for itself. This documentary watches him at work: dogged, nonconformist and combative

Life in One Chord review – the Dunedin sound through the eyes of a music maverick

Based on a memoir by Straitjacket Fits frontman Shayne Carter, this documentary maps out the New Zealand town that birthed an indie movement

Prime Minister review – portrait of Jacinda Ardern shows a fully human being in charge for once

Documentary about New Zealand’s former leader records a shrewd but likable premier who did without the usual politician’s defences

Magazine Dreams review – powerful bodybuilding drama dogged by star Jonathan Majors’ assault conviction

The actor was convicted in 2023 leaving this a film maudit, and though he is convincing, it only draws uncomfortable parallels with his own life

Folktales review – taking on tyranny of social media as teens learn to live like hunter-gatherers

In this documentary, high schoolers camp out in subzero temperatures, making their own fires and driving sledges in the wild

Dreamers review – deep sense of empathy powers emotionally vivid refugees’ drama

A traumatised Nigerian woman seeking asylum in Britain meets a kindred spirit in Joy Gharoro-Akpojotor’s evocative tale

Marty Supreme review – Timothée Chalamet a smash in spectacular screwball ping-pong nightmare

Following every dizzying spin of Chalamet’s table tennis hustler, Josh Safdie’s whip-crack comedy serves sensational shots – and a smart return by Gwyneth Paltrow

Son of the Soil review – bone-crunching Lagos revenge thriller with bruising swagger

Razaaq Adoti writes and stars in this scrappy gangland action romp, mixing Nollywood energy with bloody set pieces and a dash of 80s-style grit

I Only Rest in the Storm review – beguiling postcolonial blues in Guinea-Bissau

A disaffected Portuguese NGO worker dallies with a drag queen as he wrestles with white man’s privilege in Pedro Pinho’s intelligent drama

Onlookers review – snapshots of a south-east Asian country shaped by tourism

Through static compositions and observational detail, the documentary explores how Laos’s visitors and residents inhabit the same spaces in very different ways

Paddington: The Musical review – they’ve looked after this bear quite splendiferously

State-of-the-art animatronics, imaginative staging, fabulous performances and some marvellous songs about marmalade make for an evening that will fill you with joy and melt your heart

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← Older posts

  • The Alto Knights to Under the Stars: the seven best films to watch on TV this week
  • Netflix becomes frontrunner in Warner Bros Discovery streaming and studio sale
  • ‘The goal was to scare a kid’: the wild world of films-within-films
  • Steve Cropper obituary
  • ‘A joyous and emotional journey’: immersive exhibition charts Coventry’s south Asian heritage
  • Five Nights at Freddy’s 2 review – inept game-based horror is one of the year’s worst
  • Tom Felton: ‘I agree with Barbie – blonds have more fun’
  • TV Tonight: celebrating two of the best Christmas films ever
  • ‘It was legs out all the time!’ June Squibb on starring in Scarlett Johansson’s directing debut – and Broadway’s original Gypsy
  • Oh. What. Fun. review – Michelle Pfeiffer leads Amazon’s underbaked Christmas turkey
  • Mr Men and Little Miss feature film in the works from Paddington producers
  • It Was Just an Accident review – Jafar Panahi takes us on a nightmare trip into a land of bribes and brutality
  • Jamie Lee Curtis asked My Girl studio to put trigger warning on poster over Macaulay Culkin bee sting
  • Sunset Boulevard review – Hollywood never looked more glorious or more tragic
  • Quentin Tarantino has strong opinions about Paul Dano and none of them are right
  • Cover-Up review – atrocity exposer Seymour Hersh, journalist legend, gets a moment in the spotlight
  • ‘BDSM on screen used to just mean a gimp in the basement’: the kink community’s verdict on Pillion
  • One Battle After Another gains Oscars traction after early awards season wins
  • Jodie Foster, who began her career aged three, calls acting ‘a cruel job’ she never would have chosen
  • ‘He asked me what I’d done sexually with a woman’: how Joy Gharoro-Akpojotor turned her asylum grilling into a film
  • Anne Hathaway and Michaela Coel face off in first trailer for pop star epic Mother Mary
  • Life in One Chord review – the Dunedin sound through the eyes of a music maverick
  • The Outsiders: why Francis Ford Coppola’s coming-of-age drama is secretly gay
  • Prime Minister review – portrait of Jacinda Ardern shows a fully human being in charge for once
  • Magazine Dreams review – powerful bodybuilding drama dogged by star Jonathan Majors’ assault conviction
  • Folktales review – taking on tyranny of social media as teens learn to live like hunter-gatherers
  • Dreamers review – deep sense of empathy powers emotionally vivid refugees’ drama
  • British public’s verdict is in: Die Hard is not a Christmas movie
  • Scarlett Johansson says she was pressed to remove Holocaust narrative from directing debut
  • Marty Supreme review – Timothée Chalamet a smash in spectacular screwball ping-pong nightmare

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